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Carlos Aguilar

Tomatometer-approved critic
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Reviews

Movies 온라인카지노추천 Shows
A Vanishing Fog (2022) 3.5/4 “Consistently unexpected to a fault, “A Vanishing Fog” is as experiential for the viewer as it is for F/Pii on screen.” – RogerEbert.com Apr 22, 2025 Full Review The Teacher (2023) 82% “That spirit-crushing feeling of powerlessness is what director Nabulsi aims to fend off, admittedly through not always effective narrative means, but with emotional sincerity nonetheless. ” – Los Angeles Times Apr 21, 2025 Full Review The King of Kings (2025) 64% “A serviceable if uninspired take on a story told countless times in just as varied formats.” – Variety Apr 11, 2025 Full Review Black Bag (2025) 96% A- “Taut yet thoroughly laced with levity, “Black Bag” plays like the filmic equivalent of a skillfully executed espionage mission in how tight and exact it feels. ” – The Playlist Mar 14, 2025 Full Review Omaha (2025) 88% “Intimate in its scope, yet emotionally monumental, this debut feature by director Cole Webley... resonates for how spontaneously the interactions seem to unfold, as if sparked by reality in front of the camera.” – Variety Mar 11, 2025 Full Review Meanwhile on Earth (2024) 81% “There’s great pleasure in seeing that Clapin’s first alluring foray into live-action filmmaking doesn’t entirely renounce hand-drawn storytelling. ” – Variety Mar 11, 2025 Full Review Ne Zha 2 (2025) 96% “Surpassing its predecessor in all manner of visual ambition and kinetic intensity, the stereoscopic 3D and Imax-released “Ne Zha 2” is breathtaking.” – Variety Mar 4, 2025 Full Review Art Spiegelman: Disaster Is My Muse (2024) 100% “Alas, while the comics themselves have prominence on-screen in their static form, the doc remains a proficient, engaging portrait, but an unadventurous one. ” – Variety Feb 25, 2025 Full Review LUZ (2025) 44% “If only the drama measured up to the aesthetics, “Luz” would shine.” – Variety Feb 6, 2025 Full Review Endless Cookie (2025) “It’s not that Pete is particularly engaging or that he has a hypnotic voice, but rather that he can turn the most irrelevant-seemingly piece of insular lore into a funny bit that invites the listener to take the burden of existence less seriously.” – Variety Feb 6, 2025 Full Review Magic Farm (2025) 42% “A formally radical, biting satire about odious, privileged Americans adrift in a remote Argentine rural town. ” – Variety Feb 6, 2025 Full Review OBEX (2025) 100% “A miniature epic of melancholic whimsy endearingly conceived in black-and-white with a lo-fi aesthetic.” – Variety Jan 31, 2025 Full Review The Legend of Ochi (2025) 80% ““Ochi” prompts one to think, “How did they do that?” only to be even more incredulous when realizing the techniques employed. That’s film sorcery.” – Variety Jan 31, 2025 Full Review Selena y Los Dinos (2025) 93% “This definitive doc about Selena feels comprehensive and illuminating.” – Variety Jan 28, 2025 Full Review The Wedding Banquet (2025) 88% “Ahn has successfully forged a career making both indie productions and bigger, broader fare. The Wedding Banquet fits in the latter category, but some of the quiet introspection from his earlier work still finds its way in here. ” – Variety Jan 28, 2025 Full Review Mr. Nobody Against Putin (2025) 100% “Through the eyes of its delightfully brave, yet utterly relatable subject (also the de facto cinematographer), this terrifying, revelatory and poignant exposé offers an unseen human angle on an ongoing conflict.” – Variety Jan 26, 2025 Full Review The Things You Kill (2025) 96% “Front to back, “The Things You Kill” is an astutely written exercise in paying attention to how one is perceived and using that knowledge to rewrite one’s own narrative. ” – Variety Jan 26, 2025 Full Review DJ Ahmet (2025) 89% “With every perfectly timed joke, including those involving Ahmet’s missing sheep, one’s admiration for Unkovski’s artistic vision grows given the tonal feat he accomplishes.” – Variety Jan 26, 2025 Full Review Between Borders (2025) “Proficiently crafted as far as production design and cinematography go, “Between Borders” runs on didactic writing that renders the Petrosyans’ plight into a derivative period drama.” – Variety Jan 25, 2025 Full Review I'm Still Here (2024) 97% “Resistance takes the form of lives well lived. In every laugh shared, in every new memory made and family photo taken, this clan honors those no longer physically present.” – Los Angeles Times Jan 21, 2025 Full Review Birdeater (2023) 75% “The directors go for an experiential, if more narratively ambiguous artistic ethos that results in an excitingly cinematic trip alongside unlikable people. ” – Variety Jan 10, 2025 Full Review Oceans Are The Real Continents  (2023) 100% 3.5/4 “Filmed with marvelous attention to subtle contrasts possible in its monochromatic palette, the frames brim with a built-in timelessness. ” – RogerEbert.com Jan 10, 2025 Full Review Pepe (2024) 71% 3/4 “An exciting, visually unpredictable consideration of colonialism and human hubris tinged with the fantastic.” – RogerEbert.com Jan 10, 2025 Full Review Algiers (2024) “The absence of cohesiveness ultimately diminishes its emotional impact.” – Variety Dec 31, 2024 Full Review 8 Views of Lake Biwa (2024) “No one would deem Raat’s “8 Views” easily accessible, but that doesn’t mean it’s in any way indecipherable, obtuse nor unsatisfying. ” – Variety Dec 31, 2024 Full Review
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