Carlos F. Heredero
Carlos F. Heredero's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Last Breath (2024)
90%
“Should, in any case, be compulsory screening in all areas of health and public education. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Oct 29, 2024
Full Review
On Falling (2024)
94%
“Here is a social cinema that is worthwhile. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Oct 29, 2024
Full Review
The Man Who Loved UFOs (2024)
64%
“Diego Lerman's new film proposes a kind of farce – halfway between a biopic, an absurd comedy and a fantastic tale with surrealist overtones – that fails to find an organic register in the 106 minutes of its footage. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Oct 29, 2024
Full Review
In Her Place (2024)
65%
“The director creates a narrative without force, completely predictable and, what's worse, with staging that oozes mothballs through all its affected frames. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Oct 29, 2024
Full Review
El llanto (2024)
83%
“A plot that tries to tie itself together in the last stretch according to the most conventional codes of the genre. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Oct 29, 2024
Full Review
When Fall Is Coming (2024)
95%
“François Ozon delivers this time a perverse and happily transgressive moral apology that vindicates the meaning and necessity of second chances. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Oct 29, 2024
Full Review
Los destellos (2024)
“A work of maturity and cinematic growth... [Full review in Spanish]” –
Caimán Cuadernos de Cine
Oct 29, 2024
Full Review
The End (2024)
56%
“Simultaneously brave and risky.” –
Caimán Cuadernos de Cine
Oct 29, 2024
Full Review
Afternoons of Solitude (2024)
90%
“Completely lacking any dramatic arc or internal course, the film piles one bullfight after another, without at any point being able to create more depth or density... [Full review in Spanish]” –
Caimán Cuadernos de Cine
Oct 29, 2024
Full Review
I Am Nevenka (2024)
73%
“Finds its greatest limitation in filming all of this in a way that is as clean as it is aseptic, as conventional as it is transparent in the illustration of what is already known. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Oct 23, 2024
Full Review
Serpent's Path (2024)
“Kurosawa this time delivers a rather orthopedic artifact that never quite finds its own register and that navigates aimlessly across the screen. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Oct 23, 2024
Full Review
The Last Showgirl (2024)
83%
“An appreciable film, with isolated flashes of undoubted talent in the middle of a humble and discreet proposal that looks its characters in the face and does not cover itself with false pretensions. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Oct 23, 2024
Full Review
Emmanuelle (2024)
17%
“A film that is ultimately much more ambiguous than its director probably wants.” –
Caimán Cuadernos de Cine
Oct 23, 2024
Full Review
Hard Truths (2024)
95%
“A film that is certainly not very nice, but very honest and very coherent. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Oct 23, 2024
Full Review
Bound in Heaven (2024)
“The result (visually powerful at times) is somewhat irregular and not entirely successful. [Full review in Spanish] ” –
Caimán Cuadernos de Cine
Oct 23, 2024
Full Review
Conclave (2024)
93%
“The director of the recent remake of All Quiet on the Western Front once again manufactures a device as artificial as it is opportunistic. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Oct 23, 2024
Full Review
Motel Destino (2024)
67%
“Rather useless banality. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Jul 27, 2024
Full Review
Beating Hearts (2024)
33%
“The level of this proposal is not higher than that of an afternoon 온라인카지노추천 movie. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Jul 27, 2024
Full Review
All We Imagine as Light (2024)
100%
“There are no heroes or victims in this beautiful and moving film. There are only human beings shaped by a light they carry within, although perhaps they do not know it. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Jul 27, 2024
Full Review
The Most Precious of Cargoes (2024)
63%
“Hazanavicius transforms his story into a short animated film in which everything he puts in is not only quite ugly and poor, but incomprehensibly primary under the pretext of naivety. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Jul 27, 2024
Full Review
The Seed of the Sacred Fig (2024)
97%
“Full of absurd situations and self-indulgent concessions based on its metaphorical vocation. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Jul 27, 2024
Full Review
Grand Tour (2024)
91%
“A playful docufiction disguised as an ethnographic exploration through a work that claims to be artisanal, Grand Tour brings back Miguel Gomes from Tabú with renewed creative energy. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Jul 26, 2024
Full Review
Parthenope (2024)
45%
“Parthenope cannot be more solemn, solipsistic and self-absorbed. An indigestion of ego, in short. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Jul 26, 2024
Full Review
Marcello Mio (2024)
50%
“A formal disaster that ruins the brief and intermittent lyrical moments that manage to break through fleetingly on isolated occasions. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Jul 26, 2024
Full Review
Anora (2024)
93%
“Tender and dynamic, empathetic and conflicting, Anora has a voice of its own that belongs exclusively to Sean Baker. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Jul 26, 2024
Full Review
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