Audra Schroeder
Audra Schroeder's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Flamin' Hot (2023)
67%
3/5
“Longoria’s debut feature film makes for a compelling underdog story.” –
The Daily Dot
Apr 6, 2023
Full Review
The Menu (2022)
88%
3.5/5
“The story, penned by Will Tracy and Seth Reiss, is expertly paced, punctuated by gorgeous title cards announcing the dishes.” –
The Daily Dot
Feb 20, 2023
Full Review
Decision to Leave (2022)
94%
3/5
“A detective thriller noir that tries to get you to feel something for its flawed protagonists. But they’re a little too quiet.” –
The Daily Dot
Feb 20, 2023
Full Review
Skinamarink (2022)
74%
“Skinamarink expertly recreates the feeling of being between sleep and consciousness—of waking up weird.” –
The Daily Dot
Feb 20, 2023
Full Review
The Trip (2021)
83%
3.5/5
“The Trip thankfully steps back from the sadness of a crumbling relationship and instead presents its chaotic flipside” –
The Daily Dot
Oct 28, 2021
Full Review
Natalie Palamides: Nate - A One Man Show (2020)
88%
4/5
“There's no resolution at the end of the hour. Nate takes off on his motorcycle, in a cloud of smoke. Now you're left sitting with the feelings.” –
The Daily Dot
Dec 15, 2020
Full Review
Sound of Metal (2019)
97%
4/5
“Riz Ahmed gives a standout performance in this moving film.” –
The Daily Dot
Dec 8, 2020
Full Review
Sarah Cooper: Everything's Fine (2020)
67%
2/5
“I get that Cooper and friends are trying to mirror the feeling of doom-scrolling, but the result is more like an SNL cold open gone rogue.” –
The Daily Dot
Nov 4, 2020
Full Review
Bad Hair (2020)
62%
2.5/5
“Justin Simien's latest throws a little too much at the screen.” –
The Daily Dot
Oct 23, 2020
Full Review
Borat Subsequent Moviefilm (2020)
85%
2.5/5
“Does Borat's schtick still work when politicians show us who they are every day?” –
The Daily Dot
Oct 21, 2020
Full Review
I'm Thinking of Ending Things (2020)
82%
3/5
“Two hours under the influence of Charlie Kaufman.” –
The Daily Dot
Sep 4, 2020
Full Review
Boys State (2020)
95%
3.5/5
“A fascinating and bleak exploration of teenage boys playing politics.” –
The Daily Dot
Aug 14, 2020
Full Review
Pandora's Box (1929)
93%
“The way the camera lingers on Brooks is voyeuristic; she, in turn, is oblivious to the fact we're there - the scene where she swings on the arm of muscle-head producer Rodrigo Quast is a classic example.” –
Austin Chronicle
Jun 16, 2020
Full Review
Hannah Gadsby: Douglas (2020)
93%
3.5/5
“Gadsby makes it an accessible show, even if it's intertwined with its predecessor.” –
The Daily Dot
May 28, 2020
Full Review
Michelle Wolf: Joke Show (2019)
100%
3.5/5
“Wolf has mastered the joke structure, so that even when stating, "White women, it's time to admit we're part of the problem," she has a counterpunch(line) and doesn't lose the audience.” –
The Daily Dot
Mar 18, 2020
Full Review
4/5
“While Bamford tempered expectations early on in the special, it's not because she doubts herself or her material. She's arrived at a place where she knows herself-and her brand-better.” –
The Daily Dot
Mar 17, 2020
Full Review
To All the Boys: P.S. I Still Love You (2020)
78%
3/5
“That the franchise has retained a devoted audience speaks to Condor's complete command of the role, and while the sequel still has chemistry, it feels a bit confined by its love triangle.” –
The Daily Dot
Feb 18, 2020
Full Review
Fortune Feimster: Sweet & Salty (2020)
3/5
“Sweet & Salty keeps a celebratory tone throughout, but the last 20 minutes are a little more self-reflective, as Feimster assesses where she is now-and how she could be the representation she lacked.” –
The Daily Dot
Feb 5, 2020
Full Review
Leslie Jones: Time Machine (2020)
100%
3.5/5
“Jones pauses a couple of times to genuinely be in the moment, and though much of the hour leans on surveying the past and making observations (not all of them groundbreaking), there's a bigger takeaway: Take up space now.” –
The Daily Dot
Jan 24, 2020
Full Review
Ilana Glazer: The Planet is Burning (2020)
71%
3/5
“Glazer is a gifted performer-energetic, physical, and quick with an impression. She has a voice that people are drawn to. But there's a sense that she's still finding her footing in this medium. And that's OK.” –
The Daily Dot
Jan 9, 2020
Full Review
John Mulaney & The Sack Lunch Bunch (2019)
96%
3.5/5
“John Mulaney & the Sack Lunch Bunch excels at amplifying those weird moments of pre-adolescence, when you're trying to assert yourself more but aren't always taken seriously because you're "just a kid."” –
The Daily Dot
Dec 30, 2019
Full Review
Rattlesnake (2019)
32%
2/5
“Unfortunately, Rattlesnake is more concerned with Katrina paying her debt than any deeper discussions of morality.” –
The Daily Dot
Oct 28, 2019
Full Review
Fractured (2019)
56%
1.5/5
“Fractured is the latest Netflix original thriller that feels like it was assembled in a factory, its keywords blinking to life: distant father, dissatisfied wife, vague trauma, man obsessed, save family.” –
The Daily Dot
Oct 23, 2019
Full Review
Jenny Slate: Stage Fright (2019)
100%
3.5/5
“Slate-like so many women-has more than one self, and she shows us a few of them in Stage Fright.” –
The Daily Dot
Oct 23, 2019
Full Review
Jojo Rabbit (2019)
80%
2.5/5
“There's a nagging feeling that Jojo Rabbit is giving us the kid-gloves version of the story.” –
The Daily Dot
Oct 1, 2019
Full Review
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