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Carmen Gray

Carmen Gray's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies 온라인카지노추천 Shows
Perpetrator (2023) 80% “Emotionality is reframed as a potent weapon, rather than a flaw misogynistically invoked to deem women incapable, in Perpetrator, a smart high-school body horror in which empathy takes on supernatural qualities. ” – Sight & Sound Jul 5, 2023 Full Review Uppercase Print (2020) 83% “The piercing earnestness, very soon snuffed out, that pours from Lazarovici as he addresses us, his face framed close, stands out all the more against the regime's language of ruthless depersonalisation...” – Sight & Sound Sep 30, 2021 Full Review One Sings, the Other Doesn't (1977) 65% “The film is a breath of fresh air for simultaneously channeling radical attitudes and evading wallowing in bitter or toxic scenarios.” – Village Voice May 31, 2018 Full Review Call Me by Your Name (2017) 95% “The bond between Elio and Oliver grows tentatively, but unleashes forceful emotions that reverberate through all the relationships in a film both hilarious and gorgeously sad, that crackles with sexual tension.” – Dazed and Confused Feb 27, 2017 Full Review Golden Exits (2017) 67% “Director Alex Ross Perry gives us a film of simmering power dynamics and bracingly complex roles: nobody is completely innocent, nor can we write anyone off from our sympathies entirely.” – Dazed and Confused Feb 27, 2017 Full Review Casting JonBenét (2017) 81% “It's a fascinating if queasily invasive insight into a sleepy township that seems to hide as many weird, subterranean secrets as Lynch's Twin Peaks.” – Dazed and Confused Feb 27, 2017 Full Review Maladies (2012) 5% “Despite its big-name cast (Catherine Keener is on impressive form), most viewers will find it an impossibly pretentious, drifting picture that, while brimful of pseudo-philosophising, lacks substance where it matters.” – Screen International Sep 14, 2016 Full Review “While this rawness works when the film's at its most naturalistic, at other times -- some nightmare and fantasy sequences, especially -- it's a tad clunky.” – Screen International Sep 14, 2016 Full Review Will You Still Love Me Tomorrow? (2013) 83% “This Taiwanese romantic comedy develops with its own anti-conventional twists, being the coming-out story of a married man conflicted over whether to return to the gay life he had before marrying.” – Screen International Sep 14, 2016 Full Review A Stranger (2013) “[The film] portrays a Mostar so riven that even the most commonplace activities are blighted by disharmony, catastrophe hits frequently without warning and "ordinary people" are near too fed up to go on.” – Screen International Sep 14, 2016 Full Review Child's Pose (2013) 92% “A technically well-executed but flatly by-the-book and heavy-handed satire on the corruption blighting Romania.” – Screen International Dec 12, 2013 Full Review Call Girl (2007) 3/5 “Marcimain hooks us with a meticulous recreation of '70s disco-era Sweden's seamier side, aided by hard-edged yet brittle turns from his talented young leads.” – Total Film Aug 12, 2013 Full Review Suspension of Disbelief (2012) 13% 1/5 “Figgis aims for an intellectual, erotic thriller, but what we get is wooden, pretentious and clichéd.” – Total Film Jul 30, 2013 Full Review The Wall (2012) 76% 3/5 “The story is slow-paced and eventless but the cinematography makes the most of the landscape, while voiceover diary readings give us access to her thoughts.” – Total Film Jul 3, 2013 Full Review Echolot (2013) “Romantic pretensions abound. Long shots of the landscape's natural beauty angle for moody lyricism.” – Screen International May 2, 2013 Full Review Life Just Is (2012) 31% 2/5 “Pretensions toward Scandinavian arthouse territory (one character reads existential philosophy and is tormented by visions of St Francis) sit awkwardly.” – Total Film Nov 30, 2012 Full Review Great Expectations (2012) 68% 3/5 “It's all very Tim Burton - but eccentric Victoriana is a fitting spin on a familiar tale.” – Little White Lies Nov 29, 2012 Full Review Call Me Kuchu (2012) 98% 4/5 “A timely, gut-wrenching but ultimately hopeful work.” – Total Film Oct 29, 2012 Full Review Pusher (2012) 46% 3/5 “Gets plenty right but lacks the hard-hitting vibe of the cult original, or a fresh take on gangster-pic London.” – Total Film Sep 28, 2012 Full Review Diana Vreeland: The Eye Has to Travel (2011) 95% 4/5 “With whimsy and wit to match the woman herself, this documentary transcends stereotype to celebrate a complex, vibrant and influential figure.” – Little White Lies Sep 20, 2012 Full Review Diana Vreeland: The Eye Has to Travel (2011) 95% 3/5 “A fashion world Who's Who offer accolades, while Vreeland's vulnerabilities are revealed in interviews telling how, ridiculed by her socialite mother as ugly, she invented herself on her own terms.” – Total Film Sep 10, 2012 Full Review Keyhole (2011) 70% 4/5 “Though self-referential to a fault, the deadpan humour, frayed logic and monochrome dazzle cast their own richly peculiar spell.” – Total Film Sep 3, 2012 Full Review Tabu (2012) 87% 4/5 “This blend of tongue-in-cheek exoticism and desire so strong it makes crocodiles melancholic amply rewards your patience.” – Total Film Aug 28, 2012 Full Review Nostalgia for the Light (2010) 100% 4/5 “Sticking in the mind, Nostalgia for the Light leaves much food for thought on life's important questions.” – Little White Lies Jul 12, 2012 Full Review 7 Days in Havana (2012) 40% 2/5 “Despite an impressive roll-call of talent, this seven-tale Cuba-set anthology never strays far from touristy clichs.” – Total Film Jun 29, 2012 Full Review
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