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Andrew Lawrence

Andrew Lawrence's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
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Hurry Up Tomorrow (2025) 16% 2/5 “"Tomorrow" can't rush past its lack of clarity, both visually and in the storytelling. The payoffs should hit harder, but the film's insistence on tarrying in the space between the characters' sober and sick minds make for muddled set-ups. ” – Guardian May 15, 2025 Full Review Divorce in the Black (2024) 0% 1/5 “It’s easily [Tyler Perry's] worst film to date.” – Guardian Jul 12, 2024 Full Review Don't Tell Mom the Babysitter's Dead (2024) 54% 4/5 “A model for how future reboots can be faithfully done.” – Guardian Apr 11, 2024 Full Review The Perfect Find (2023) 72% 3/5 “The Perfect Find is as much a tribute to Black love as it is a salute to the Roaring 20s – a fine romance to build a night in around.” – Guardian Jun 22, 2023 Full Review The Blackening (2022) 87% 4/5 “As a horror The Blackening isn’t the scariest. But that’s not the point of this film – a Fubu satire smack in the sweet spot between Get Out and Scary Movie.” – Guardian Jun 14, 2023 Full Review White Men Can't Jump (2023) 26% 2/5 “Director of photography Tommy Maddox-Upshaw captures LA vistas in full golden-hour splendor. Marcelo Zarvos’s score is an unspoiled mix of old school and new. But none of it saves a film that undermines its own premise.” – Guardian May 18, 2023 Full Review House Party (2023) 28% 1/5 “James’s heart and hangups might be in the right place. But unless you’ve got nothing else going this weekend, his House Party is one to skip.” – Guardian Jan 13, 2023 Full Review A Jazzman's Blues (2022) 67% 4/5 “Jazzman isn’t just good for a Tyler Perry movie. It’s good full stop.” – Guardian Sep 23, 2022 Full Review Honk for Jesus. Save Your Soul. (2022) 72% 1/5 “At best, the film is an abstract commentary on a culture it doesn’t fully understand; at worst, it’s half-hearted creative license.” – Guardian Sep 2, 2022 Full Review
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