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D. Patrick Rodgers

D. Patrick Rodgers's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Publications:

Reviews

Movies 온라인카지노추천 Shows
Nosferatu (2024) 84% “Robert Eggers is not a filmmaker who’s going to approach a remake without something of his own to offer. Nosferatu has much to offer.” – Nashville Scene Dec 26, 2024 Full Review Anora (2024) 93% “The journey toward Anora's ultimate destination is equal parts explicit, hilarious and heartbreaking. ” – Nashville Scene Oct 30, 2024 Full Review Saturday Night (2024) 78% “Did all of this happen on a single night in 1975? Don’t be ridiculous. The real, the apocryphal, the semi-real and the completely fabricated all come together here in a mosaic that shows us how opening night felt.” – Nashville Scene Oct 30, 2024 Full Review Civil War (2024) 81% “As it turns out, Civil War doesn’t say much of anything at all.” – Nashville Scene Jun 30, 2024 Full Review Poor Things (2023) 93% “Poor Things is wildly unique, disquieting and consistently hilarious. It’s one of the best films of the year. It just happens to also be one of the weirdest.” – Nashville Scene Dec 14, 2023 Full Review The Starling Girl (2023) 92% “The Starling Girl is not a fun film. And Parmet’s exploration of the movie’s central theme isn’t necessarily groundbreaking. But it is a rich film, and a dark one, and one that makes a point worth making.” – Nashville Scene Jun 2, 2023 Full Review The Whale (2022) 64% “The Whale is a film characterized by wall-to-wall woe and the lonesomeness and obsession felt by one doomed man. It is devastating, dark and raw, relentless in its commitment to make the audience feel something.” – Nashville Scene Feb 21, 2023 Full Review Amsterdam (2022) 31% “Russell has done some great world-building here — as has his crew, in a more literal sense — but he overindulges in that world. Perhaps there’s no one in the allegedly megalomaniacal auteur’s sphere who’s willing to tell him no. ” – Nashville Scene Oct 28, 2022 Full Review Nope (2022) 83% “Though fewer and further between, it's a blessing that we still have filmmakers like Peele taking chances within the studio system. Nope delivers.” – Nashville Scene Jul 20, 2022 Full Review Hatching (2022) 92% “Engaging and gross with steadily mounting stakes, Hatching doesn’t overstay its welcome, and sports not an ounce of fat worth trimming.” – Nashville Scene May 18, 2022 Full Review The Northman (2022) 90% “Thanks to intensely committed performances, the keen lensing of cinematographer Jarin Blaschke and clear motivations that drive the plot along like a humming V8 engine, The Northman does revenge as well as anyone could.” – Nashville Scene Apr 20, 2022 Full Review Licorice Pizza (2021) 90% “Licorice Pizza is sunny and bombastic, punctuated by Nina Simone, David Bowie, Doors and Wings needle-drops.” – Nashville Scene Dec 22, 2021 Full Review Last Night in Soho (2021) 75% “Bright and energetic and unique, Last Night in Soho is a good film. But it isn't a great one, and Edgar Wright most definitely has more great films in him.” – Nashville Scene Oct 28, 2021 Full Review Dog Day Afternoon (1975) 96% “It features one of Pacino's finest performances, as well as a spectacular turn from John Cazale, who would die from cancer just three years after Dog Day's release.” – Nashville Scene Sep 13, 2021 Full Review Bottle Rocket (1996) 86% “Though 1996's Bottle Rocket was a commercial flop, it was a remarkably special feature-length debut that introduced the world to the writer-director's idiosyncratic style.” – Nashville Scene Sep 13, 2021 Full Review Jackie Brown (1997) 88% “Jackie Brown is about two-and-a-half hours long, but it zips by like a film half that length, and every second the iconic Pam Grier is on screen in her titular role as a money-smuggling flight attendant is a second worth relishing.” – Nashville Scene Sep 13, 2021 Full Review Old (2021) 50% “It's kind of like a B-minus Twilight Zone premise writ large and outlandish, with a bit of mediocre soft-core body horror mixed in there for good measure.” – Nashville Scene Sep 9, 2021 Full Review Annette (2021) 72% “When it's not good, it's a complete mess, an overstuffed, grandiose melodrama that stretches on and on.” – Nashville Scene Sep 8, 2021 Full Review First Cow (2019) 96% “It's a tender, moving, painful depiction of friendship and classism and privilege and trust, and a film worth seeing in the theater.” – Nashville Scene Sep 3, 2020 Full Review I'm Thinking of Ending Things (2020) 82% “Its sequence of events unfurls strangely and with surrealistic imagery, like a long, complex dream conjured in a deep sleep.” – Nashville Scene Sep 3, 2020 Full Review A Hidden Life (2019) 82% “Malick creates series of vignettes, many of them featuring long stretches of silence, allowing his actors to play off one another as well as their surroundings.” – Nashville Scene Dec 19, 2019 Full Review The Irishman (2019) 95% “Scorsese here shows us in vivid detail the lasting fallout of destruction and violence, and he does so using a murderers' row of world-class performers.” – Nashville Scene Nov 21, 2019 Full Review Patti Cake$ (2017) 86% “It's built on a rock-solid foundation that endears us to our heroine, unites us against her oppressors and makes us root for her at the freestyle parking-lot cypher ...” – Nashville Scene Jun 17, 2019 Full Review The Florida Project (2017) 96% “It might rip your guts to shreds just a little bit, but it'll be worth it.” – Nashville Scene Jun 17, 2019 Full Review The Disaster Artist (2017) 91% “So how is it? In a word, unnecessary. But in two words? Unnecessary and hilarious” – Nashville Scene Jun 17, 2019 Full Review
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