I Want You Back (2022)
87%
“Day and Slate are center stage, finally. The shift is welcome after years of both actors being pigeonholed into zany, wise-cracking supporting roles. ” –
Impressionist Media
Feb 11, 2022
Full Review
The Tender Bar (2021)
51%
“A nostalgic, coming-of-age story that's simple in premise and complex in character.” –
Impressionist Media
Dec 10, 2021
Full Review
Being the Ricardos (2021)
68%
“Like Lucille Ball, Aaron Sorkin is a master storyteller. He uses his magic, once again, for Being the Ricardos, an intimate look at a woman, marriage and high-pressure job.” –
Impressionist Media
Dec 10, 2021
Full Review
Lady of the Manor (2021)
23%
“If you take the premise too seriously, then you're not in on the joke. The Long Brothers' film is filled with farts, funny faces and complete mockery of humanity's douchiest.” –
Impressionist Media
Sep 26, 2021
Full Review
Free Guy (2021)
80%
“As meaningful as it is pure fun. In a year when it feels like there's an unstoppable bug in our game, Guy brings a sense of comfort: that we'll get out of this loop one day.” –
Impressionist Media
Aug 13, 2021
Full Review
Jungle Cruise (2021)
62%
“Full of color, puns, a roaring hippopotamus and the backside of water. Between the script and the actors, it delivers an "I can't stop myself from laughing" kind of laugh.” –
Impressionist Media
Jul 30, 2021
Full Review
Joe Bell (2020)
39%
“Joe Bell is worth watching for the cast. Nuanced, vulnerable performances from Connie Britton and Gary Sinise. A subtle, career-best for Mark Wahlberg.” –
Impressionist Media
Jul 22, 2021
Full Review
The Boss Baby: Family Business (2021)
46%
“Obvious ad-libbing from the cast is a highlight. It's joyous and silly and after a long, difficult year for children - "silly" is something they truly deserve.” –
Impressionist Media
Jun 30, 2021
Full Review
Nomadland (2020)
93%
“Chloe Zhao's Nomadland is a reminder that we can change at any age, meet new people along the way and know that whoever we're missing, we'll see down the road.” –
Impressionist Media
Feb 26, 2021
Full Review
Supernova (2020)
89%
“Harry Macqueen's poignant, heartbreaking drama Supernova is a love story, albeit a peek into the final chapter of one.” –
Impressionist Media
Jan 27, 2021
Full Review
Modern Persuasion (2020)
53%
“What sets Modern Persuasion apart is the laugh-out-loud humor consistently evident in the script and executed by an endearing cast.” –
Impressionist Media
Dec 18, 2020
Full Review
Godmothered (2020)
68%
“Godmothered is a gift. Not only is it entertaining for children, but for anyone thinking their Happily Ever After has passed them by. Sweet movie, even sweeter message.” –
Impressionist Media
Dec 2, 2020
Full Review
Hillbilly Elegy (2020)
24%
“Vanessa Taylor's Hillbilly Elegy adaptation is a family story, not a political statement, showing the effort it takes to break cycles of unhealthy familial behavior.” –
Impressionist Media
Nov 15, 2020
Full Review
Blackbird (2019)
64%
“Blackbird ebbs and flows from awkward to painful to heartbreaking. As life does. Despite melodrama, it puts a human face on the political issue of dying with dignity.” –
Impressionist Media
Sep 18, 2020
Full Review
H Is for Happiness (2019)
81%
“With a charming blend of realistic problems and whimsical preteen fantasy, the Australian film uses a child's story to send a valuable message for viewers of all ages.” –
Impressionist Media
Sep 17, 2020
Full Review
The Grizzlies (2018)
87%
“From excellent Emmy-winning writers Moira Walley-Beckett and Graham Yost comes The Grizzlies, a true sports story that is as heartbreaking as it is inspiring.” –
Impressionist Media
Sep 14, 2020
Full Review
The Way I See It (2020)
85%
“Chief White House Photographer Pete Souza and the makers of The Way I See It kindly remind us what decency looked like not so long ago.” –
Impressionist Media
Sep 10, 2020
Full Review
The Broken Hearts Gallery (2020)
80%
“Geraldine Viswanathan is the leading lady we've been waiting for. Natalie Krinsky's film is both self-aware and sincere; a warm welcome back to the movies.” –
Impressionist Media
Sep 9, 2020
Full Review
Born to Play (2020)
100%
“Lieberman's Born to Play highlights role models for anyone who feels different. There is a place for you, there is a space for you, you just have to find your team.” –
FF2 Media
Jul 24, 2020
Full Review
Never Rarely Sometimes Always (2020)
99%
“Writer/director Eliza Hittman picked two talents (Sidney Flanigan, Talia Ryder) who carry off a pointed message with care, subtlety and, most importantly, empathy.” –
FF2 Media
Mar 5, 2020
Full Review
The Social Ones (2019)
“The Social Ones is a genuinely funny commentary on how we've accepted the online way of life & the pure absurdity at the heart of a multimillion dollar industry.” –
FF2 Media
Feb 27, 2020
Full Review
Saint Frances (2019)
99%
“While the pro-choice angle is divisive, the character of Bridget is more than the decisions she makes. It's poignant; exemplifying O'Sullivan's talent as writer and performer.” –
FF2 Media
Feb 26, 2020
Full Review
Top End Wedding (2019)
89%
“A sweet story about love in all its forms - for marriage, parenthood, heritage, and how far we're willing to go to discover ourselves.” –
FF2 Media
Feb 18, 2020
Full Review
Ordinary Love (2019)
93%
“Although overly bleak at times, Ordinary Love is a showcase for Neeson and Manville. Navigating a cancer diagnosis, the married couple finds beauty in hellish places.” –
FF2 Media
Feb 13, 2020
Full Review
The Lodge (2019)
75%
“Father-of-the-year leaves his kids in the middle of nowhere with a possessed stranger? Even with solid performances from Keough and Martell, The Lodge is lackluster.” –
FF2 Media
Feb 12, 2020
Full Review
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