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Chris Feil

Tomatometer-approved critic

Reviews

Movies 온라인카지노추천 Shows
Skinamarink (2022) 74% “The film aims for the darker recesses of our subconscious and catches us where we are most vulnerable in ways that few horror films do.” – The Daily Beast Jan 12, 2023 Full Review Close (2022) 91% “If not as exploitative as his more outright dubious debut Girl, Dhont’s latest abandons its themes for the sake of its manipulative impulses, gesturing towards a statement but without ever finding it.” – The Daily Beast Dec 30, 2022 Full Review The Son (2022) 29% “Whereas Zeller was able in The Father to empathically place the audience into the experience of dementia with a few structural tricks, The Son just feels like Zeller is rubber-necking.” – The Daily Beast Dec 30, 2022 Full Review The Whale (2022) 64% “Rather than creating authentic empathy from the audience, the film is more interested in making a spectacle of Charlie’s suffering and his body.” – The Daily Beast Dec 30, 2022 Full Review The Inspection (2022) 88% “Union’s work here is one of painful subtlety, one that doesn’t make easy excuses for her cruelty nor turns her into a pure monster.” – The Daily Beast Dec 16, 2022 Full Review Funny Pages (2022) 82% “The overall effect that Funny Pages’ cast brings to Kline’s grimy vision is that seemingly anything can happen suddenly in its madcap mania.” – The Daily Beast Dec 16, 2022 Full Review Lightyear (2022) 74% “As Lightyear stumbles to make a compelling story on its own, it’s difficult to not get caught up in the incongruities.” – The Daily Beast Dec 16, 2022 Full Review Brian and Charles (2022) 84% “A modest-scale antidote to the bombast and bloat of summer entertainment spectacles, Brian and Charles brings more down-to-earth delights to the summer moviegoing season.” – The Daily Beast Dec 16, 2022 Full Review Mrs. Harris Goes to Paris (2022) 94% “It takes a lot of sophistication to keep a film like this from becoming cloying. Mrs. Harris Goes to Paris is the champagne of nicecore.” – Gawker Dec 16, 2022 Full Review Scream (2022) 76% “[T}his Scream is the burnout C-student younger sibling of a former valedictorian.” – Gawker Dec 16, 2022 Full Review Aline (2021) 56% “Aline is the Goldschläger of musical biopics: unappetizing and decadent in all the wrong ways, but too absurd to not sample once.” – Gawker Dec 16, 2022 Full Review Resurrection (2022) 82% “Rebecca Hall’s work in Resurrection is jaw-dropping, the latest in a series of stunning performances...” – The Daily Beast Aug 5, 2022 Full Review We're All Going to the World's Fair (2021) 91% “We’re All Going to the World’s Fair tackles the unsettling, isolating loss of reality and possible descent into madness for a generation that spends their entire lives online.” – The Daily Beast Apr 22, 2022 Full Review The Courier (2020) 85% C- “Conceived without the benefit of imagination, The Courier is a microwaved and nutrient-free copy of similar Cold War spy dramas, tinny with the shine of its shrinkwrap packaging.” – Filmmixtape Mar 18, 2021 Full Review Boogie (2021) 41% C- “Even with all the context it provides its protagonist, the film still reduces him to an average teenage asshole. It may be an inversion of the usual boring heart-of-gold bland sports movie hero, but it's still bland.” – Filmmixtape Mar 4, 2021 Full Review Raya and the Last Dragon (2021) 93% B- “The wisdom of [the film] is that it doesn't lean in too hard on its most familiar elements, allowing its more unique thematic terrain and smartly textured worldbuilding to hold the spotlight.” – Filmmixtape Mar 3, 2021 Full Review The World to Come (2020) 74% A- “The World to Come ignites something thrilling in its brief runtime.” – Filmmixtape Feb 10, 2021 Full Review Land (2021) 69% B- “As a debut, Land shows Wright as a filmmaker with a precise insight into human nature and cautious hand on avoiding sentimentality, even when the script lacks her sophisticated balance.” – Filmmixtape Feb 10, 2021 Full Review Supernova (2020) 89% C- “As it coasts along to its conclusion, it becomes increasingly likely that the film is just an elaborate stab at aspirational lifestyle in a weepy context.” – Filmmixtape Jan 27, 2021 Full Review The Climb (2019) 90% C “The Climb is mostly as shallow as its characters, and almost always as frustrating.” – Filmmixtape Nov 10, 2020 Full Review Ammonite (2020) 70% B “What makes Ammonite register in satisfying ways are its flintier textures - the reservedness of its feeling, the unshowiness of its period detail, the soberness of its resolution.” – Filmmixtape Nov 9, 2020 Full Review Let Him Go (2020) 85% D+ “Like a Norman Rockwell painting of a public execution, Let Him Go is awfully quaint about the casual violence it accepts as everyday. As the film gets progressively more grim, it almost pathologically leans in toward chicken soup sentimentality....” – Filmmixtape Nov 2, 2020 Full Review Kindred (2020) 69% B- “Marcantonio seems at peace with the film's blurred conclusion, but Kindred's final notes are muddied in ways that demand reexamination of everything before it, refusing simplified answers.” – Filmmixtape Nov 2, 2020 Full Review Borat Subsequent Moviefilm (2020) 85% C “[M]ore cute than subversive.” – Filmmixtape Oct 21, 2020 Full Review Possessor: Uncut (2020) 94% B- “[A] swan dive down a conceptual rabbit hole filled with wild imagery and pitch black pathology; it's all-consuming cinema, if frequently needlessly confusing.” – Filmmixtape Sep 28, 2020 Full Review
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