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Christy Lemire

Tomatometer-approved critic
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Reviews

Movies 온라인카지노추천 Shows
I Love You Forever (2024) 80% “A really cool comedy that becomes something totally different, and that shift in tone is really impressive.” – FilmWeek (LAist) May 8, 2025 Full Review The Gorge (2025) 63% “It's a tough balance to strike and I don't think the sci-fi part works as well as [the romance]. The two [actors] have a lot of chemistry and look great together, the film looks great, and the score is great.” – FilmWeek (LAist) May 8, 2025 Full Review Universal Language (2024) 96% “It is just totally delightful, original, singular, so weird, kind of delicate and so bold. ” – FilmWeek (LAist) May 8, 2025 Full Review SLY LIVES! (aka The Burden of Black Genius) (2025) 93% “There's never anything pedantic about this film. [Questlove] wants to share his passion about this particular musical genre and this musician. ” – FilmWeek (LAist) May 8, 2025 Full Review Becoming Led Zeppelin (2025) 83% “If you can see it at an IMAX, please do, because it's like being at a concert. That sound is incredible -- crank it up loud!” – FilmWeek (LAist) May 8, 2025 Full Review Paddington in Peru (2024) 93% “This is sweet, charming and gentle in all the ways you want a Paddington movie to be. ” – FilmWeek (LAist) May 8, 2025 Full Review Captain America: Brave New World (2025) 48% “This movie cannot settle down and be what it needs to be in the moment. It is trying to tie back to movies you don't like and don't remember. ” – FilmWeek (LAist) May 8, 2025 Full Review Bonjour Tristesse (2024) 65% 2.5/4 ““Bonjour Tristesse” works best as a sustained mood, as an evocation of long summer days that might not actually exist outside Eric Rohmer films and fashion magazine photo shoots. ” – RogerEbert.com May 2, 2025 Full Review April (2024) 95% 3/4 ““April” is as exquisite as it is excruciating: a film that will linger with you long afterward, but you’ll probably never want to watch it again. ” – RogerEbert.com Apr 25, 2025 Full Review Freaky Tales (2024) 74% 2.5/4 “A scrappy, underdog enthusiasm is unmistakable throughout.” – RogerEbert.com Apr 4, 2025 Full Review AUM: The Cult at the End of the World (2023) 66% “It feels a little superficial... It didn't say a whole lot about why cults are interesting in the first place.” – FilmWeek (LAist) Mar 28, 2025 Full Review Bob Trevino Likes It (2024) 95% “If you want a balm for these difficult times, Bob Trevino Likes It is it.” – FilmWeek (LAist) Mar 28, 2025 Full Review Locked (2025) 66% “As a genre exercise, I enjoyed it a lot.” – FilmWeek (LAist) Mar 28, 2025 Full Review Magazine Dreams (2023) 80% “[Jonathan Majors] is great in it, but it is very tough to watch.” – FilmWeek (LAist) Mar 28, 2025 Full Review The Alto Knights (2025) 39% “I don't know why this movie exists. It breathes no new new life into the mobster movie genre at all and will only serve to remind you of better movies.” – FilmWeek (LAist) Mar 28, 2025 Full Review Disney's Snow White (2025) 39% “A mishmash and a mess of stuff. ” – FilmWeek (LAist) Mar 28, 2025 Full Review The Assessment (2024) 82% 3/4 “The first feature from [Fleur Fortuné] has a ton of style, and signals from the beginning her confident use of framing, texture and color. ” – RogerEbert.com Mar 21, 2025 Full Review Picture This (2025) 45% 2.5/4 “A rom-com that’s more effective as com than rom, with several big laughs and a thoroughly winning lead performance from Simone Ashley. ” – RogerEbert.com Mar 6, 2025 Full Review Mickey 17 (2025) 77% 2.5/4 “What’s frustrating is that I totally agree with everything Bong is saying, I just wish he were saying it with a touch more finesse. ” – RogerEbert.com Mar 5, 2025 Full Review My Dead Friend Zoe (2024) 95% 3.5/4 “This is a persuasive piece of advocacy filmmaking, tucked inside a playful and profane comedy about female friendship. You’ll laugh. You’ll cry.” – RogerEbert.com Feb 28, 2025 Full Review Invader (2024) 58% 1.5/4 “The best thing about “Invader” is that it’s short. But for much of its 69-minute runtime, it is thoroughly unpleasant, which makes it feel much longer. ” – RogerEbert.com Feb 21, 2025 Full Review Rose (2021) 81% “Watching the expressiveness of [Françoise Fabian]'s joy is quite lovely.” – FilmWeek (LAist) Feb 11, 2025 Full Review Grafted (2024) 77% “It gets gross, but to what end?... I don't know if the young woman at the center of it is all that well drawn.” – FilmWeek (LAist) Feb 11, 2025 Full Review Inheritance (2025) 54% “She never becomes Jason Bourne... She's figuring it out, and we're figuring it out right alongside her. ” – FilmWeek (LAist) Feb 11, 2025 Full Review Flight Risk (2025) 30% “A really cool idea, but the dialogue is terrible. I hate this script so much... There's a crassness that is really unnecessary.” – FilmWeek (LAist) Feb 11, 2025 Full Review
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