Stars and the Moon (2024)
“Stars and the Moon is, in short, an invitation to keep looking to the sky, it is an act of faith that may be able to restore lost and, above all, shared illusions. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Nov 13, 2024
Full Review
Gülizar (2024)
“With Gülizar, Bayrak shows that cinema is not a way of combating silence but the best way of portraying it, with the certainty that it reveals what words cannot. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Nov 13, 2024
Full Review
Regretfully at Dawn (2024)
“A film that understands, from this character [Bo], how important are those with whom one shares time in life.” –
Caimán Cuadernos de Cine
Nov 13, 2024
Full Review
Los últimos románticos (2019)
“[It] is nostalgic, it is beautiful, but it is also a reflection thethe lack of communication, one of the great evils of a society that, the director seems to say, is perhaps best fought by dancing alone, in the middle of a crowd. [Full review in Spanish] ” –
Caimán Cuadernos de Cine
Nov 13, 2024
Full Review
Winter in Sokcho (2024)
“A film that embraces, that caresses, just like those hands that appear again and again on the screen. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Nov 7, 2024
Full Review
Turn Me On (2024)
“Turn Me On allows itself to expose this subject from the parameters of science fiction, assuming that it is the appropriate genre to deal with the great problems of human beings in a metaphorical sense. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Nov 5, 2024
Full Review
My Eternal Summer (2024)
“The result is an honest film, crossed by the certainty of the undesirable, but also a coming of age that radiates a simple, nostalgic and eternal humanity. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Oct 29, 2024
Full Review
In the Name of Blood (2025)
“In the Name of Blood reformulates the parable of the prodigal son: a darker and more hopeless revision, conditioned by the place and time in which it takes place. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Oct 29, 2024
Full Review
La Guitarra Flamenca de Yerai Cortés (2024)
“A succession of contrasting images that function as a metaphor for life itself, with its ups and downs, with its secrets, with its songs and, of course, with its encounters. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Oct 23, 2024
Full Review
Gamma Rays (2023)
100%
“The result is a cohesive, luminous, and hopeful story about today's youth, a generation eager to look towards the horizon. [Full review in Spanish] ” –
Caimán Cuadernos de Cine
Oct 11, 2023
Full Review
Mother, Couch (2023)
41%
“When Mother, Couch detaches itself from everything on which it seems to be based and lets the cryptic take over the narrative, it, paradoxically, becomes more conventional and predictable. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Oct 3, 2023
Full Review
Achilles (2023)
67%
“A film, in short, that is committed to what it represents and that treasures images so that they do not fall into oblivion. [Full review in Spanish] ” –
Caimán Cuadernos de Cine
Oct 2, 2023
Full Review
An Optical Illusion (2020)
“An elegant essay on illusionism, cinema and its multiple (and magical) possibilities. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Jan 18, 2022
Full Review
Uppercase Print (2020)
83%
“The proposal, radical in its forms and fully coherent in its background, allows for a scathing analysis of a little-known episode (silenced, actually) of the country's recent history from its theatricalization. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Jan 5, 2022
Full Review
The Rust (2021)
“In its second act, The Rust becomes somewhat more cryptic and at the same time more stimulating in visual terms. [Full review in Spanish[” –
Caimán Cuadernos de Cine
Sep 29, 2021
Full Review
Carajita (2021)
100%
“Ulises Porra and Silvina Schnicer have created unique visual poetics that combines the images' physicality, strong lighting contrasts and powerful chromatic synergies. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Sep 27, 2021
Full Review
That Weekend (2021)
“There's something particularly significant in Mara Pescio's debut, an unconventional feature in this type of story that makes this family drama breathe with freshness and optimism. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Sep 27, 2021
Full Review
Inventory (2021)
“The way in which the filmmaker moves from police intrigue to psychological drama is captivating. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Sep 23, 2021
Full Review
Lost in Summer (2021)
“[Indefiniteness] turns out to be the great virtue of a film that narrates the existential drift of a young man stranded at the gates of maturity. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Sep 22, 2021
Full Review
Aloners (2021)
98%
“A precise portrait of the pressing disengagement that reigns in the hyper-connected society. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Sep 22, 2021
Full Review
Miracle (2021)
100%
“A film that concludes with a terrible truth: sometimes, repairing the damage caused is, simply, a selfish act. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Sep 22, 2021
Full Review
Between Two Dawns (2021)
“There is a thoughtful staging that aims to provoke suspense from the dosage of information within the shot. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Sep 22, 2021
Full Review
Unwanted (2021)
“[Unwanted] stands out, above all, in the way in which the filmmaker composes the shots, making traits as diverse as tenderness and anguish, or social and social precariousness coexist in the same frame. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Sep 22, 2021
Full Review
Mass (2021)
95%
“A film that you feel growing with every minute. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Sep 21, 2021
Full Review
The Noise of Engines (2021)
100%
“A daring film... that captivates and baffles in equal measure. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Sep 21, 2021
Full Review
No Reviews Yet
Load More
Something went wrong.. try again