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Clint Worthington

Tomatometer-approved critic
Biography:

Clint Worthington is a Senior Writer for Consequence of Sound and the founder and editor-in-chief of The Spool. He also co-hosts and produces the podcasts More of a Comment, Really... and Hall of Faces for The Spool, as well as Travolta/Cage with Nathan Rabin. He lives in Chicago with his wife, his cat, and too many Criterions. 

Reviews

Movies 온라인카지노추천 Shows
Párvulos: Children of the Apocalypse (2024) 89% 2.5/4 “The three leads are equally compelling here, a trio suffused with believable chemistry and relatable vulnerability that puts all the bone-crunching gore and blood in sharp relief.” – RogerEbert.com Apr 4, 2025 Full Review Borderline (2025) 56% 2.5/4 “The breathless pace, and all these jagged tonal asides, can leave you feeling more than a little disoriented, especially as they drag Warden further from the toxic romance that’s supposed to undergird “Borderline”‘s central story.” – RogerEbert.com Mar 14, 2025 Full Review A Complete Unknown (2024) 82% C- “A Complete Unknown is really about a few white men dueling over the fate of folk, with little room for the Black artists who created the genre in the first place.” – Mediaversity Reviews Feb 26, 2025 Full Review Old Guy (2024) 29% 1.5/4 “A warmed-over rehash of a million VOD actioner tropes, only slightly stained by the specific talent this one wastes.” – RogerEbert.com Feb 21, 2025 Full Review The Witcher: Sirens of the Deep (2025) 58% 2/4 “I can’t decide whether it’s the relative disposability of the narrative, the unremarkable animation, or the fact that this feels like another spoonful of content thrown into Netflix’s trough, but “Sirens of the Deep” reads like so many empty calories.” – RogerEbert.com Feb 14, 2025 Full Review Coexistence, My Ass! (2025) 92% “Eliassi’s approach at least gives her the opportunity to attack the question of peace from a lighter angle than most, which prevents Coexistence My Ass! from wallowing in misery. And that’s sorely needed.” – The Spool Jan 27, 2025 Full Review The Ugly Stepsister (2025) 96% “Body horror in the truest sense, as we watch a woman destroy herself for the heartless whims of a world that just doesn’t accept her in the shape in which she was born. ” – The Spool Jan 27, 2025 Full Review Brave the Dark (2023) 74% 2.5/4 “Angel Studios’ mission statement is to release films that “amplify light”; if they keep to simple stories like this, I might just start to believe them.” – RogerEbert.com Jan 24, 2025 Full Review Flight Risk (2025) 30% 1.5/4 “The lean 90-minute runtime is a very tempting sell for a lean chamber piece like this. But what happens in that 90 minutes has to actually entertain, which is where “Flight Risk” runs into some real turbulence.” – RogerEbert.com Jan 24, 2025 Full Review Star Trek: Section 31 (2025) 20% 1/4 “At best, it’s an olive branch to its contractually obligated megastar; at worst, it’s a “Rebel Moon“-level fiasco that doesn’t get why people watch “Trek” in the first place.” – RogerEbert.com Jan 23, 2025 Full Review Disfluency (2021) 85% 2.5/4 “It’s a testament to “Disfluency”‘s ultimate affect, and the lead performances, that it can successfully overcome the preachiness of Baumgarten’s script.” – RogerEbert.com Jan 10, 2025 Full Review Den of Thieves: Pantera (2025) 62% 8.0/10 “There’s a scummy charm to Pantera that feels like the next level up from Gudegast’s first; where that was a grim, nihilistic ode to LA misery, he seems to have let his affection for his surviving characters bleed into the script.” – The Spool Jan 10, 2025 Full Review Better Man (2024) 88% 4/4 “It’s brash, in your face, and on the nose. But that’s Robbie Williams. Could a biopic of him play out any other way? C’mon. Let him entertain you.” – RogerEbert.com Dec 24, 2024 Full Review Resynator (2024) 100% 3/4 “Much like the device itself, “Resynator” hardly feels revolutionary among its contemporaries, but there’s enough charm and heart beneath it to make it stand out from a crowded field. ” – RogerEbert.com Dec 13, 2024 Full Review Theater of Thought (2022) 73% 2.5/4 “While fits and spurts of “Theater” seem illuminating, that same confusion about these big scientific and metaphysical questions also keep the doc from feeling all that fulfilling. ” – RogerEbert.com Dec 13, 2024 Full Review Y2K (2024) 42% 1.5/4 “"Y2K" doesn't want to break stuff; it wants to dig it out of the trash and pine nostalgically for it. That's just not as interesting.” – RogerEbert.com Dec 6, 2024 Full Review A Traveler's Needs (2024) 81% 3/4 “Its rhythms are patient, easing you into one subtly profound moment of everyday human connection after another.” – RogerEbert.com Nov 22, 2024 Full Review Meanwhile on Earth (2024) 81% 3/4 “A fantastical look at the depths of heartache and what happens when we choose to turn away from a future for ourselves and live in the pain of what we've lost.” – RogerEbert.com Nov 8, 2024 Full Review Chasing Chasing Amy (2023) 94% 2.5/4 “Starts as another in a long line of disposable auto-docs from ppl desperate to lend their pop culture darlings greater cultural significance before becoming something a bit more complicated in its back half.” – RogerEbert.com Nov 1, 2024 Full Review The Line (2023) 80% 3/4 “For all its comparative lack of insight, there’s something intriguing about the ride, due chiefly to a pair of fascinating lead performances and a fatalistic sense of humor.” – RogerEbert.com Oct 18, 2024 Full Review Monster Summer (2024) 57% 2.5/4 “It won’t exactly hold you under its spell, but it might charm just enough for the sparse 90 minutes of attention it requests.” – RogerEbert.com Oct 5, 2024 Full Review The Featherweight (2023) 81% 3/4 ““The Featherweight” elevates its been-there story of middle-aged guys chasing their glory days with some smart, unexpected performances and a genuinely intriguing aesthetic frame.” – RogerEbert.com Sep 20, 2024 Full Review Out Come the Wolves (2024) 63% 2/4 “The skimpy structure leaves little to feast on; it’s a bit too gamey for its own good.” – RogerEbert.com Sep 2, 2024 Full Review The Good Half (2023) 48% 1.5/4 “"The Good Half" is desperate to say something profound about the thorny nature of grief ... But there's nothing new here that hasn't been cribbed from better, or even just earlier, texts. ” – RogerEbert.com Aug 16, 2024 Full Review Alien: Romulus (2024) 80% B- “Romulus feel torn between Alvarez’s desire to tell a new story in the Alien universe and 20th Century Studios’ desire for a fan-servicey thrill ride.The frustrating thing about it is that, moment to moment, it very much works. ” – Consequence Aug 14, 2024 Full Review
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