Hello Beautiful (2025)
73%
2/5
“Between the Hallmark sheen to the cinematography and perfunctory screenplay, there is not enough here unfortunately to elevate it, or distinguish it, from any other movie about cancer.” –
Flick Feast
Apr 18, 2025
Full Review
Sew Torn (2024)
95%
3/5
“The film ends up weaving an overly-complicated narrative web however it is still a pretty darn good time.” –
FILMHOUNDS Magazine
Mar 17, 2025
Full Review
Sister Midnight (2024)
96%
4/5
“Radhika Apte devours every second of screen time with hungry relish. An incendiary performance that grabs you by the shoulders and screams in your face to pay attention.” –
Flick Feast
Mar 16, 2025
Full Review
Bob Trevino Likes It (2024)
95%
4/5
“Laymon's ode to friendship is a heart-warming film, capable of pulling on heartstrings when required to produce laughs and tears in equal measure.” –
FILMHOUNDS Magazine
Mar 15, 2025
Full Review
On Falling (2024)
94%
4/5
“Audiences can go to the movies to escape the everyday world. Yet cinema also has the power, and responsibility, to hold a mirror up to that world. Carreira does just that and delivers a timely, relevant, and sobering portrait of the true cost of living.” –
FILMHOUNDS Magazine
Mar 12, 2025
Full Review
Black Bag (2025)
96%
4/5
“Soderbergh takes the tropes of the spy genre such as mystery and macguffins, and remixes them with style and swagger... Think Tinker Tailor Soldier Spy meets Ocean’s Eleven... A slick, smart, and sexy night out at the movies.” –
Flick Feast
Mar 7, 2025
Full Review
Tornado (2025)
4/5
“Tornado is something that feels completely fresh and unique, complete with a streak of absurdist humour as sharp as a katana blade.” –
Flick Feast
Mar 1, 2025
Full Review
War and Justice (2023)
88%
2/5
“Its scope is simply too wide to deliver a focused message beyond “the act of war is the biggest war crime of all”... War and Justice is a well-meaning, shocking and sobering documentary but a frustrating watch.” –
Flick Feast
Feb 8, 2025
Full Review
Presence (2024)
88%
4/5
“For those attuned to its wavelength, Presence will haunt you for days long after the credits roll.” –
Flick Feast
Jan 26, 2025
Full Review
Wolf Man (2025)
50%
4/5
“A lean, mean, nasty thrill ride that will leave fans hungry (like the wolf) for more from Whannell’s personal “dark universe”.” –
Flick Feast
Jan 18, 2025
Full Review
Speak Sunlight (2023)
100%
3/5
“The warmth between the lead characters is reflected in the cinematography by José Luis Alcaine... Whilst this makes for a charming cinematic tale, the summer haze results in certain aspects losing some of their impact.” –
Flick Feast
Dec 1, 2024
Full Review
Anora (2024)
93%
4/5
“Mikey Madison’s magnetic, alluring performance commands the screen and the audience’s attention.” –
Flick Feast
Nov 4, 2024
Full Review
Blitz (2024)
81%
2/5
“Arguably McQueen’s weakest film. One that is ultimately saved by the strong connection between newcomer Heffernan and Ronan. They are the heart that keeps Blitz beating and not becoming a total dud.” –
Flick Feast
Oct 13, 2024
Full Review
The Substance (2024)
89%
5/5
“One of the most fucked up experiences you will have at the cinema... body horror has never looked this good.” –
Flick Feast
Sep 16, 2024
Full Review
Wolfs (2024)
67%
4/5
“Brad Pitt and George Clooney’s star power supercharges Jon Watts’ entertaining Wolfs. Like a wolf in sheep’s clothing, this is a love story disguised as an action comedy thriller. The film is slick, well-polished and most importantly fun.” –
Flick Feast
Sep 1, 2024
Full Review
The Brutalist (2024)
93%
5/5
“An achievement as towering as the imposing Brutalist-style buildings that Tóth designs. The Brutalist is a modern masterpiece. One that many will come to look back on as landmark piece of American cinema.” –
Flick Feast
Sep 1, 2024
Full Review
The Order (2024)
92%
2/5
“Despite a grizzled, tortured and angry performance from Law... it does not make the American crime film great again.” –
Flick Feast
Aug 31, 2024
Full Review
Babygirl (2024)
76%
3/5
“Kidman and Dickinson have an undeniable, smouldering, palpable chemistry.. but while always pushing boundaries, [Babygirl] never feels like it truly breaks them. Someone shouted the safe word too early!” –
Flick Feast
Aug 30, 2024
Full Review
Maria (2024)
75%
4/5
“It is a Prima Donna performance from Jolie... La Callas’s vocals may have failed her towards the end, but through Jolie, her voice is able to come alive and soar once again. Larrain’s film proves to be a divine tribute to La Divina.” –
Flick Feast
Aug 29, 2024
Full Review
The Outrun (2024)
82%
4/5
“This bleak but ultimately uplifting film is anchored by Saoirse Ronan’s stunning central performance... the stark, cool cinematography breathes life into every stunning frame. ” –
Flick Feast
Aug 18, 2024
Full Review
Longlegs (2024)
86%
5/5
“An insidious experience that burrows under your skin and gnaws away at your subconscious until you find yourself consumed by its darkness... The result is one of the most chilling and frightening films of recent years.” –
Flick Feast
Jul 9, 2024
Full Review
In a Violent Nature (2024)
78%
2/5
“Some vicious and memorable kills aside, the end result is a fascinating but ultimately failed experiment in the horror genre.” –
Flick Feast
Jul 8, 2024
Full Review
Hundreds of Beavers (2022)
97%
4/5
“Imagine The Revenant starring Buster Keaton, directed by Sam Raimi, and you are still nowhere close to visualising the sheer madness of this wildly inventive and constantly hilarious movie.” –
Flick Feast
Jul 7, 2024
Full Review
Meeting You, Meeting Me (2024)
100%
3/5
“Its strength... lies in the screenplay, written by Suh. Add to that two accomplished central performances and the result is something which feels honest and authentic.” –
Flick Feast
Jul 5, 2024
Full Review
Rumours (2024)
75%
2/5
“The satire starts off with a rapid fire gag rate, with a strong hit ratio. However after that strong opening act, it quickly runs out of steam and becomes quite a slog to sit through.” –
Flick Feast
May 26, 2024
Full Review
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