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Armond White

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Movies 온라인카지노추천 Shows
A Minecraft Movie (2025) 48% “A Minecraft Movie recaptures the innocence that Steven Spielberg has lost, especially in his own overwrought gamer film Ready Player One. Who could guess that a movie starring Jack Black would not be irritating?” – National Review Apr 17, 2025 Full Review When Fall Is Coming (2024) 95% “After a career filled with surrealist audacity, Ozon settles for wise contemplation -- a new understated classicism that’s as erotic and startling as his familiar impudence.” – National Review Apr 15, 2025 Full Review Henry Fonda for President (2024) “Horwath’s ideological biases notwithstanding, Henry Fonda for President makes a monumental plea for those films and filmmakers that reflect a nation’s essence. ” – National Review Apr 9, 2025 Full Review The Friend (2024) 84% “Because the Covid-19 experience has been ignored by most filmmakers, The Friend fills a hole in contemporary movie experience.” – National Review Apr 9, 2025 Full Review Being Maria (2024) 62% “Although Being Maria is dedicated to Schneider’s memory, it also consumes her in that purge.” – National Review Apr 9, 2025 Full Review Misericordia (2024) 95% “The strange understanding that Guiraudie extends is richer than any of Disney’s fake family fantasies. Guiraudie explores guilt, eccentricity, and desire that Disney is neither honest nor mature enough to entertain.” – National Review Mar 27, 2025 Full Review The Alto Knights (2025) 39% “De Niro can make recognizable traits seem fresh -- that’s his gift -- but director Barry Levinson doesn’t give The Alto Knights the ethnic essence and cinematic flair of a Scorsese flick.” – National Review Mar 22, 2025 Full Review The Visitor (2024) 94% “LaBruce’s scandalous, profane, sexually graphic style uses pornographic tropes yet challenges the creative and political crises of conventional mainstream filmmakers. His remake is shocking in the best, truest sense.” – National Review Mar 22, 2025 Full Review The Empire (2024) 57% “Every Star Wars fan who has reached the age of consent should see Bruno Dumont’s The Empire. It’s a bizarre yet movingly humane satire that exposes the philosophical deficiencies of the movie genre that dominates global film culture.” – National Review Mar 15, 2025 Full Review Mickey 17 (2025) 77% “Bong simplifies Kafka for gamers then adds sarcastic advice: Amuse yourself. Abuse yourself.” – National Review Mar 13, 2025 Full Review September 5 (2024) 93% “This isn’t the great movie the Olympic tragedy demands; that remains Spielberg’s Munich (2005). But September 5 is good enough to spark our curiosity about the meta aspect of 온라인카지노추천 news.” – National Review Mar 1, 2025 Full Review The Wild Robot (2024) 96% “Sanders may pay tribute to the palette of Miyazaki and to classic Disney animation, but his nihilist reflex gives way to commercial sentimentality, reducing morality to manipulation. ” – National Review Mar 1, 2025 Full Review Marcello Mio (2024) 50% “On personal terms with past collaborators Deneuve and Chiara, Honoré ignores superficial celebrity to play with the prospect of spiritual empathy.” – National Review Feb 19, 2025 Full Review Conclave (2024) 93% “Conclave reduces philosophical and spiritual issues to the cheapest and most banal melodrama.” – National Review Feb 19, 2025 Full Review I'm Still Here (2024) 97% “Salles masters a genre of polite, quasi-European social justice drama. Never risking outright political statement, Salles exemplifies the casual commitment Hollywood admires as a mirror of its own glib engagement.” – National Review Feb 8, 2025 Full Review The Day of the Locust (1975) 63% “The most impressive aspect of Schlesinger’s film is its sense of place: the sunny, awesomely relaxed, fetid warmth captured by Conrad Hall’s sumptuous cinematography. ” – National Review Feb 8, 2025 Full Review Emilia Pérez (2024) 72% “Audiard has referred to his script as a libretto, but Emilia Pérez stretches past operatic goofiness. Each aria-song, through middling Latin pop and rap hybrids, expresses the egomania of sociopaths.” – National Review Feb 8, 2025 Full Review The Seed of the Sacred Fig (2024) 97% “Tracks social and moral collapse with the kind of unnerving calm and visual precision that made the Iranian New Wave so striking when Abbas Kiarostami’s Through the Olive Trees and Mohsen Makhmalbaf’s A Moment of Innocence first stunned the film world.” – National Review Jan 28, 2025 Full Review Eat the Night (2024) 67% “Few Millennials will know that classic of cinema’s golden age, but Poggi and Vinel make it possible for them to experience that same longing in modern terms. That makes Eat the Night special among Millennial movies.” – National Review Jan 16, 2025 Full Review Better Man (2024) 88% “By never breaking the anthropoid conceit -- keeping Williams a chimp from working-class childhood obscurity to adult pop-stardom -- Better Man evolves into the most honest and exploratory showbiz movie ever made. ” – National Review Jan 10, 2025 Full Review The Brutalist (2024) 93% “Fact is, The Brutalist is one of last year’s ugliest movies -- not just in terms of aesthetics but in the moral perversity that is the basis of its acclaim.” – National Review Jan 3, 2025 Full Review Saturday Night (2024) 78% “This is another Reitman boondoggle that mines the zeitgeist, congratulating the SNL institution rather than scrutinizing it in terms of the cultural realities that produced it. ” – National Review Jan 3, 2025 Full Review Oh Canada (2024) 64% “Oh, Canada is the latest case of Schrader’s undeserved esteem. It is so shamelessly meta that the Schrader cult, responding to gossip about his private misfortunes, excuses the film’s self-exploitation like it was a profound examination of cinema itself.” – National Review Dec 31, 2024 Full Review The Piano Lesson (2024) 88% “As cinema, The Piano Lesson suggests that Wilson’s fears were well founded -- but the stewardship of Hollywood’s Washington clan is the reason for its failure. ” – National Review Dec 31, 2024 Full Review Hail Mary (1985) 75% “Every scene is a test -- of belief, plausibility, modern faithlessness. And every image (shot by Jean-Bernard Menoud and Jacques Firmann) is astonishingly beautiful. Hail Mary reaffirms Godard’s perfect visual pitch. ” – National Review Dec 31, 2024 Full Review
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