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Anita Katz

Anita Katz's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
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Reviews

Movies 온라인카지노추천 Shows
Summer of Soul (...Or, When the Revolution Could Not Be Televised) (2021) 99% 3.5/4 “This rousing, rich, significant film is caringly thought out and joyously free-flowing. Thompson, who was handed amazing material and knew what to do with it, has given the monumental cultural event the documentary it deserves.” – San Francisco Examiner Jul 1, 2021 Full Review Rita Moreno: Just a Girl Who Decided to Go For It (2021) 96% 3/4 “Whether sitting in a chair and reminiscing or making decorations for her own birthday party, Moreno is an outstanding documentary subject -- self-aware, funny, and wonderfully outspoken.” – San Francisco Examiner Jun 25, 2021 Full Review Summer of 85 (2020) 81% 3/4 “This sun-streaked French heartbreaker is still a wildly engaging tale of teenage self-discovery and amour fou.” – San Francisco Examiner Jun 25, 2021 Full Review All Light, Everywhere (2021) 94% 3/4 “It is a stimulating consideration of how photographic material that is widely considered truthful and objective can be the opposite of that, and how those in power have long kept a troubling eye on the powerless.” – San Francisco Examiner Jun 11, 2021 Full Review Censor (2021) 89% 3/4 “The ambiguity, meanwhile, when at its finest, results in some challenging intrigue, due in part to the assuredness with which Bailey-Bond presents it.” – San Francisco Examiner Jun 11, 2021 Full Review Changing the Game (2019) 100% 3/4 “This documentary gives needed visibility to teens who are impressively changing the rules and, through sports, enabling others to believe in themselves.” – San Francisco Examiner Jun 3, 2021 Full Review Tove (2020) 93% 3/4 “As conventionally presented biopics go, Tove enhances the basic goods. It also contains a terrific protagonist.” – San Francisco Examiner Jun 3, 2021 Full Review Cruella (2021) 75% 3/4 “Stone, sporting a rascally glint in her eye as Cruella plots her moves, and Thompson, whose baroness, suggesting a meaner version of Meryl Streep's Devil Wears Prada character, all hauteur and ruthlessness, are a kick to watch.” – San Francisco Examiner May 28, 2021 Full Review Port Authority (2019) 83% 3/4 “An uneven but moving indie drama about love and family, set in the world of New York City's kiki ballroom scene.” – San Francisco Examiner May 28, 2021 Full Review Final Account (2020) 93% 3/4 “Few accounts in the film are extraordinary. But combined, they form a substantial document of the more mundane aspects of Nazi operations and of the human denial mechanism at work.” – San Francisco Examiner May 21, 2021 Full Review Dream Horse (2020) 88% 2.5/4 “Collette, who is Australian but fits right in with her Welsh costars, plays both a sports-movie-style coach and a woman realizing her potential, and she shines.” – San Francisco Examiner May 21, 2021 Full Review The Killing of Two Lovers (2020) 93% 3/4 “Crawford, leading an excellent cast, creates a scary yet richly human portrait of a decent man who, unable to contain his rage, might do something terrible.” – San Francisco Examiner May 13, 2021 Full Review Riders of Justice (2020) 96% 3/4 “The movie is also about coming to terms with the meaninglessness of life's realities, and, most movingly, as the characters form a makeshift family, it is about how human connection assists healing.” – San Francisco Examiner May 13, 2021 Full Review The Human Factor (2019) 98% 3/4 “The wonky documentary has some bias problems, but Moreh's subjects tell fascinating behind-the-scenes stories.” – San Francisco Examiner May 7, 2021 Full Review En Route pour le Milliard (2020) 100% 3/4 “This doc is stirringly alive as Hamadi captures his subjects' sense of purpose and collective sprit.” – San Francisco Examiner Apr 23, 2021 Full Review Together Together (2021) 90% 2.5/4 “Unfortunately, the ideas are superior to the presentation of them in this film, whose most important ingredient, the Matt-Anna relationship, too often plays out blandly and flatly.” – San Francisco Examiner Apr 23, 2021 Full Review The Last Animals (2017) 100% 3/4 “This isn't rosy viewing. But believing that, as residents of the planet, we should take serious note of the extinction crisis, Brooks lays out the facts and makes clear the urgency. This film deserves attention.” – San Francisco Examiner Apr 16, 2021 Full Review Gunda (2020) 98% 3.5/4 “Few, if any, films have more effectively documented an animal's capacity for deep and complicated feeling. Kossakovsky merits applause for bringing this amazing appreciation of farm animals into being.” – San Francisco Examiner Apr 16, 2021 Full Review Slalom (2020) 100% 3/4 “Renier brilliantly makes Fred's behavior despicable while giving Fred just enough humanity to make him a credible character instead of a one-note monster.” – San Francisco Examiner Apr 9, 2021 Full Review The Man Who Sold His Skin (2020) 88% 3/4 “The Syrian refugee crisis meets the western art market in The Man Who Sold His Skin, writer-director Kaouther Ben Hania's uneven but compelling (and Oscar-nominated) social satire, refugee-condition tragicomedy and love story,” – San Francisco Examiner Apr 9, 2021 Full Review The Father (2020) 98% 3/4 “In the potentially dreary role of a devoted daughter dealing with a parent experiencing one of human physiology's saddest realities, Colman helps make the movie an unsentimental heartbreaker.” – San Francisco Examiner Mar 26, 2021 Full Review The Truffle Hunters (2020) 97% 3/4 “Dweck and Kershaw have put some contagiously positive spirit on the screen.” – San Francisco Examiner Mar 26, 2021 Full Review Groomed (2021) 3/4 “Van de Pas structures her film efficiently, creating, despite the dark topics, a highly watchable mix of facts and figures and trauma and healing.” – San Francisco Examiner Mar 19, 2021 Full Review Martha: A Picture Story (2019) 100% 3/4 “Upbeat, zippy and thoroughly enjoyable.” – San Francisco Examiner Mar 19, 2021 Full Review Quo Vadis, Aida? (2020) 100% 3.5/4 “For the movie's merits as a thriller and a drama, credit goes to Jaroslaw Kaminski's taut editing and to Djuricic's sensational lead performance.” – San Francisco Examiner Mar 12, 2021 Full Review
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