American Psycho (2000)
68%
3/4
“By distilling the novel to its satirical essence, Harron turns it into a withering condemnation of a culture where greed is a virtue, a culture that you don't have to feel guilty for laughing at.” –
Baltimore Sun
Apr 5, 2025
Full Review
Scream 2 (1997)
82%
3/4
“The film is so self-conscious that it's as much pop-culture quiz as slasher movie. ” –
Baltimore Sun
Feb 5, 2025
Full Review
Tarzan (1999)
90%
3.5/4
“One glorious ride, and a whole lot of fun.” –
Baltimore Sun
Dec 20, 2024
Full Review
The Exorcist (1973)
78%
“The film so steadily ratchets up the horror that seeing it on commercial television is just plain silly. This is a film that needs to be seen larger-than-life, in a darkened room, with a hundred or so of your most terrified friends. ” –
Baltimore Sun
Sep 28, 2023
Full Review
Traffic (2000)
93%
3.5/4
“A scathing, wearying and ultimately frustrating dissection of the Sisyphean conflict, Traffic benefits from strong performances, sure-handed direction and explosive subject matter.” –
Baltimore Sun
Aug 15, 2023
Full Review
Wild Things (1998)
64%
1/4
“Problem is, it's not meant to be funny. ” –
Baltimore Sun
Feb 2, 2023
Full Review
My Family/Mi Familia (1995)
79%
3/4
“Mi Familia is a grand filmgoing experience, vivid testimony to the strength of both family and good old-fashioned star power.” –
Baltimore Sun
Aug 26, 2021
Full Review
Hardball (2001)
41%
“Hardball is as shallow and manipulative a movie as any that come to mind.” –
Baltimore Sun
May 13, 2020
Full Review
The Cell (2000)
45%
2.5/4
“"The Cell" looks spectacular. If only it never opened its mouth.” –
Baltimore Sun
Apr 1, 2019
Full Review
Practical Magic (1998)
26%
1.5/4
“Bullock and Kidman are both wonderful actresses, and watching them for two hours could never be called a chore. But even they seem to have trouble pinning the movie down.” –
Baltimore Sun
Mar 30, 2019
Full Review
Never Been Kissed (1999)
55%
“Too bad the film, about a budding journalist assigned to do an expose on the degradations of high school life, simply isn't worthy of [Barrymore].” –
Baltimore Sun
Jan 23, 2019
Full Review
Deep Blue Sea (1999)
60%
2.5/4
“The film is full of the sort of knee-jerk shockers that leave audiences bursting into nervous laughter. It's a wild ride, and the less one thinks about it, the better.” –
Baltimore Sun
Jan 11, 2019
Full Review
The Cable Guy (1996)
56%
2/4
“More than anything, The Cable Guy is simply uncomfortable. It's Ace Ventura as the evil bad guy.” –
Baltimore Sun
Dec 12, 2018
Full Review
Mars Attacks! (1996)
55%
1.5/4
“The best thing about Mars Attacks! is that you'll come away believing you could have done the movie better.” –
Baltimore Sun
Dec 7, 2018
Full Review
Sollers Point (2017)
85%
3.5/4
“The journey is everything in Sollers Point... By film's end, you understand that life, and hopefully growth, goes on. There's real beauty in coming to grips with that.” –
Baltimore Sun
May 11, 2018
Full Review
The World Is Not Enough (1999)
51%
2.5/4
“While plausibility has never been the Bond films' strong point, The World Is Not Enough takes things to the breaking point.” –
Baltimore Sun
Nov 2, 2015
Full Review
Tomorrow Never Dies (1997)
57%
3/4
“Brosnan cements his reputation as the best James Bond since Sean Connery, and sometimes he even gives the master a run for his money.” –
Baltimore Sun
Nov 1, 2015
Full Review
Alien (1979)
93%
4/4
“Still one of the creepiest, scariest, most shocking films ever.” –
Baltimore Sun
Jun 30, 2015
Full Review
In Bruges (2008)
84%
B+
“Tightly scripted and intricately plotted, the buddy film manages the neat two-step of being simultaneously profane and engaging.” –
Baltimore Sun
Dec 14, 2014
Full Review
I Dreamed of Africa (2000)
10%
1/4
“Here's hoping your own dreams of Africa are more interesting -- and better acted -- than this movie.” –
Baltimore Sun
Jul 23, 2014
Full Review
Dead Man on Campus (1998)
15%
1/4
“The jokes are few. And the only real reason you'll laugh is that, by the time they appear on screen, you've been waiting so long for the opportunity, you'll laugh at anything.” –
Baltimore Sun
Jul 15, 2014
Full Review
In the Mood for Love (2000)
92%
3/4
“As a study of people determined to remain more true to their values than to their emotions, In the Mood for Love offers an experience like few other films of recent memory.” –
Baltimore Sun
Apr 15, 2014
Full Review
Amélie (2001)
90%
2.5/4
“For such a whimsical film to work, there needs to be something substantial at its center, some grounded character or central conflict. All Amelie has is the lightest, most insubstantial of souffles. And who can stomach an entire meal of that?” –
Baltimore Sun
Apr 9, 2014
Full Review
The Royal Tenenbaums (2001)
81%
3/4
“Anderson, who co-wrote the screenplay with Wilson, maintains a straight, deadpan tone throughout the film.” –
Baltimore Sun
Mar 4, 2014
Full Review
Dark Days (2000)
94%
3/4
“It's hard not to get caught up in these people's lives, or to be impressed by their resiliency.” –
Baltimore Sun
Mar 3, 2014
Full Review
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