Carlos Losilla
Carlos Losilla's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Ulysses (2024)
“The film does not go anywhere, it is another Ulysses who wanders through various narrative fragments that never end. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Nov 7, 2024
Full Review
Big Shadow (2024)
“There is much more banality than capacity for suggestion in Big Shadow, much more rhetoric than substance. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Nov 7, 2024
Full Review
Collective Monologue (2024)
“Exemplary. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Nov 7, 2024
Full Review
Soundtrack to a Coup d'État (2024)
97%
“The film does not disappoint: politically irreproachable, aesthetically inventive and innovative. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Oct 31, 2024
Full Review
Super Happy Forever (2024)
“Igarashi deploys a series of variations, constructing a kind of motionless story, in which contained emotion, sentimental naivety and enunciating purity prevail. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Oct 29, 2024
Full Review
Pepe (2024)
71%
“Pepe becomes a film so satisfied with itself that it leaves almost no room for us to deploy our own languages in it. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Oct 29, 2024
Full Review
Filmlovers! (2024)
100%
“Joyful chaos that ends up converting what seems like an elegy for the cinema of the past into a perfect example of cinema of the present. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Oct 29, 2024
Full Review
April (2024)
95%
“April is cinema in motion, cinema lost in time. And we are watching its evolutions. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Oct 29, 2024
Full Review
It's Not Me (2024)
89%
“One of the cruelest films that a filmmaker has ever made about himself. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Oct 29, 2024
Full Review
Every You Every Me (2024)
“Every You, Every Me is an inane, banal, dull film to the point of exhaustion or tedium. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Oct 29, 2024
Full Review
I Saw the 온라인카지노추천 Glow (2024)
84%
“Deserves from now on a place of honor in the heart of self-referential fictions in the history of cinema, precisely because it challenges it with vivacity, passion and an infectious sadness. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Oct 29, 2024
Full Review
To a Land Unknown (2024)
97%
“There is an arbitrariness that presides over the whole without nuance and makes one doubt even the good political intention of the film. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Oct 29, 2024
Full Review
My Sunshine (2024)
92%
“A beautiful phantasmagoria. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Oct 23, 2024
Full Review
The Brutalist (2024)
93%
“The Brutalist is a journey from darkness to light, but not to a redeeming light, but to the white light... [Full review in Spanish]” –
Caimán Cuadernos de Cine
Oct 23, 2024
Full Review
Bob Trevino Likes It (2024)
95%
“Bob Trevino Likes It seems like a catalog of clichés made into a film. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Oct 23, 2024
Full Review
Dahomey (2024)
99%
“A desperate attempt to marry past and present in French culture... [Full review in Spanish]” –
Caimán Cuadernos de Cine
Oct 23, 2024
Full Review
The Delinquents (2023)
86%
“The Delinquents is one of the best movies I've seen this year. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Oct 3, 2023
Full Review
Here (2023)
94%
“Devos' fourth feature summons adventure as understood by sublimation of everyday life, and as a conciliation of opposites. [Full review in Spanish] ” –
Caimán Cuadernos de Cine
Oct 3, 2023
Full Review
The Trial (2023)
“The way this 'super-documentary' proceeds seems irreproachable, since its director, Ulises de la Orden, avoids any voice-over to stick to the filmed images and offer them as the only protagonists. [Full review in Spanish] ” –
Caimán Cuadernos de Cine
Oct 3, 2023
Full Review
Grace (2023)
80%
“The daughter's evolution, awakening to life in the middle of this road movie, is vaguely existential; subsumed in a display of natural settings that end up collapsing, short-circuiting all emotional connection with the audience. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Oct 3, 2023
Full Review
The Human Surge 3 (2023)
94%
“There is no doubt that this is an exceptional, unique film that pushes the limit of the idea of inclusive searches within the disintegration of form. [Full review in Spanish] ” –
Caimán Cuadernos de Cine
Oct 3, 2023
Full Review
Absence (2023)
60%
“Wu proceeds by splintering the plot into brief flashes that hide others, telling some things but not all, so it is up to the audience to give a final shape to the puzzle. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Oct 3, 2023
Full Review
Through the Night (2023)
90%
“When the thriller gives way to introspection, the entire edifice irrevocably collapses. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Oct 3, 2023
Full Review
Inside the Yellow Cocoon Shell (2023)
94%
“An inextricable film, but also one of diaphanous transparency, and one of the most fascinating -- literally -- in recent years. [Full review in Spanish] ” –
Caimán Cuadernos de Cine
Oct 2, 2023
Full Review
Remembering Every Night (2022)
86%
“It raises transcendental questions: how to talk about the transience of life understood in the form of a song to its lightness. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Sep 27, 2023
Full Review
No Reviews Yet
Load More
Something went wrong.. try again