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Anahit Behrooz

Anahit Behrooz's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies 온라인카지노추천 Shows
Babygirl (2024) 76% 5/5 “Audacious, sexy and deliciously smart, Babygirl is one of the most welcome entries into the erotic thriller canon in years.” – The Skinny Jan 6, 2025 Full Review 2073 (2024) 48% “Certainly, the film is uncompromisingly, unrelentingly furious, as it remorselessly holds to light the countless dystopias we currently live under and tolerate.” – Little White Lies Sep 5, 2024 Full Review Kill the Jockey (2024) 96% “Silly, shambolic, and sincere, Kill the Jockey feels like the cinematic equivalent of throwing spaghetti at the wall: not all of it sticks, and some of it is overdone, but there is something charming about the wilfulness of doing it at all.” – Little White Lies Aug 30, 2024 Full Review Origin (2023) 81% “A hugely ambitious political and narrative feat, illuminating millennia of oppressive systems through the lens of one woman writing against a personal backdrop of loss and grief.” – Little White Lies Sep 6, 2023 Full Review Bones and All (2022) 82% 4/5 “A film so entirely monstrous, and so entirely flush with love.” – The Skinny Sep 20, 2022 Full Review Athena (2022) 86% 4/5 “Athena considers how the revolution might not only be televised, but rendered electric and sublime.” – The Skinny Sep 20, 2022 Full Review Beyond the Wall (2022) 50% “Beyond the Wall is a film that rewards patience, drawing its deliberately oblique, stray threads together into an eviscerating conclusion that foregrounds solidarity as the sole beacon of hope in an oppressive world.” – Little White Lies Sep 8, 2022 Full Review The Matchmaker (2022) “This documentary does very little to uncover the real machinations of power at play. Instead, it merely gawks, and prods, and indicts.” – Little White Lies Sep 8, 2022 Full Review Happening (2021) 99% 5/5 “The boxy aspect ratio is near-suffocating as [Diwan] soberly charts the imposed risk of female desire, the impossibility of lust when so much punishment might ensue.” – The Skinny Mar 17, 2022 Full Review Both Sides of the Blade (2021) 84% 3/5 “Set in the aftermath of COVID-19, Fire is most interesting when in direct conversation with its contemporary context of social upheaval.” – The Skinny Mar 17, 2022 Full Review Licorice Pizza (2021) 90% 5/5 “It's all so wonderfully fresh and zingy, shot with a spontaneity that is both naturalistic and deliciously offbeat.” – One Room With A View Jan 6, 2022 Full Review Ear for Eye (2021) 100% 4/5 “Within ear for eye's uncompromising portrait of a broken society lies a deeply emotional core, which well understands how the political will always be personal and raw.” – The Skinny Dec 9, 2021 Full Review Benediction (2021) 92% 5/5 “Jack Lowden and Peter Capaldi play Siegfried Sassoon at different ages in Terrence Davies' elegant, haunting biopic of the war poet.” – The Skinny Nov 8, 2021 Full Review 7 Days (2021) 86% 2/5 “Some of the jokes really land, but unfortunately 7 Days breaks the golden rom-com rule: that the audience should really want the leads to get together.” – One Room With A View Oct 19, 2021 Full Review Great Freedom (2021) 97% 3/5 “Meise's determination to show history in all its stained reality has real power, a tense, moving portrait of masculinity struggling against the bounds of violence and punishment in which it is placed.” – One Room With A View Oct 11, 2021 Full Review The Last Duel (2021) 85% 1/5 “It makes a sick kind of sense that corporate Hollywood turned women's overwhelming rage into something so reassuring, and so trite.” – One Room With A View Sep 13, 2021 Full Review Land of Dreams (2021) 63% 4/5 “Stubbornly opaque and infinitely rewarding, Land of Dreams is a case study in how the most surreal imaginaries can very often be the most disturbingly real.” – One Room With A View Sep 13, 2021 Full Review Dune (2021) 83% 4/5 “Balanced by a largely stellar cast and sumptuous visual storytelling, Dune breathes life into Herbert's plentiful world.” – One Room With A View Sep 7, 2021 Full Review Parallel Mothers (2021) 96% 5/5 “A chaotic whirl of vivid colour and misunderstanding fit for the horniest and queerest of Shakespeare plays.” – The Skinny Sep 5, 2021 Full Review The Lost Daughter (2021) 94% 5/5 “Gyllenhaal's eye is extraordinarily perceptive, the camera almost indecently intimate in its attention to the heady sensuality of frustrated desire.” – The Skinny Sep 5, 2021 Full Review The Man Who Sold His Skin (2020) 88% 5/5 “Rarely has the West's wilful exploitation of the Middle East been so audaciously represented, or so deliciously mocked.” – The Skinny Aug 30, 2021 Full Review Ballad of a White Cow (2021) 89% 4/5 “A granular social drama that grapples with the inherent contradiction of brutality and grace that characterises everyday life under the Iranian regime.” – The Skinny Aug 25, 2021 Full Review Dreams on Fire (2021) 100% 3/5 “Where Dreams on Fire thrives is in its unapologetic examination of trying to make it in a precarious industry, of the reality of pursuing creative ambition in an unaccommodating world.” – The Skinny Aug 22, 2021 Full Review Wendy (2020) 42% 3/5 “This is ambitious, wild filmmaking that pushes with childlike recklessness against the rigid bounds of literary adaptation: it doesn't always succeed, but when it does, everything feels -- just for a moment -- extraordinary.” – One Room With A View Aug 17, 2021 Full Review Black Widow (2021) 79% 4/5 “Natasha has long been one of the Avengers' most interesting members -- a human amongst superheroes, a woman amongst a horde of ego-driven men -- and this film gives her, if not her due, then space to breathe.” – One Room With A View Jul 12, 2021 Full Review
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