Dan Rubins
Dan Rubins's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Disney's Snow White (2025)
40%
2/4
“This is a fairly paint-by-numbers exercise in updating a quintessential but unquestionably quaint property for modern consumption.” –
Slant Magazine
Mar 19, 2025
Full Review
Wicked (2024)
87%
2.5/4
“Wicked’s frequent patches of sluggishness are particularly frustrating because so much of the film, especially the songs, is glorious.
” –
Slant Magazine
Nov 19, 2024
Full Review
The Critic (2023)
52%
1.5/4
“It’s only the winking malice of Ian McKellen’s title character that prevents the film from imploding entirely, dirigible-like, as the haywire plot begins to nosedive.” –
Slant Magazine
Sep 11, 2024
Full Review
Mean Girls (2024)
69%
2.5/4
“While fundamentally entertaining, this new film often finds itself in distractingly constant conversation with its original source material.” –
Slant Magazine
Jan 10, 2024
Full Review
Waitress: The Musical (2023)
100%
3/4
“The film accomplishes its principal goal of capturing Sara Bareilles’s spectacular take on Jenna Hunterson, especially in its close-ups of the singer-songwriter.” –
Slant Magazine
Dec 3, 2023
Full Review
My Big Fat Greek Wedding 3 (2023)
31%
3/4
“For devotees of the franchise, Nia Vardalos's film will be a surprisingly emotional trip home.” –
Slant Magazine
Sep 7, 2023
Full Review
Elemental (2023)
73%
2/4
“Elemental does a whole lot of huffing and puffing but, at its core, feels no more grounded than a gentle wisp of air.” –
Slant Magazine
Jun 15, 2023
Full Review
Fantastic Beasts: The Secrets of Dumbledore (2022)
46%
2/4
“With this film, nuance seems to have disapparated from the wizarding world altogether.” –
Slant Magazine
Apr 5, 2022
Full Review
Death on the Nile (2022)
62%
2.5/4
“Once things get moving, its smooth sailing to the double-shocker of a denouement.” –
Slant Magazine
Feb 7, 2022
Full Review
West Side Story (2021)
91%
2.5/4
“Steven Spielberg's West Side Story is at its best when it zooms in and settles down into character study.” –
Slant Magazine
Dec 2, 2021
Full Review
Tick, Tick... Boom! (2021)
88%
2.5/4
“tick, tick... BOOM! never quite resolves that tension between well-attended wake and intimate memoir.” –
Slant Magazine
Nov 19, 2021
Full Review
Dear Evan Hansen (2021)
28%
2/4
“The film works harder to fix the problems with its source material than to establish itself as an independent piece of art.” –
Slant Magazine
Sep 20, 2021
Full Review
In the Heights (2021)
94%
3.5/4
“Consistently surprising and creatively fearless, John M. Chu's film brings monumentality to a work of infinite heart.” –
Slant Magazine
May 31, 2021
Full Review
Six Minutes to Midnight (2020)
36%
2/4
“Andy Goddard's film clumsily superimposes a frenzied, completely fictional spy adventure onto a fascinating fragment of pre-war history.” –
Slant Magazine
Mar 22, 2021
Full Review
Raya and the Last Dragon (2021)
93%
3.5/4
“On its own gorgeously depicted terms, this film sticks the landing as a celebration of hope, a manifestation of what unfettered trust in our shared humanity could look like.” –
Slant Magazine
Mar 1, 2021
Full Review
The SpongeBob Movie: Sponge on the Run (2020)
66%
1.5/4
“If the SpongeBob franchise has finally gone on the run, it seems like it's left the audience that matters most in the dust.” –
Slant Magazine
Feb 28, 2021
Full Review
The United States vs. Billie Holiday (2021)
55%
2.5/4
“The film finds its purpose most pointedly when it zeroes in on the unambiguous relationship between Holiday and "Strange Fruit."” –
Slant Magazine
Feb 19, 2021
Full Review
The Dig (2021)
87%
3/4
“The Dig clearly relishes in having found so many fascinating real people arriving at one place at once.” –
Slant Magazine
Jan 27, 2021
Full Review
Beautiful Something Left Behind (2020)
94%
3/4
“Katrine Philp's documentary boldly argues for a clear-eyed frankness in talking to bereaved children about loss.” –
Slant Magazine
Jan 7, 2021
Full Review
Pinocchio (2019)
84%
3/4
“Matteo Garrone's adaptation of Carlo Collodi's story trembles with corporeal strangeness and unpredictability.” –
Slant Magazine
Dec 21, 2020
Full Review
The Prom (2020)
54%
3/4
“Ryan Murphy's vibrant film adaptation makes a closer-to-seamless whole of the story's disparate parts.” –
Slant Magazine
Dec 1, 2020
Full Review
Soul (2020)
95%
2.5/4
“It's hard not to want Soul to be all about music, not just as metaphor but as the very real engine that drives the film's characters forward.” –
Slant Magazine
Nov 30, 2020
Full Review
Ma Rainey's Black Bottom (2020)
97%
3/4
“Chadwick Boseman meticulously charts the breakdown of a man discovering, within the mirages of 1920s blackness, that pursuit and escape, fleeing from and running toward, are inextricably intertwined.” –
Slant Magazine
Nov 21, 2020
Full Review
Come Away (2020)
29%
2/4
“The film can't seem to decide whether it's fantasy or allegory and whether its characters are fan fiction or flesh and blood.” –
Slant Magazine
Nov 12, 2020
Full Review
Jingle Jangle: A Christmas Journey (2020)
91%
2.5/4
“The greatest gift offered by the film is an empowering world that looks less like invention and more like real life.” –
Slant Magazine
Nov 9, 2020
Full Review
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