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Deborah Ross

Tomatometer-approved critic
Biography:

(Photo Credit: Andy Butterton - PA Images / PA Images / Getty Images)

Reviews

Movies 온라인카지노추천 Shows
The Friend (2024) 84% “Even if you’re not into the ‘non-action’ genre, the film’s worth it for the dog. There is a dog by the way, did I say?” – The Spectator Apr 24, 2025 Full Review Blue Road: The Edna O'Brien Story (2024) 100% “You could say it’s impossible to make a poor documentary about the writer Edna O’Brien as she’s never said or done anything uninteresting in her life. Point a camera and we’re away. But Sinead O’Shea’s Blue Road... is especially rewarding.” – The Spectator Apr 17, 2025 Full Review The Return (2024) 78% “Fiennes and Binoche are, of course, spellbinding. I could look at their faces all day. But the narrative is so parched and meditative it’s ultimately enervating and seems as depressed as the hero himself. ” – The Spectator Apr 10, 2025 Full Review Mr. Burton (2025) 83% “The film is too devoted and sedate to fly as a cinematic event. It has the feel of a Sunday evening television drama. Nothing wrong with that -- although you could just stay home on a Sunday evening and watch television if that’s what you’re after. ” – The Spectator Apr 3, 2025 Full Review The End (2024) 56% “Just as you’re expecting a confrontation or events to escalate -- just as you are expecting drama -- it all fizzles to nothing. Scenarios bubble up, then disappear.” – The Spectator Mar 27, 2025 Full Review Disney's Snow White (2025) 40% “The production values are high and all the enchanted animals are cute, but where are the jokes? And where is the personality?” – The Spectator Mar 20, 2025 Full Review Mickey 17 (2025) 77% “It eventually descends into a cartoonish, sub-Armando Iannucci comic caper with, as far as I could ascertain, nothing fresh to say. It’s not the biggest disappointment I’ve had in my life but it’s up there.” – The Spectator Mar 6, 2025 Full Review The Last Showgirl (2024) 83% “We’re never allowed to sit with any of the characters, which makes them feel underexplored. Elegiac as it is, the film doesn’t offer deep insights. Anderson, however, is transfixing. ” – The Spectator Feb 27, 2025 Full Review Bridget Jones: Mad About the Boy (2025) 88% “It may not have the sardonic bite of the first film, and it sometimes slips into sentimentality, but it sharply marries the contemporary with the age-old and I enjoyed it.” – The Spectator Feb 13, 2025 Full Review The Seed of the Sacred Fig (2024) 97% “It is brave cinema, and daring cinema, as well as great cinema. ” – The Spectator Feb 6, 2025 Full Review Hard Truths (2024) 95% “Jean-Baptiste is magnificent, and the film is compelling, and it will linger in the mind, but it is also 90 minutes of watching someone being aggressively unhappy without properly knowing why. This Pansy certainly brought out my inner Pansy. ” – The Spectator Jan 30, 2025 Full Review The Brutalist (2024) 93% “This is a film of ambition and swagger and Brody’s performance, suffused with pain and longing, is terrific. However, there are some odd decisions. ” – The Spectator Jan 23, 2025 Full Review A Complete Unknown (2024) 82% “It’s captivating, even if you could argue that it’s dramatically underpowered. The events building up to Newport are listless in nature, but it has a seductive, meditative, cumulative power. I wasn’t bored for a single second.” – The Spectator Jan 16, 2025 Full Review Maria (2024) 75% “It’s hard to fathom what Larrain, and screenwriter Steven Knight, want to say about her. Or how we are meant to feel... The film never gets to the truth of her, or her art, which is why the singing doesn’t feel true, either.” – The Spectator Jan 9, 2025 Full Review We Live in Time (2024) 79% “Though I am a crier by nature, my tears were not jerked. I checked -- and double-checked: eyes dry as anything. I couldn’t get beyond the phoniness. You might do better.” – The Spectator Jan 2, 2025 Full Review Queer (2024) 77% “It’s Craig’s powerful performance that makes it. Much is asked of him and he delivers. In lesser hands, Lee would definitely be repellent, but Craig deploys his ravaged charisma to imbue him with such pain and longing and woundedness that we feel for him.” – The Spectator Dec 12, 2024 Full Review Nightbitch (2024) 59% “Adams is wonderfully watchable throughout and I wasn’t ever bored and I’m going to stick my neck out and say: it may be the best film about a woman turning into a dog that you’ll see this year.” – The Spectator Dec 5, 2024 Full Review Conclave (2024) 93% “Conclave is a papal thriller based on the 2016 novel by Robert Harris and it stars a magnificent Ralph Fiennes. If he doesn’t win an Oscar I’ll eat my hat and also yours. Luckily, the film is also well written, smart, taut and visually stunning. ” – The Spectator Dec 3, 2024 Full Review Anora (2024) 93% “I know you won’t believe it’s as good as everyone is saying it is until you hear it from me so here you are: yes, it’s as good as everyone is saying it is.” – The Spectator Nov 22, 2024 Full Review Gladiator II (2024) 70% “Compared to the original it is plainly, and disappointingly, not as goodus.” – The Spectator Nov 14, 2024 Full Review Heretic (2024) 91% “It’s enjoyable watching Grant have so much fun. All those years as a rom-com star when what he’s most good at, it turns out, is being thoroughly bad.” – The Spectator Oct 31, 2024 Full Review The Room Next Door (2024) 81% “What is there to care about? Why do these two women matter? Where is that knitwear from? Spoiler alert: no answers are forthcoming.” – The Spectator Oct 30, 2024 Full Review The Apprentice (2024) 83% “It’s an origin story, if you like, and I was gripped throughout. It’s brilliantly acted and conceived, and it takes its subject seriously. It’s not like an extended Saturday Night Live routine.” – The Spectator Oct 17, 2024 Full Review Joker: Folie à Deux (2024) 31% “It made me long for the Joker from my childhood. At least he was fun and had sneezing powder.” – The Spectator Oct 10, 2024 Full Review A Different Man (2024) 93% “The movie does keep you on your toes and does not unfold along lines that can be anticipated, which is a relief, as mostly you know where a film is going in the first ten minutes. So, no regrets. ” – The Spectator Oct 3, 2024 Full Review
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