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Andrew Reichel

Andrew Reichel's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
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Drop (2025) 84% “A little too committed to its hyper-contemporary high-tech premise, and its flirtations with something weightier mean that viewers are ultimately left... wondering whether the vacillations between sincerity and affectation are charming or merely annoying.” – In Review Online Apr 11, 2025 Full Review It's Not Me (2024) 89% “The world no longer blinks and is going blind from too many images as a result, claims Carax — hence the recent barrage of fascist politicians who claim to see the problem. It’s a great provocation to leave us with.” – In Review Online Oct 9, 2024 Full Review Youth (Hard Times) (2024) 93% “What comes across fiercely... is the fact that no one is stuck in a rut yet: not Wang’s ever watchful camera, and certainly not the people in front of it. ” – In Review Online Aug 19, 2024 Full Review Crossing (2024) 97% “If you’ve seen one movie about a tough old lady bonding with a younger boy, you’ve probably seen them all.” – In Review Online Jul 17, 2024 Full Review Shadow of Fire (2023) 86% “No one could accuse [him] of being dishonest by portraying post-war Japan so gloomily, and the film isn’t monotonous, but removing names and most backstories didn’t necessarily have to mean abandoning psychological specificity for the woman and the child.” – In Review Online Jan 31, 2024 Full Review The Crime Is Mine (2023) 98% “By the time The Crime is Mine comes to its conclusion... the sanitized dynamics and false cheer have resulted in a film that immediately dissipates from the mind.” – In Review Online Dec 19, 2023 Full Review
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