Descendent (2025)
90%
“Descendent uses its strong cast and delicate filmmaking to make a compelling alien abduction movie that is grounded in the very human struggles men face as they become fathers.” –
Austin Chronicle
Mar 14, 2025
Full Review
Assembly (2025)
“Newsome, as a main character, is compelling – an artist pouring the deepest parts of himself into his work and who genuinely believes in the power of it to elicit healing and change.” –
Austin Chronicle
Mar 13, 2025
Full Review
Sweetness (2025)
92%
“One of the components that makes Sweetness such a compelling watch is the performance of its lead actor. Hallett as Rylee showcases an extreme but vital range of emotion.” –
Austin Chronicle
Mar 8, 2025
Full Review
The Dating Game (2025)
67%
C
“The Dating Game attempts to provide a nuanced look at dating through a specific cultural perspective, but ultimately bites off more than it can chew.” –
AwardsWatch
Feb 1, 2025
Full Review
Predators (2025)
97%
A
“Predators doesn’t have any concrete answers either, but it is starting a vital conversation that most true crime-centric stories wouldn’t even dare tread.” –
AwardsWatch
Feb 1, 2025
Full Review
Atropia (2025)
41%
B
“Turner and Shawkat’s chemistry is...strange, and disarmingly sweet the way they interact with each other, first with mistrust and then undeniable attraction and intimacy, is compelling. ” –
AwardsWatch
Jan 30, 2025
Full Review
The Seed of the Sacred Fig (2024)
97%
“ It's worth watching just to be a witness to the transgressive and courageous possibilities of the medium.” –
Austin Chronicle
Oct 30, 2024
Full Review
Elton John: Never Too Late (2024)
77%
B
“From its openness about John’s struggles in childhood and adulthood to its chronicling of his massive farewell tour, the film feels like a fitting goodbye to a one-of-a-kind artist.” –
AwardsWatch
Sep 16, 2024
Full Review
On Becoming a Guinea Fowl (2024)
100%
A
“With its fearless filmmaking and deft handling of its subject material, On Becoming a Guinea Fowl is a poignant and unsettling portrait of what happens when a family has to face its trauma.” –
AwardsWatch
Sep 16, 2024
Full Review
The Life of Chuck (2024)
86%
B
“When The Life of Chuck captures that rare spark, it really resonates with all the multitudes within us.” –
AwardsWatch
Sep 12, 2024
Full Review
The Substance (2024)
89%
A
“If you’re looking for a subtle meditation on aging and beauty, you’re in the wrong place, but this is a feature, not a bug of the film.” –
AwardsWatch
Sep 9, 2024
Full Review
Dahomey (2024)
99%
A
“Amongst the larger-than-life narration and the multifaceted conversations within the community, Diop also makes sure to capture the quiet and intimate moments.” –
AwardsWatch
Sep 9, 2024
Full Review
The Last Showgirl (2024)
83%
A
“Pamela Anderson lends a real humanity and glowing optimism to Shelley.” –
AwardsWatch
Sep 9, 2024
Full Review
The Idea of You (2024)
81%
“Galitzine and Hathaway anchor the film and their chemistry is palpable, making every touch feel electric.” –
TheWrap
Aug 8, 2024
Full Review
I Saw the 온라인카지노추천 Glow (2024)
84%
3.5/5
“It’s a powerful depiction of what media can do for us, especially as young people.
” –
Austin Chronicle
May 9, 2024
Full Review
Immaculate (2024)
71%
3/5
“It’s deranged, but also at times curiously defanged. At least it’s still a fun, bloody watch, even if it frustrates along the way.” –
Austin Chronicle
Mar 13, 2024
Full Review
Love Lies Bleeding (2024)
94%
4.5/5
“The all-out Love Lies Bleeding is a love story that won’t work for everyone. However, for those who can revel in the blood-soaked, complicated, sapphic delights that make up the backbone of the film, the saga of Lou and Jackie will be one for the ages.
” –
Austin Chronicle
Mar 13, 2024
Full Review
Kryptic (2024)
67%
“The movie lays out a lot of interesting ideas about autonomy, self-discovery, and sexuality but it leaves them all at a surface level.” –
Austin Chronicle
Mar 12, 2024
Full Review
The In Between (2024)
“Filmmaker Robie Flores takes... small, precious moments and creates something mesmerizing in The In Between.” –
Austin Chronicle
Mar 11, 2024
Full Review
Look Into My Eyes (2024)
91%
“Wilson doesn’t solve the mysteries of the universe, but she does do something remarkable: unveiling the very human desires and drives that motivate us to reach out for something bigger than ourselves.” –
TheWrap
Feb 27, 2024
Full Review
Love Me (2024)
47%
“It’s a sweeping, sweet and unique romance that works across different mediums to deliver something thoughtful that isn’t afraid to wear its heart on its sleeve.” –
TheWrap
Jan 19, 2024
Full Review
Freaky Tales (2024)
74%
“Underdog stories are beloved for a reason. And “Freaky Tales,” the latest movie from directors Anna Boden and Ryan Fleck, gives us a host of underdogs to root for, along with a bloody, fun, very ‘80s time on the weirder side of Oakland, California.” –
TheWrap
Jan 19, 2024
Full Review
The Book of Clarence (2023)
66%
3/5
“Buoyed by... creative bursts of fresh air and great performances from its ensemble cast, The Book of Clarence has a lot to offer but is weighed down by its tonal irregularities.” –
Austin Chronicle
Jan 11, 2024
Full Review
All of Us Strangers (2023)
96%
3/5
“In Haigh’s hands, the ghost story becomes a potent exploration of grief, and the impact it has on how we move through the world.” –
Austin Chronicle
Jan 4, 2024
Full Review
The Boys in the Boat (2023)
57%
3/5
“Clooney has provided a fine time at the movies, with engaging sports sequences, thoughtful storytelling, impactful visuals, and great performances. Its focus can get a bit fuzzy, but this doesn’t dull the film’s overall shine.” –
Austin Chronicle
Dec 21, 2023
Full Review
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