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Angelica Jade Bastién

Tomatometer-approved critic

Reviews

Movies 온라인카지노추천 Shows
Sinners (2025) 98% “It is a phantasm of Black Southern delights. ” – New York Magazine/Vulture Apr 18, 2025 Full Review Black Bag (2025) 96% “This is a matter of complementary craft; of two great listeners and communicators bringing rapture to every gesture. ” – New York Magazine/Vulture Mar 14, 2025 Full Review The Monkey (2025) 79% “A horror film can’t survive on kills alone, and the narrative of The Monkey — for all the movie’s craft and pedigree — is the worst thing a horror saga can be: boring.” – New York Magazine/Vulture Feb 24, 2025 Full Review Star Trek: Section 31 (2025) 20% “It is sloppy, misguided, and frankly rote, overstuffed with concepts that it only superficially explores.” – New York Magazine/Vulture Feb 7, 2025 Full Review Mountains (2023) 97% “It’s the kind that dares us to look back and consider what it means to create a home away from the shores where you were born, in a country hostile not just to your betterment but to your very survival.” – New York Magazine/Vulture Oct 1, 2024 Full Review Blink Twice (2024) 75% “Blink Twice is a frustratingly timid take on the billionaire class, too busy swooning over Tatum’s figure to even realize it’s making that mistake.” – New York Magazine/Vulture Aug 19, 2024 Full Review Challengers (2024) 88% “The details of these people’s lives and their interiorities are so thinly drawn they feel more like beautiful ideas crashing into one another and leaving little messes that are too easy to clean up.” – New York Magazine/Vulture Apr 22, 2024 Full Review RENAISSANCE: A FILM BY BEYONCÉ (2023) 98% “More than anything, Renaissance is a testament that Beyoncé is a brand that stands for absolutely nothing beyond its own greatness.” – New York Magazine/Vulture Dec 4, 2023 Full Review The Flash (2023) 63% “The film is remarkably banal. It’s a deteriorating rest stop on the road to nowhere.” – New York Magazine/Vulture Jun 14, 2023 Full Review The Little Mermaid (2023) 67% “As the studio has done with other live-action remakes, Disney betrays its own lack of imagination and an essential misreading of what made its original children’s fare such a joy to audiences in the first place.” – New York Magazine/Vulture May 22, 2023 Full Review John Wick: Chapter 4 (2023) 94% “Chapter 4 is blissfully entertaining, full of pratfalls and acting turns that lead to the audience swelling with oohs, aahs, and yelps.” – New York Magazine/Vulture Mar 23, 2023 Full Review Return to Seoul (2022) 97% “[Chou] grounds his story in the contours and illuminations of lead Park Ji-Min’s features and expressions in a debut performance so piercing it makes the entire film move like a breathing poem.” – New York Magazine/Vulture Feb 17, 2023 Full Review Eve's Bayou (1997) 84% “What stays with me after all these years are the images of its female characters in liminal states, on the edge of awakenings: Roz’s beautiful façade cracking under the pressure of her husband’s impropriety...” – New York Magazine/Vulture Jan 10, 2023 Full Review Babylon (2022) 57% “Babylon is a film too busy writing an elegy for the still-breathing body of film as a medium to capture the true beauty and complications of being alive.” – New York Magazine/Vulture Dec 21, 2022 Full Review Black Panther: Wakanda Forever (2022) 84% “Regrettably, Black Panther: Wakanda Forever tries to do so many things that it comes across as threadbare and pallid — less a failure of imagination and more of circumstance, time, and narrative constraints.” – New York Magazine/Vulture Nov 9, 2022 Full Review Men (2022) 69% “Despite all the broken bones, the graphic deaths, and the copious amounts of blood, the driving idea behind Men is not bold enough to feel frightening. Instead, it’s remarkably tepid.” – New York Magazine/Vulture May 18, 2022 Full Review Doctor Strange in the Multiverse of Madness (2022) 74% “The ideas that hold a gleam of potential are shot down by the film’s rank ugliness, its incessant pace of exposition, the utter slog of the first hour, and the insistence on special effects that render the horrifying as textureless.” – New York Magazine/Vulture May 4, 2022 Full Review Ambulance (2022) 68% “This is exactly the kind of ridiculousness I can get behind.” – New York Magazine/Vulture Apr 12, 2022 Full Review The Lost City (2022) 79% “The Lost City isn’t terrible, just aggressively mediocre. It is the kind of movie you put on in the background after coming across it on TBS while you fold laundry on a Sunday afternoon.” – New York Magazine/Vulture Mar 23, 2022 Full Review The Worst Person in the World (2021) 96% “The story quietly washes over you until you realize you’re drowning in waves of acute emotions.” – New York Magazine/Vulture Feb 3, 2022 Full Review The Matrix Resurrections (2021) 63% “Teetering between a meta-reckoning with the legacy of the first trilogy and a sincere blooming of a whole new story that feels boldly romantic, Lana Wachowski's first feature solo is a thrilling triumph.” – New York Magazine/Vulture Dec 22, 2021 Full Review C'mon C'mon (2021) 94% “A tremendous showing from Joaquin Phoenix, operating at a register he's rarely found before. It's a career best for him - lovely, empathetic, humane.” – New York Magazine/Vulture Nov 24, 2021 Full Review Eternals (2021) 47% “With Eternals, Marvel proves itself to be nothing more than a staid, lumbering black hole.” – New York Magazine/Vulture Nov 5, 2021 Full Review Candyman (2021) 84% “This Candyman misunderstands the allure of the original and has nothing meaningful to say about the contemporary ideas it observes with all the scrutiny of someone rushing through a Starbucks order on their way to work.” – New York Magazine/Vulture Aug 25, 2021 Full Review Gunpowder Milkshake (2021) 60% “Gunpowder Milkshake, Netflix's latest in a long line of glossy, forgettable fare, is a flagrant reminder that execution is everything.” – New York Magazine/Vulture Aug 4, 2021 Full Review
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