Wolf Man (2025)
50%
3/10
“Whannell keeps pushing his characters into what increasingly seems to be an obligatory danger.
” –
Film Threat
Jan 21, 2025
Full Review
Dandelion (2024)
75%
8/10
“Exceptional because it gets both the technical and emotional details right.” –
Film Threat
Jul 30, 2024
Full Review
Kinds of Kindness (2024)
71%
6/10
“The creativity and daring are abundantly evident, but there is a sense that he’s overlooking his characters as if they are ants, torching them with a magnifying glass and asking us to delight in their misfortunes.” –
Film Threat
Jul 8, 2024
Full Review
Bound (2023)
91%
7/10
“New York has been filmed a lot over the last century and a half, but if Bound is any indication, the city that never sleeps has more promising tales to come.” –
Film Threat
Feb 12, 2024
Full Review
Citizen Weiner (2024)
80%
8/10
“Robbins and Weiner may be playing for the camera rather than for a seat at the legislative table, but at least they resoundingly prove that politics can be anything but soul-crushing and dull.” –
Film Threat
Jan 22, 2024
Full Review
Haunted Mansion (2023)
38%
75/100
“The new Haunted Mansion still feels unsatisfying because it's hard to tell which audience Disney was trying to reach. ” –
Arkansas Democrat-Gazette
Jul 28, 2023
Full Review
Ruby Gillman, Teenage Kraken (2023)
66%
“It's almost as if DreamWorks themselves are admitting they can do better.” –
Arkansas Democrat-Gazette
Jun 30, 2023
Full Review
Are You There God? It's Me, Margaret. (2023)
99%
86/100
“Fremon Craig works well with her young cast and the grownups who accompany them. She also takes potentially heavy subject matter and delivers it in an entertaining and touching manner. ” –
Arkansas Democrat-Gazette
Apr 28, 2023
Full Review
How to Blow Up a Pipeline (2022)
95%
“The makers of How to Blow Up a Pipeline have an agenda. They've also managed to make a gripping movie while bellowing from their soapbox.” –
Arkansas Democrat-Gazette
Apr 21, 2023
Full Review
Cocaine Bear (2023)
66%
“The humans are interesting enough we care about whether they end up as an ursine lunch. ” –
Arkansas Democrat-Gazette
Feb 24, 2023
Full Review
Living (2022)
96%
86/100
“While Nighy may be following in the challenging footsteps of Takashi Shimura's performance, he manages to claim the role for himself.” –
Arkansas Democrat-Gazette
Feb 3, 2023
Full Review
Virtually Heroes (2013)
40%
7/10
“Found plenty of clever ways to poke fun at the conventions of video games.” –
Film Threat
Jan 30, 2023
Full Review
A Man Called Otto (2022)
70%
83/100
“While it is a pleasure to see Hanks and Trevino bring their voices to the material, A Man Called Otto plays like a good cover band replicating a hit. ” –
Arkansas Democrat-Gazette
Jan 13, 2023
Full Review
Puss in Boots: The Last Wish (2022)
95%
“Puss in Boots: The Last Wish has more dynamic and interesting characters than most live action films have. Screenwriters Tommy Swerdlow and Paul Fisher make the fearless feline more engaging by taking something away from him.” –
Arkansas Democrat-Gazette
Dec 30, 2022
Full Review
Whitney Houston: I Wanna Dance with Somebody (2022)
43%
“Because of the cold, rote storytelling, we end up missing Houston's voice instead of the story about her. Maybe it would be better to stream her old songs on Vevo and break out the headphones.” –
Arkansas Democrat-Gazette
Dec 27, 2022
Full Review
Memories of My Father (2020)
84%
“With "Memories of My Father," Trueba achieves a formidable balancing act by balancing Quiquin's sweet memories with the political tension that dominates his hometown.” –
Arkansas Democrat-Gazette
Dec 10, 2022
Full Review
Strange World (2022)
72%
77/100
“Strange World is clearly intended as an eco fable, but its eagerness to make viewers care about the world outside of the theater doesn't excuse it from neglecting basic storytelling.” –
Arkansas Democrat-Gazette
Nov 29, 2022
Full Review
She Said (2022)
88%
“Director Maria Schrader and screenwriter Rebecca Lenkiewicz follow closely in the footsteps of All the President's Men and Spotlight and thankfully understand why those movies worked. Having a worthwhile story to recount doesn't hurt, either.” –
Arkansas Democrat-Gazette
Nov 19, 2022
Full Review
My Policeman (2022)
44%
84/100
“Because the conclusion is obvious, watching My Policeman seems like staring into a crystal ball. At least, the figures inside are worth our attention.” –
Arkansas Democrat-Gazette
Nov 11, 2022
Full Review
Ticket to Paradise (2022)
57%
“It was fun to watch Julia Roberts trying to ruin somebody else's nuptials in 1997's My Best Friend's Wedding, but this time around she doesn't have the clever, creative script or even a good reason to spoil a ceremony.” –
Arkansas Democrat-Gazette
Oct 21, 2022
Full Review
Lyle, Lyle, Crocodile (2022)
71%
“It's often been said that if you must steal a storyline, it's wise to burgle the best. Lyle, Lyle, Crocodile almost disproves that assertion.” –
Arkansas Democrat-Gazette
Oct 7, 2022
Full Review
Bros (2022)
89%
“Romantic comedies need a heart to go with the funny bone, and Bros thankfully gets that right, too. Stoller makes no effort to hide his attempts to pull on a viewer's heartstrings, but there's no good reason to ask him to stop, either.” –
Arkansas Democrat-Gazette
Sep 30, 2022
Full Review
Don't Worry Darling (2022)
38%
77/100
“Silberman and Wilde have learned some of the right lessons from The Stepford Wives and The Truman Show, but their revelations for some of the anachronisms in the story seems sloppy and underdeveloped.” –
Arkansas Democrat-Gazette
Sep 23, 2022
Full Review
The Woman King (2022)
94%
87/100
“With The Woman King, director Gina Prince-Bythewood explores a neglected corner of history and has a ball doing it. Thanks to her quick pacing and impeccable staging of battle sequences, her enthusiasm is contagious.” –
Arkansas Democrat-Gazette
Sep 16, 2022
Full Review
Maya and the Wave (2022)
100%
9/10
“Maya and the Wave is so graceful and elegant that you can almost forget the Herculean struggle that made it possible.” –
Film Threat
Sep 13, 2022
Full Review
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