Dead Lover (2025)
76%
“It’s bigger, much broader, delightfully gross, and even funnier than [Glowicki's] debut.” –
In Review Online
Apr 9, 2025
Full Review
The Rule of Jenny Pen (2024)
71%
“The Rule of Jenny Pen is an ambitious miss, but a miss nonetheless.” –
In Review Online
Apr 3, 2025
Full Review
Chaos: The Manson Murders (2025)
56%
“ It all adds up to more artless true-crime nonsense, which has proliferated at an alarming rate in our present streaming era. In this case, you’re far better off reading the book.” –
In Review Online
Apr 3, 2025
Full Review
Eephus (2024)
100%
“What Carson Lund's Eephus does so well is suggest that the fundamental truth of the sport lies in communal gathering and how that sense of community is being fractured by neoliberalism.” –
In Review Online
Apr 3, 2025
Full Review
You Burn Me (2024)
“By eschewing typical narrative and dramatic stakes and emphasizing the material aspects of writing and directing, the film proves simultaneously challenging in its experimentations and straightforward in its intentions.” –
In Review Online
Apr 3, 2025
Full Review
Suspended Time (2024)
65%
“It’s all very low-key, even subdued, but gradually a portrait emerges of a middle-aged man forced to confront major life changes, particularly with regard to how death becomes a material concern rather than an abstract idea. ” –
In Review Online
Mar 12, 2025
Full Review
The Fishing Place (2024)
73%
“ It’s an elusive, slippery object, and probably a masterpiece of sorts.” –
In Review Online
Feb 28, 2025
Full Review
Riff Raff (2024)
59%
“There simply isn’t enough energy to fully overcome a screenplay this rote and rooted in outsized familiarity.” –
In Review Online
Feb 28, 2025
Full Review
Invader (2024)
58%
“[Invader is] so small-scaled, and so aggressively frenetic, that it succeeds in its much more modest aims. Clocking in at barely 70 minutes, it’s a brisk, merciless exercise, not so much a narrative film as a sensory experience.” –
In Review Online
Feb 28, 2025
Full Review
Millers in Marriage (2024)
56%
“If Millers in Marriage occasionally veers too close to Live Laugh Love cliche, there’s still some pleasure in seeing a movie about grown-ups that’s made for grown-ups. ” –
In Review Online
Feb 28, 2025
Full Review
Bokshi (2025)
“While there’s plenty of undeniable talent on display in Bokshi, there’s simply a fatal absence of cohesive vision that would have allowed for anything interesting to be done with it.” –
In Review Online
Feb 14, 2025
Full Review
Birdeater (2023)
75%
“It’s remarkably well-made and deeply unsettling, with an ambiguous ending that at least suggests the possibility of breaking free from toxic relationships and letting go of traumas.” –
In Review Online
Feb 4, 2025
Full Review
You're Cordially Invited (2025)
48%
“Though it may only be nostalgia doing its work, You're Cordially Invited leaves one with the impression that it might be nice to see one of these inoffensive gag-fests on a big screen again rather than on 온라인카지노추천 at home.” –
In Review Online
Feb 4, 2025
Full Review
The Order (2024)
92%
“The Order is ultimately such a paint-by-numbers affair, a cops-and-robbers potboiler with a few tentative gestures toward contemporary relevance. It’s hardly a bad film, just kind of an unreservedly bland one.” –
In Review Online
Dec 6, 2024
Full Review
Street Trash (2024)
“Street Trash is a goofy, gloopy movie that has more to legitimately say about how we live now than any number of "socially relevant" prestige Oscar-bait dramas that dominate theaters this time of year.” –
In Review Online
Nov 25, 2024
Full Review
My Name is Alfred Hitchcock (2022)
93%
“There's no doubt that Cousins genuinely loves Hitchcock's work, and that passion is on full display here. But this film is at least as much about Cousins' ego as it is the master's oeuvre.” –
In Review Online
Oct 29, 2024
Full Review
MadS (2024)
93%
“If this is all familiar stuff, it's also fast-paced, occasionally very scary, and resolutely downbeat. Sometimes that's enough.” –
In Review Online
Oct 18, 2024
Full Review
The Silent Hour (2024)
70%
“The Silent Hour looks and moves like an episode of a network 온라인카지노추천 procedural. It’s painless, frictionless, and unremarkable.” –
In Review Online
Oct 11, 2024
Full Review
Gazer (2024)
78%
“It’s a compelling film and an excellent low-budget calling card, one that announces two exciting new talents in Sloan and Mastroianni.” –
In Review Online
Oct 8, 2024
Full Review
The 4:30 Movie (2024)
71%
“[Smith is] doing things his own way, and if that doesn't make The 4:30 Movie actually good, it's still not nothing. Smith is now strictly a for-fans-only kind of showman, and one suspects those fans wouldn't have it any other way.” –
In Review Online
Sep 13, 2024
Full Review
Seeds (2024)
100%
“Seeds, which Horn wrote, directed, and stars in, is a low-key charmer, freely mixing hangout comedy, anti-corporate sentiment, and gentle ribs at Reservation life” –
In Review Online
Sep 11, 2024
Full Review
The Thicket (2024)
79%
“It’s a woolly, weird, and occasionally brutal tale, constructed mostly via familiar story beats but made volatile by an appealing roster of offbeat characters and excellent cinematography.” –
In Review Online
Sep 6, 2024
Full Review
Satranic Panic (2023)
“It’s like a home movie scaled up — just a group of friends and collaborators dashing off whatever comes to mind, palpably entertaining themselves as much as a the audience.” –
In Review Online
Aug 22, 2024
Full Review
I'll Be Your Mirror (2022)
46%
“Too much of the film is content to observe faces without actually revealing anything behind them.” –
In Review Online
Aug 19, 2024
Full Review
Azrael (2024)
71%
“Genre fans rejoice, as Azrael is an absolute blast, a brutal bit of post-apocalyptic survival horror featuring a remarkable performance by Samara Weaving. ” –
In Review Online
Aug 7, 2024
Full Review
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