Rotten Tomatoes
Cancel Movies Tv shows
Critics list

Bob Satuloff

Bob Satuloff's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies 온라인카지노추천 Shows
Nowhere (1997) 50% “Viewers who can tune their mental dials to [Araki's] wavelength are likely to marvel at his ability to pile on the excess with hair-raising exuberance, then extract from the rubble images of startling beauty and nuggets of genuine feeling.” – The Advocate Jun 6, 2022 Full Review Hollow Reed (1996) 77% “For all its fireworks, Hollow Reed keeps the viewer at an emotional distance.” – The Advocate Jun 6, 2022 Full Review The Delta (1996) 71% “Nonprofessionals Gray and Chan are adequate in their roles, and Memphis makes an intriguing location. But with its sparse narrative, humorless style, and deadly pace, The Delta is more excruciating than illuminating.” – The Advocate Jun 1, 2022 Full Review In the Company of Men (1997) 89% “Some viewers may be appalled by its heartlessness, but others will find it a cinematic acid bath that lays bare the awful truth.” – The Advocate Jun 1, 2022 Full Review Rough Magic (1995) 25% “[It] aspires to be It Happened One Night-meets- Carlos Castaneda. Thanks to the stylish writing and direction, exotic locations, gorgeous visuals, the spirited work of Bridget Fonda as a gifted magician, and Russell Crowe as her romantic foil, it is.” – The Advocate Jun 1, 2022 Full Review Star Maps (1997) 39% “Written and directed by Miguel Arteta, the film is well-shot, colorfully acted, and thoroughly entertaining.” – The Advocate Jun 1, 2022 Full Review Alive and Kicking (1996) 86% “A celebration of gay spirit and strength, the film approaches its subject with narrative sophistication, wit, energy, and clear-eyed humanism.” – The Advocate Jun 1, 2022 Full Review Never Met Picasso (1996) “Sharply written and directed, Never Met Picasso boasts a handsome production and smart performances by Arquette, Kidder, McKellar, and theater legend Alvin Epstein.” – The Advocate Jun 1, 2022 Full Review Love! Valour! Compassion! (1997) 74% “Not debatable are LIVICI's rich ensemble performances and the smooth transition Terrence McNally's play makes to the screen under debuting filmmaker Joe Mantello's direction.” – The Advocate Apr 19, 2022 Full Review Parallel Sons (1995) “Simply too adolescently overwrought to sit well with late '90s audiences, gay or otherwise.” – Film Journal International Jul 11, 2007 Full Review Other Voices, Other Rooms (1995) “Literal to a fault, enervatingly paced, and lacking the novel's poetic vitality, the movie seems stilted and stultifying.” – Film Journal International Nov 13, 2001 Full Review Gonin (1995) 83% “[A] dark, pounding exercise in mayhem, revenge, nihilism and despair in contemporary Tokyo.” – Film Journal International Apr 20, 2001 Full Review The Real Blonde (1997) 34% “Strains to build up a head of comic steam, but there's nowhere very interesting to go.” – Film Journal International Jan 1, 2000 Full Review Bent (1997) 74% “Remains more a theatrical work than a cinematic one--but its dramatic story, powerful theme and historical importance are undeniable.” – Film Journal International Jan 1, 2000 Full Review Twisted (1996) 60% “Donsky, whose background is in the theatre, gives the film a solid structure, reveals a stylist's eye, and draws lively performances from a uniformly colorful cast.” – Film Journal International Jan 1, 2000 Full Review Eye of God (1997) 75% “Impresses with its ambitious theme, complex structure, well-sustained tension and strong, heartfelt performances.” – Film Journal International Jan 1, 2000 Full Review I Love You... Don't Touch Me! (1997) 40% “Seems longer than the rough cut of Titanic.” – Film Journal International Jan 1, 2000 Full Review A Smile Like Yours (1997) 6% “A shallow, empty-headed rehash of cliches about the perils of contemporary marriage and baby-making.” – Film Journal International Jan 1, 2000 Full Review Going All the Way (1997) 65% “That rare '50s piece capable of attracting a young '90s audience.” – Film Journal International Jan 1, 2000 Full Review Lilies (1996) 89% “Greyson deserves much credit for realizing an outrageous theatrical conceit with clarity, consistency, and an arsenal of cinematic ideas.” – Film Journal International Jan 1, 2000 Full Review The Matchmaker (1997) 48% “Perfectly affable, and there are some good laughs.” – Film Journal International Jan 1, 2000 Full Review Washington Square (1997) 81% “Painstakingly produced, dramatically compelling, and acted with skill and intensity.” – Film Journal International Jan 1, 2000 Full Review An American Werewolf in Paris (1997) 7% “Lacks the style, wit and suspense that marked Waller's debut feature, Mute Witness.” – Film Journal International Jan 1, 2000 Full Review For Richer or Poorer (1997) 17% “A culture-clash comedy that's less a movie than an overproduced, four-times-too-long sitcom.” – Film Journal International Jan 1, 2000 Full Review The Winter Guest (1997) 63% “Acted with depth and acuity by its ensemble cast.” – Film Journal International Jan 1, 2000 Full Review
No Reviews Yet
Load More