Christian Gallichio
Christian Gallichio's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Havoc (2025)
67%
“Those looking for something similar to The Raid films will find much to enjoy here. But, it’s also just a lesser version of those movies, leaving one to wonder why Evans returned to the well this time.” –
The Film Stage
Apr 24, 2025
Full Review
Take No Prisoners (2025)
B
““Take No Prisoners” might lean too hard on pathos. But it’s still incredibly watchable and more than a little shocking in the access the filmmakers were given.” –
The Playlist
Mar 14, 2025
Full Review
Seeds (2025)
95%
A-
““Seeds” may be indebted to the elder subjects that Shyne centralizes, but it’s also a film that dares to look forward, suggesting that — despite everything — these farms will continue. ” –
The Playlist
Feb 14, 2025
Full Review
From Ground Zero (2024)
98%
A-
“A profound testament to the importance of artistic statements in the face of the day-to-day horrors in Gaza, the omnibus film “From Ground Zero” represents an act of bearing witness. ” –
The Playlist
Jan 24, 2025
Full Review
Flight Risk (2025)
30%
C-
“Rather than prove unwatchable––though I would argue its CGI is––Flight Risk is never as fun as it should be.” –
The Film Stage
Jan 24, 2025
Full Review
Treasure (2024)
42%
C-
“It’s the type of tragicomedy Sundance used to pump out at a relatively fast pace: both inoffensive and more than a little bland. ” –
The Film Stage
Jun 14, 2024
Full Review
Happy Campers (2023)
100%
A-
“Happy Campers sometimes feels like a lark, only glancing at the cycles of capitalism that erase these communities. But it’s nevertheless an emotional exploration of a group on the fringes and how anyone can find a welcoming community.” –
The Playlist
May 17, 2024
Full Review
Babes (2024)
88%
B+
“It might not break new ground, but Babes is nevertheless something quite rare these days: both emotionally complex and hysterical.” –
The Film Stage
May 15, 2024
Full Review
Power (2024)
79%
C+
““Power” takes on enough content to fill a semester’s worth of material, it’s also never short on ideas, even if those ideas come and go at warp speed.” –
The Playlist
Jan 20, 2024
Full Review
The Goldfinger (2023)
59%
C
“While Infernal Affairs spawned Scorsese’s The Departed, Chong seems to reverse his homage, deploying a style that might be described as Wolf of Wall Street-lite. ” –
The Film Stage
Jan 5, 2024
Full Review
Orlando, My Political Biography (2023)
94%
A-
“A fully alive film.” –
The Playlist
Nov 29, 2023
Full Review
To Kill a Tiger (2022)
100%
A-
“It’s a powerful, infuriating document of a family’s resilience in the face of massive communal pressure.” –
The Playlist
Oct 31, 2023
Full Review
Story Ave (2023)
95%
B+
“Features two powerful performances and acts as a showcase for its first-time director. ” –
The Playlist
Oct 2, 2023
Full Review
Woodland (2023)
83%
B+
“Scharang has crafted a quiet, contemplative film and, in the end, a moving exploration of how the past constantly informs the present.” –
The Playlist
Sep 12, 2023
Full Review
Hollywoodgate (2023)
92%
A-
““Hollywoodgate” trades these more nuanced characterizations for blunt force storytelling, but its nevertheless incredibly effective.” –
The Playlist
Sep 3, 2023
Full Review
Piaffe (2022)
92%
B
“Consistently beautiful, watchable, and a truly memorable.” –
The Playlist
Aug 24, 2023
Full Review
Medusa Deluxe (2022)
71%
B-
“A bold and energetic debut.” –
The Playlist
Aug 15, 2023
Full Review
Between Two Worlds (2021)
79%
C
“Centralizing the moral quandaries of undercover journalism rather than the gig economy the film is ostensibly about, Emmanuel Carrére’s Between Two Worlds often feels at war with itself.” –
The Film Stage
Aug 11, 2023
Full Review
The Beanie Bubble (2023)
46%
C-
“Kristin Gore and Damian Kulash’s film takes what, perhaps, should’ve been a three-minute section on “I Love the 90s” and expands it.” –
The Playlist
Aug 8, 2023
Full Review
The Unknown Country (2022)
92%
A-
“ Remarkable. ” –
The Playlist
Aug 8, 2023
Full Review
What Comes Around (2022)
30%
C-
“Feels a bit like its title — hinting at a complete narrative but only really giving us a half-formed idea.” –
The Playlist
Aug 8, 2023
Full Review
Transition (2023)
100%
A
“One of the most engrossing documentaries of the year.” –
The Playlist
Jun 29, 2023
Full Review
Bad Like Brooklyn Dancehall (2023)
B
“A riveting introduction to the world of dancehall. ” –
The Playlist
Jun 17, 2023
Full Review
Mountains (2023)
97%
B+
“A striking debut from a filmmaker to watch.” –
The Playlist
Jun 12, 2023
Full Review
Winter Boy (2022)
77%
C+
“Incredibly focused, feeling more like a personal excavation of one’s own childhood than what could’ve been a generic exploration of the cycles of grief.” –
The Playlist
May 17, 2023
Full Review
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