Until Dawn (2025)
51%
“The screenplay takes a no-frills approach to horror, and an episode of Goosebumps would have more twists and jumps in time than this slasher Groundhog Day...” –
The Hindu
Apr 24, 2025
Full Review
G20 (2025)
58%
“A half-corny, half-serious attempt to cash in on the popcorn entertainment deficit, it’s the perfect brain-rot escapist actioner on streaming. ” –
The Hindu
Apr 11, 2025
Full Review
TEST (2025)
“Character writing, accentuated by excellent performances, forms the pillar of Test...The transitions these characters undergo are gradual but significant and, sometimes, shocking.” –
The Hindu
Apr 4, 2025
Full Review
Veera Dheera Sooran: Part 2 (2025)
“Veera Dheera Sooran is what fans of Vikram have longed for, but it isn’t just for them. It’s a grand spicy meal at a muniyandi vilas in Madurai. All meat lovers are welcome here.” –
The Hindu
Mar 28, 2025
Full Review
Aghathiyaa (2024)
“...perhaps there’s a Siddha medicine that can somehow help patients with bone cancer, but never mistake Aghathiyaa as an attempt that cares about educating you on Siddha.” –
The Hindu
Mar 3, 2025
Full Review
Dragon (2025)
“The screenplay hits every emotional beat with a certain conviction. With ample comedy in the mix, the writing deftly shifts tone, without deflating the seriousness at the heart of the film. ” –
The Hindu
Feb 21, 2025
Full Review
Kaadhal Enbadhu Podhu Udamai (2025)
“...Kaadhal Enbadhu Podhu Udamai is an admirable step forward in an industry where queer themes remain nascent at best.” –
The Hindu
Feb 14, 2025
Full Review
Unstoppable (2024)
76%
“The overall structure may be a no-go for remodelling (no points to guess which matches Robles loses or wins) but the moments in between could have brought it whole. ” –
The Hindu
Jan 21, 2025
Full Review
Madha Gaja Raja (2013)
“...Madha Gaja Raja is a delightful throwback — it tells you a thing or two about the commercial cinema of our past...why filmmakers used to take big gambles with comedies; and why heroines being embarrassingly used as mere sex symbols have diminished.” –
The Hindu
Jan 17, 2025
Full Review
Vanangaan (2025)
“Even if you miss it in an unhinged entry like Naan Kadavul, the malnourished plot of Vanangaan offers no such respite.” –
The Hindu
Jan 17, 2025
Full Review
The Smile Man (2024)
“Often not, you get the feeling the narrative was constructed choosing convenience over the need to be convincing, and the umpteen glaring loopholes leave you uninspired to invest.” –
The Hindu
Jan 17, 2025
Full Review
Miss You (2024)
“...Miss You is a predictable two-hour episode that goes after low-hanging fruits and offers forgettable returns.” –
The Hindu
Jan 17, 2025
Full Review
Vettaiyan (2024)
“TJ Gnanavel attempts to take a firm stand against fake encounter killings but falls prey to a risk common in the business of making a film for a superstar...” –
The Hindu
Oct 15, 2024
Full Review
AfrAId (2024)
23%
“Blumhouse Productions’ redundant attempt at banking on the success of M3GHAN is a tedious sci-fi horror that feels like watching a boring, unreleased episode of Black Mirror.” –
The Hindu
Aug 30, 2024
Full Review
Vaazhai (2024)
“In his most personal work to date, and arguably his career-best feature, Mari Selvaraj displays exceptional control over his film language to tell a deeply aching tale of a stolen childhood.” –
The Hindu
Aug 24, 2024
Full Review
Yaathisai (2023)
“A few narrative stumbles aside, Yaathisai is a truly commendable feat that one can look back on for its many positives.” –
The Hindu
Jul 11, 2024
Full Review
Maharaja (2024)
83%
“In his sophomore film, Nithilan Saminathan pronounces the style of filmmaking he wishes to follow, but convenience in the writing and a contrived third act mars this gripping thriller.” –
The Hindu
Jun 29, 2024
Full Review
PT Sir (2024)
“Male saviour complex peaks in Tamizha Adhi’s film, but even ignoring that, this templated commercial offering gets quite tedious.” –
The Hindu
May 24, 2024
Full Review
Rathnam (2024)
20%
“In his latest outing with Vishal, Hari attempts to adapt some of his tropes to the sensibilities of the modern-day audience, but the ideas he plays around with and the story he wishes to tell still belong in the 2000s.” –
The Hindu
Apr 29, 2024
Full Review
Scoop (2024)
76%
“Scoop may not make you romanticise your idealism, but it certainly asks you not to let it be deterred.” –
The Hindu
Apr 10, 2024
Full Review
Road House (2024)
60%
“Doug Liman’s popcorn movie, a remake of the 1989 Patrick Swayze-starrer, has genuinely fun ideas, but it loses control of the narrative to the point where you have more fun when you take it less seriously than how it takes itself.” –
The Hindu
Mar 21, 2024
Full Review
Lal Salaam (2024)
40%
“Aishwarya Rajinikanth ends up making a superficial social drama that is all over the place” –
The Hindu
Feb 17, 2024
Full Review
Siren (2024)
0%
“Everything about this Jayam Ravi, Keerthy Suresh-starrer feels like the product of a screenwriter who got carried away...” –
The Hindu
Feb 17, 2024
Full Review
Blue Star (2024)
“Blue Star is a compelling socio-political sports drama with a solid narrative that is consistent with its theme and some truly commendable performances that bring it home.” –
The Hindu
Jan 26, 2024
Full Review
Annapoorani (2023)
“Nilesh Krishnaa’s film, starring Nayanthara as a young woman with a dream to become the best chef in the country, has heartfelt ideas but the narration feels rushed and awfully convenient...” –
The Hindu
Dec 7, 2023
Full Review
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