Warfare (2025)
93%
“The filmmakers do achieve what feels like genuine authenticity in their depictions of combat, both when it comes to direct engagements and the long, uncertain periods of standing around and waiting between such engagements.” –
New York Magazine/Vulture
Apr 11, 2025
Full Review
One to One: John & Yoko (2024)
89%
“As a result, One to One: John & Yoko becomes not just an enormously moving historical portrait but a freshly relevant and cathartic one.” –
New York Magazine/Vulture
Apr 11, 2025
Full Review
A Minecraft Movie (2025)
48%
“It feels like a small miracle that the resulting film is so funny, lively, and light on its feet.” –
New York Magazine/Vulture
Apr 7, 2025
Full Review
A Working Man (2025)
49%
“A Working Man isn’t afraid to make its spectacles of slaughter visually enchanting.” –
New York Magazine/Vulture
Mar 31, 2025
Full Review
Misericordia (2024)
95%
“As our protagonist’s increasing desperation reaches comic proportions, we begin to realize that all along we’ve been watching a film about how to continue living in a world where our actions constantly cause misery, uncertainty, and pain.” –
New York Magazine/Vulture
Mar 24, 2025
Full Review
The Alto Knights (2025)
40%
“On paper, The Alto Knights feels like the kind of serious, genre-inflected drama we could use more of. But it’s totally inert.” –
New York Magazine/Vulture
Mar 24, 2025
Full Review
Secret Mall Apartment (2024)
100%
“The film works as a movie thanks to the sly way it’s been put together. ” –
New York Magazine/Vulture
Mar 21, 2025
Full Review
Who by Fire (2024)
79%
“All of Who by Fire exists in this in-between space, which is what makes it so thrilling, so unpredictable. We keep waiting for something awful to happen. That something turns out to be life.
” –
New York Magazine/Vulture
Mar 17, 2025
Full Review
Novocaine (2025)
81%
“Directors Dan Berk and Robert Olsen take this dumb-clever, fake-movie-science idea and run with it as hard and as fast as they can in one straight direction, using Nate’s condition as an excuse for pure, unchecked mayhem.” –
New York Magazine/Vulture
Mar 17, 2025
Full Review
The Electric State (2025)
15%
“There's something truly off-putting about The Electric State's palette of junk and colorless branded robots. ” –
New York Magazine/Vulture
Mar 17, 2025
Full Review
The Day the Earth Blew Up: A Looney Tunes Movie (2024)
88%
“[This] new feature ably captures the Looney Tunes spirit, which is something our world can always use more of — and which is a far more formidable endeavor than might at first seem. ” –
New York Magazine/Vulture
Mar 13, 2025
Full Review
Eephus (2024)
100%
“We come to Eephus expecting a metaphor for life and instead we are faced with life itself.” –
New York Magazine/Vulture
Mar 10, 2025
Full Review
Play It as It Lays (1972)
60%
“It’s an essential picture.
” –
New York Magazine/Vulture
Mar 10, 2025
Full Review
In the Lost Lands (2025)
24%
“Everything in this movie is so hilariously bleak — but that somehow makes us more receptive to the derelict beauty of its universe, where it’s always night or dusk, and where everything is ruined but nothing seems impossible.” –
New York Magazine/Vulture
Mar 6, 2025
Full Review
Last Breath (2025)
80%
“It feels like a great throwback thriller, one of those movies viewers will still be discovering years from now. Try to see it on a big screen while you can.” –
New York Magazine/Vulture
Mar 1, 2025
Full Review
Cleaner (2025)
50%
“Ridley might not bring much dimensionality to Joey as a character, but she does bring a ton of physicality: She looks like she’s having the time of her life getting down and dirty for the film’s myriad beatdowns. ” –
New York Magazine/Vulture
Feb 24, 2025
Full Review
Captain America: Brave New World (2025)
48%
“rave New World, alas, is not a movie anybody would aspire to make, at least in its current condition.” –
New York Magazine/Vulture
Feb 12, 2025
Full Review
Horizon: An American Saga - Chapter 2 (2024)
54%
“Costner is interested less in mounting a grand, old-fashioned western and more in trying to embody America in all its contradictions, with its shattered and patchwork families, its heroes, its psychos, its drifters and charlatans and hapless leaders. ” –
New York Magazine/Vulture
Feb 11, 2025
Full Review
A Woman Is a Woman (1961)
“It’s a fantasy, a comedy, a musical, and a tragedy all at once.” –
New York Magazine/Vulture
Feb 7, 2025
Full Review
Love Hurts (2025)
19%
“Quan and DeBose, for all their talent, haven’t been given anything compelling to do — or really even say.” –
New York Magazine/Vulture
Feb 7, 2025
Full Review
Train Dreams (2025)
97%
“Through Edgerton’s subtly tormented performance, Patton’s narration, Adolpho Veloso’s rapturous cinematography, and a quavering score by Bryce Dessner, the film draws us into Grainier’s sad, inexpressible longing for peace and purpose.” –
New York Magazine/Vulture
Feb 3, 2025
Full Review
The Things You Kill (2025)
96%
“It’s absorbing, suspenseful, and deeply moving — a case study in how to make an effective psychological thriller.” –
New York Magazine/Vulture
Jan 30, 2025
Full Review
Peter Hujar's Day (2025)
96%
“A masterpiece.” –
New York Magazine/Vulture
Jan 30, 2025
Full Review
Zodiac Killer Project (2025)
85%
“A work of criticism as well as a work of art, it’s a sharp takedown of our culture’s obsession with true crime, identifying and skewering the genre’s most familiar tropes even as it playfully indulges in them.” –
New York Magazine/Vulture
Jan 30, 2025
Full Review
Kiss of the Spider Woman (2025)
82%
“At the heart of it all, there’s Tonatiuh, who carries so much of the emotion of the film, expertly withholding when necessary and pouring it all out when called for. ” –
New York Magazine/Vulture
Jan 30, 2025
Full Review
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