Black Dog (2024)
97%
“...an emotional and intimate film, loaded with biting commentary on the harsh realities of contemporary China. [Full review in Spanish]” –
La Jornada
Apr 21, 2025
Full Review
The Devil's Bath (2024)
91%
“[In The Devil's Bath] the filmmakers fall into predictable psychological clichés...However, these clichés do not constitute a burden for a story that flows impeccably and concentrates, more successfully, on more sordid matters. [Full review in Spanish]” –
La Jornada
Apr 7, 2025
Full Review
Dead Man's Switch (2024)
“...Adriana Paz imbues her character with nuances of complex expressiveness...that allows us to evoke Arcelia Ramírez's stupendous performance in a similar situation in Teodora Mihai's La Civil (2021). [Full review in Spanish]” –
La Jornada
Mar 24, 2025
Full Review
Mickey 17 (2025)
77%
“...[Mickey 17] is enjoyable for its clever and playful handling of the freedoms allowed by the fantasy genre...[Full review in Spanish]” –
La Jornada
Mar 17, 2025
Full Review
The Bikeriders (2023)
80%
“Everything in the story points to a nostalgic tribute, a sort of twilight requiem, to a culture of motorized social outcasts now in decline. [Full review in Spanish]” –
La Jornada
Mar 5, 2025
Full Review
Youth (Spring) (2023)
86%
“...what the documentary captures, in its narrative mosaic, is an entrepreneurial and ambitious spirit in the workers, very much in tune with the frenzy of performance and profit of their bosses. [Full review in Spanish]” –
La Jornada
Mar 5, 2025
Full Review
Dream Scenario (2023)
91%
“...an openly fantastic narrative, with elements of horror cinema and dystopian parable. [Full review in Spanish]” –
La Jornada
Mar 5, 2025
Full Review
The White Guard (2023)
“Ernesto Pardo...offers here a remarkable record of these places, once peaceful, now turned into ghost towns. [Full review in Spanish]” –
La Jornada
Mar 5, 2025
Full Review
Red Shoes (2022)
“A vigorous and tender story, likely with a meteoric rise in the commercial theaters. [Full review in Spanish]” –
La Jornada
Mar 5, 2025
Full Review
Flow (2024)
97%
“...not only is the virtuosity of the artistic animation...admirable, but so is its moral relevance in times of distress. [Full review in Spanish]” –
La Jornada
Mar 3, 2025
Full Review
No Other Land (2024)
100%
“...in short, [the film documents] the will to force men, women and children into a total scarcity of services, pushing them into despair and forced to voluntarily abandon...their own territory and that of their ancestors. [Full review in Spanish]” –
La Jornada
Feb 24, 2025
Full Review
I'm Still Here (2024)
97%
“Fernanda Torres brilliantly and irrefutably plays [the transformation of Eunice], making it both effective and emotional. [Full review in Spanish]” –
La Jornada
Feb 18, 2025
Full Review
Kenya (2023)
“Everything [in the film] is expressed without much fanfare, with somewhat or a lot of sentimental rhetoric, and with spontaneous and powerful sincerity. [Full review in Spanish]” –
La Jornada
Feb 13, 2025
Full Review
Challengers (2024)
88%
“[The] stylistic approach to aesthetic glamour, the immaculate surface, and the mystique of individual effort, push aside what could have been a more complex and exciting romantic story. [Full review in Spanish]” –
La Jornada
Feb 11, 2025
Full Review
Bad Actor (2023)
“Regarding the abusive generalization of a feminist response to gender violence, Bad Actor could generate an uncomfortable and counterproductive controversy for the director. A bad calculation. [Full review in Spanish]” –
La Jornada
Feb 11, 2025
Full Review
The Mother and the Whore (1973)
94%
“This iconic film of the post French New Wave era is a reflection of the libertarian spirit of the May 1968 student protests, and also a disillusioned acknowledgment of their failure. [Full review in Spanish]” –
La Jornada
Feb 11, 2025
Full Review
The Punishment (2022)
83%
“By gradually entering and concentrating, the director and his screenwriter, the Spanish Coral Cruz, on the feminine issue, the film reaches a remarkable level of dramatic expression with superb performances and final dialogues. [Full review in Spanish]” –
La Jornada
Feb 10, 2025
Full Review
La Chimera (2023)
95%
“[Alice Rohrwacher] handles with vigor this bittersweet and semi-fantastic tale of lust and frustration...[Full review in Spanish]” –
La Jornada
Feb 10, 2025
Full Review
The Teachers' Lounge (2023)
96%
“The Teachers' Lounge describes the double moral standard of intolerance and of a political correctness that while questioning it, paradoxically ends up prolonging it. [Full review in Spanish]” –
La Jornada
Feb 10, 2025
Full Review
All of Us Strangers (2023)
96%
“Andrew Haigh has woven...a fascinating story about the missed opportunities in every loving communication and the possibility of healing, through tolerance and forgiveness, wounds that are difficult to close. [Full review in Spanish]” –
La Jornada
Feb 10, 2025
Full Review
The Seed of the Sacred Fig (2024)
97%
“In times when state misogyny has ceased to be an exclusive characteristic of authoritarian countries dominated by religious fundamentalism...Mohammad Rasoulof's excellent film is a premonitory warning. [Full review in Spanish]” –
La Jornada
Feb 10, 2025
Full Review
A Complete Unknown (2024)
82%
“A Complete Unknown is a major success for its portrayal of Dylan's turbulent transition from traditional folk music to an electric guitar sound, drawing from both pop and rock... [Full review in Spanish]” –
La Jornada
Feb 3, 2025
Full Review
Emilia Pérez (2024)
72%
“...the film bears the burden of a constant suspicion of implausibility due to its inconsistent and simplistic way of dealing with such delicate issues as gender transition in a sexist society or the real tragedy of drug violence...[Full review in Spanish]” –
La Jornada
Jan 27, 2025
Full Review
The Girl With the Needle (2024)
92%
“In addition to the precise historical setting and good handling of suspense in a story with surprising twists, there should also be credit given to the two protagonists for their dramatic composition...[Full review in Spanish]” –
La Jornada
Jan 21, 2025
Full Review
Misericordia (2024)
95%
“[Alain Guiraudie] has opted for a cinematic narrative that is at times hermetic, with fragmented dialogue or laconic devices, but more often very clear in frank expressiveness of his characters. [Full review in Spanish]” –
La Jornada
Jan 18, 2025
Full Review
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