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Ben Kenigsberg

Tomatometer-approved critic

Reviews

Movies 온라인카지노추천 Shows
Invention (2024) 94% ““Invention” is committed to finding its own wavelength.” – New York Times Apr 17, 2025 Full Review The Teacher (2023) 82% “While the threads all compel individually, the climax, in which Basem declares his determination to redress a past failure, is decidedly trite.” – New York Times Apr 10, 2025 Full Review The Luckiest Man in America (2024) 66% “It is still fun to watch Michael and CBS compete for the upper hand.” – New York Times Apr 3, 2025 Full Review Holland (2025) 21% “It is hard to catalog the plot holes without giving too much away...” – New York Times Mar 27, 2025 Full Review Magazine Dreams (2023) 80% “Bynum piles on the misery in increasingly bogus ways.” – New York Times Mar 20, 2025 Full Review Opus (2025) 41% “Green proves a solid filmmaker when it comes to setting atmosphere, and he even shows off the occasional inspired formal touch.” – New York Times Mar 13, 2025 Full Review Seven Veils (2023) 77% “Fans who mourn that Egoyan’s dramatic instincts have slipped in recent years won’t quite be getting a return to form. ” – New York Times Mar 6, 2025 Full Review Cold Wallet (2024) 66% “The storytelling economy (small cast, one main location) is welcome, but none of the four characters is the sharpest tool in the shed, and whatever insights Hodierne intends on the cutthroat world of crypto remain elusive.” – New York Times Feb 28, 2025 Full Review The Quiet Ones (2025) 42% “The theft that inspired the movie has been called one of the biggest in Denmark’s history. It deserved a sleeker film.” – New York Times Feb 20, 2025 Full Review Notes on Displacement (2023) “In its form, “Notes on Displacement” mirrors the terrifying, dangerous journey it chronicles.” – New York Times Feb 13, 2025 Full Review Love Hurts (2025) 19% “At 83 minutes, “Love Hurts” falls somewhere between making a virtue of brevity and wheezing its way to the finish line. ” – New York Times Feb 7, 2025 Full Review Dog Man (2025) 80% “Mostly, it’s a visual pleasure: The computer renderings have just enough texture, and the movements enough jittery tactility, to give the film a handmade feel. The splashy color palette keeps the eye engaged.” – New York Times Jan 29, 2025 Full Review Rose (2021) 81% “Saada allows this set piece to play out at gratifying length. ” – New York Times Jan 24, 2025 Full Review Back in Action (2025) 28% “Mostly, the familiarity takes its toll. ” – New York Times Jan 17, 2025 Full Review Oceans Are The Real Continents  (2023) 100% “All five principals are first glimpsed in the opening scene — a performance piece starring Alex as Christ on the cross — and all are united in a gorgeous train station tableau near the end.” – New York Times Jan 9, 2025 Full Review Don't Die: The Man Who Wants to Live Forever (2025) 75% “Faced with the problem of humanizing a man who aspires to cheat a fundamental aspect of human existence, Smith settles for a banal father-son arc. ” – New York Times Jan 3, 2025 Full Review Vermiglio (2024) 93% “It is a rich, enveloping film that asks viewers to approach it as if tiptoeing through the snow.” – New York Times Jan 3, 2025 Full Review The Bibi Files (2024) 95% “Beyond the videos, the movie takes a thorough, methodical approach to laying out the case against Netanyahu, even if few of its arguments are new. ” – New York Times Dec 13, 2024 Full Review The Order (2024) 92% “But the movie is more effective as a grim, involving cop thriller than it is as an ostensible statement on the Order’s reverberations in the present.” – New York Times Dec 9, 2024 Full Review Spellbound (2024) 48% “So, too, may viewers of "Spellbound" occasionally sense the enchantment zones of their brains lighting up, more as a reflexive response to dim memories of past animated features than as a genuine reaction to the derivative pastiche onscreen.” – New York Times Dec 9, 2024 Full Review Beatles '64 (2024) 95% “Watching the band in the Plaza Hotel and fans in the streets, hoping to catch a glimpse of their idols, you can’t help but get swept up in a 60-year-old fervor.” – New York Times Dec 3, 2024 Full Review A Traveler's Needs (2024) 81% “There is just enough intrigue this time to suggest hidden depths.” – New York Times Nov 21, 2024 Full Review Bogart: Life Comes in Flashes (2024) 88% “... An official portrait that nevertheless offers some insights into how one of Hollywood’s most recognizable and irreplaceable star personas evolved.” – New York Times Nov 21, 2024 Full Review Christmas Eve in Miller's Point (2024) 79% ““Miller’s Point” is a Christmas movie more invested in atmosphere, and the qualities of wintry light, than in holiday cheer — and that somehow makes it all the more warm.” – New York Times Nov 8, 2024 Full Review After: Poetry Destroys Silence (2024) “"After" presents a sincere plea for the right of artists to respond to horror, but it makes for an inert, academic viewing experience. ” – New York Times Nov 5, 2024 Full Review
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