Chris Shields
Chris Shields's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
The Blue Caftan (2022)
96%
“What at first appears to be a story of secret lives and betrayal destined for a tragic end becomes a nuanced portrait of unconditional love and acceptance at its most radical.” –
Sight & Sound
Jun 8, 2023
Full Review
Cadavres exquis (1976)
“A somber and contemplative political whodunnit set amid the violence and radicalism that pervaded 1970s Italy.” –
Screen Slate
Oct 10, 2021
Full Review
Our Time Machine (2019)
100%
9/10
“Depending on the day you've had and the last time you talked to your parents, it's a good idea to keep the Kleenex handy.” –
Film Threat
Sep 11, 2020
Full Review
Fellini's Roma (1972)
61%
“A dizzying assault of radically stylized, pure cinema.” –
Screen Slate
Jan 14, 2020
Full Review
Cassandro, the Exotico! (2018)
85%
“Losier captures all the camp of such a larger than life figure, but underneath all the pageantry and breathtaking maneuvers off the top rope is a sustained note of mental and physical pain.” –
Screen Slate
Jul 23, 2019
Full Review
Clinton Road (2019)
2/10
“Sometimes I forget how bad it can be. I watch enough B-horror that, over time, it appears my floor has descended to an untold depth.” –
Film Threat
Jul 18, 2019
Full Review
6.5/10
“Lackluster gore aside, Alien Party Crashers shows Stray has a knack for likable characters and quippy dialogue. The film presents an interesting dance of ambitious sci-fi storytelling and backyard zombie horror.” –
Film Threat
Jun 12, 2019
Full Review
Our Time Machine (2019)
100%
9/10
“Depending on the day you've had and the last time you talked to your parents, it's a good idea to keep the Kleenex handy.” –
Cinema Axis
May 17, 2019
Full Review
Kiss Kiss (2017)
6/10
“...In the end, though, the film's style is muddled, and the promise of its trashy premise is left somewhat unfulfilled.” –
Film Threat
Mar 25, 2019
Full Review
Johnny Gruesome (2018)
8/10
“The balancing act Lamberson's film achieves between adolescent drama and ghastly horror is truly something special.” –
Film Threat
Feb 27, 2019
Full Review
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