The Luckiest Man in America (2024)
66%
6.8/10
“The role of Larson feels written for Hauser, who is always so deft at making shady, slightly unhinged characters surprisingly endearing. ” –
Paste Magazine
Mar 31, 2025
Full Review
Bob Trevino Likes It (2024)
95%
A-
“A deeply moving film, and a passionate, uplifting paean to the importance of found family. ” –
AV Club
Mar 20, 2025
Full Review
The Surfer (2024)
87%
5.8/10
“As The Surfer, Cage is larger than life in the way that only he can be, but there is a human level of desperation that adds poignancy to his slide into lunacy, even as the script doesn’t serve him well when it comes to character depth.” –
Paste Magazine
Mar 4, 2025
Full Review
Reverse the Curse (2023)
58%
8.3/10
“A willingness to take emotional risks, alongside the finely-drawn characters and beautiful performances, makes Bucky F*cking Dent a deeply lovely movie.” –
Paste Magazine
Mar 5, 2024
Full Review
Wicked Little Letters (2023)
80%
5.5/10
“Wicked Little Letters is too dated and tepid to be anything except forgettable” –
Paste Magazine
Mar 4, 2024
Full Review
Menus-Plaisirs Les Troisgros (2023)
100%
8.4/10
“Now into his seventh decade of filmmaking, Wiseman’s ability to weave unlikely cinematic magic from the artistry of process remains in as fine a form as ever.” –
Paste Magazine
Oct 16, 2023
Full Review
Palm Trees and Power Lines (2022)
90%
8.7/10
“While Palm Trees and Power Lines certainly functions as a cautionary tale, it derives the intensity of its power from the uncomfortable degree to which we’re compelled to empathize with Lea as she makes a string of increasingly perilous decisions.” –
Paste Magazine
Oct 9, 2022
Full Review
Brainwashed: Sex-Camera-Power (2022)
70%
3.5/10
“The most galling, offensive thing about Brainwashed is how poorly it demonstrates a point that should have been so very easy to prove.” –
Paste Magazine
Oct 5, 2022
Full Review
Ali & Ava (2021)
94%
7.3/10
“Yes, Ali & Ava is messy, and overly stuffed, and not quite as satisfying as it could have been—but if anything, that makes it feel all the more true to life.” –
Paste Magazine
Jul 21, 2022
Full Review
Everything Went Fine (2021)
91%
7.4/10
“Its the work of a mature filmmaker, far more concerned with the respectful telling of his friends story than any need to shock or provoke.” –
Paste Magazine
Mar 21, 2022
Full Review
The Blind Man Who Did Not Want to See Titanic (2021)
93%
9/10
“The Blind Man Who Did Not Want To See Titanic gives Poikolainen’s fiercely charismatic lead performance such a thrilling, empathetic home.” –
Paste Magazine
Mar 15, 2022
Full Review
Yuni (2021)
100%
8.6/10
“While there is an inevitability to the course of events in Yuni, the exemplary execution of each element makes the all too familiar feel freshly upsetting.” –
Paste Magazine
Mar 15, 2022
Full Review
Nitram (2021)
92%
9.1/10
“Beyond its deeply unnerving character study, Nitram is a stark warning.” –
Paste Magazine
Mar 15, 2022
Full Review
7 Days (2021)
86%
6.8/10
“The impossible speed in which the depicted events are supposed to happen makes for an unnecessary distraction during what should be 7 Days' big romantic crescendo.” –
Paste Magazine
Oct 16, 2021
Full Review
Playground (2021)
100%
9.2/10
“Wandel's movie is immersive and bruising, full of empathy for its young characters, and unrelenting in its depiction of the challenges they face.” –
Paste Magazine
Oct 13, 2021
Full Review
Rehana (2021)
100%
8.0/10
“Saad's is a bleak film, as claustrophobic and oppressive as the unyielding blue that smothers each frame, and brave enough not to sacrifice honesty on the altar of catharsis.” –
Paste Magazine
Oct 13, 2021
Full Review
Journey to a Mother's Room (2018)
100%
“Journey To A Mother's Room may be the debut feature from Spanish director Celia Rico Clavellino, but it is shot with the nuance of an established master.” –
Film Inquiry
Oct 23, 2018
Full Review
That Time of Year (Den tid på året) (2018)
57%
“It's hard to see what Steen is really trying to say with other than 'Families, huh?'. The commentary doesn't get any sharper than that, and there's not enough humour here, or depth of characterisation, to sweeten the pill.” –
Film Inquiry
Oct 16, 2018
Full Review
A Family Tour (2018)
92%
“The director trusts that his excellent actors, and the fundamental injustice at the heart of the film, are all that he needs to move the audience. And he is right.” –
Film Inquiry
Oct 8, 2018
Full Review
Yours in Sisterhood (2018)
100%
“Contemplative and moving, Yours In Sisterhood takes us on an exhaustive tour of late twentieth century feminism. We're left to marvel at both how far we've progressed, and how far we have to go.” –
Film Inquiry
Oct 3, 2018
Full Review
Matangi/Maya/M.I.A. (2018)
90%
“Anyone hoping for a focus on M.I.A.'s music will leave disappointed. Anyone hoping for a first-hand look at the evolution of a cultural force won't be.” –
Film Inquiry
Sep 29, 2018
Full Review
Jane Fonda in Five Acts (2018)
97%
“This a film that celebrates change and transformation; the power that comes from our ability to learn from our mistakes and to grow. Like the woman at the centre of it all, it's inspirational.” –
Film Inquiry
Sep 29, 2018
Full Review
Bel Canto (2018)
47%
“Bel Canto is a complete mess. Replete with unnatural dialogue and emotionally manipulative plot developments, it may well go down in cinematic history as the most boring hostage drama of all time. At least that's an achievement.” –
Film Inquiry
Sep 13, 2018
Full Review
Snapshots (2018)
75%
“Despite having the trappings of a 온라인카지노추천 movie, Snapshots hits on something real. I enjoyed it immensely.” –
Film Inquiry
Aug 17, 2018
Full Review
Pin Cushion (2017)
89%
“For sheer distinctiveness of vision, and for the visceral portrayal of how it feels to be bullied, first time director Deborah Haywood deserves plaudits, as do her two lead actresses. It will be interesting to see what she comes up with next.” –
Film Inquiry
Jul 20, 2018
Full Review
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