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Alicja Johnson

Alicja Johnson's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Biography:

Alicja Johnson is a writer and film lover with a passion for uplifting diverse voices in film. Based in Arlington, Virginia, she also serves as the communications manager for a digital equity nonprofit.

Publications:

Reviews

Movies 온라인카지노추천 Shows
Maestro (2023) 78% D “Maestro has a straight man playing a queer musician, a non-Hispanic woman playing a Latina, and the internet got mad about a NOSE?!” – Mediaversity Reviews Mar 1, 2024 Full Review Last Night in Soho (2021) 75% D “Last Night in Soho reinforces biases against sex workers and people with mental illness.” – Mediaversity Reviews Nov 14, 2021 Full Review The Guilty (2021) 74% F “Does The Guilty qualify as "copaganda"? Despite its best efforts, yes.” – Mediaversity Reviews Oct 10, 2021 Full Review Annette (2021) 72% D “The movie seems to revel in objectifying Annette, in part because she's played by a literal object.” – Mediaversity Reviews Sep 3, 2021 Full Review The Green Knight (2021) 89% B- “If you've ever wondered what constitutes "a critic's film," look no further than The Green Knight.” – Mediaversity Reviews Aug 11, 2021 Full Review Barb & Star Go to Vista Del Mar (2021) 81% B+ “Barb and Star proves that comedy doesn't have to be offensive to make people laugh.” – Mediaversity Reviews Jun 22, 2021 Full Review Sweet & Sour (2021) C “Sweet & Sour joins the long list of romantic movies that show stalking in a positive light.” – Mediaversity Reviews Jun 10, 2021 Full Review Army Of The Dead (2021) 67% B “For an all-around mediocre movie, Army of the Dead fares surprisingly well with representation.” – Mediaversity Reviews May 31, 2021 Full Review Scary Stories to Tell in the Dark (2019) 78% B- “"Not ghosts but human beings," reads a slogan for International Albinism Awareness Day, so it's ironic that the sole person with albinism in Scary Stories shows up as a ghost.” – Mediaversity Reviews Apr 22, 2021 Full Review Judas and the Black Messiah (2021) 96% B “Judas and the Black Messiah refreshingly works to undo false notions about the Black Panther Party, but only two women are given space in this story-and not much space, at that.” – Mediaversity Reviews Apr 6, 2021 Full Review The Trial of the Chicago 7 (2020) 89% C- “"Bobby Seale and Fred Hampton only appear in the context of their suffering, employed as devices to brew anti-racist anger in his audience."” – Mediaversity Reviews Mar 20, 2021 Full Review I Care a Lot (2020) 79% B “A disabled character on the silver screen who's not solely defined by their condition is all too rare.” – Mediaversity Reviews Mar 1, 2021 Full Review So, My Grandma's a Lesbian! (2019) 50% C- “By prioritizing a straight perspective, So My Grandma's a Lesbian! pushes its queer protagonists to the sidelines.” – Mediaversity Reviews Feb 10, 2021 Full Review Wonder Woman 1984 (2020) 58% C- “Meaningful representation consists of more than simply casting women and people of color.” – Mediaversity Reviews Jan 3, 2021 Full Review Run (2020) 88% B+ “Aneesh Chaganty crucially recognized the potential issue of having able-bodied filmmakers tell a disabled story.” – Mediaversity Reviews Dec 18, 2020 Full Review Holidate (2020) 46% D “For all there is to criticize, Holidate does surprise us by presenting a relationship with an age gap in a positive way.” – Mediaversity Reviews Nov 13, 2020 Full Review The Forty-Year-Old Version (2020) 99% A+ “"The Forty-Year-Old Version scathingly critiques the institution of theater."” – Mediaversity Reviews Oct 25, 2020 Full Review Enola Holmes (2020) 91% C “A subtle stench of the 'not like other girls' trope tarnishes Enola Holmes' otherwise noteworthy treatment of gender.” – Mediaversity Reviews Oct 4, 2020 Full Review The Personal History of David Copperfield (2019) 92% B “"Colorblind" casting makes the film decidedly more diverse but presents an artificial solution to a deeply-entrenched problem in media.” – Mediaversity Reviews Sep 16, 2020 Full Review
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