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Elina Alter

Elina Alter's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
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Reviews

Movies 온라인카지노추천 Shows
Manifesto (2015) 75% “Spliced and layered, stripped of their contexts, gathered just because they are available, the manifestos lose whatever meaning they once held.” – Brooklyn Magazine May 10, 2017 Full Review In the Shadow of Women (2015) 87% “Merhar emotes so little than his bodily tremble during a climactic argument with his wife is seismic. Courau, on the other hand, frowns, dotes, laughs, and seems entirely human.” – Brooklyn Magazine Dec 12, 2016 Full Review Lamb (2015) 83% “Dialogue that's meant to be elevated and insightful sounds a little silly, but this works, in the end, for Lamb's benefit.” – Brooklyn Magazine Nov 30, 2016 Full Review Fireworks Wednesday (2006) 100% “[In a] Farhadi film... each divulged bit of information forces the audience, and the characters, to reevaluate what they thought they understood.” – Brooklyn Magazine Nov 15, 2016 Full Review Demon (2015) 92% “Cynics and pragmatists suggest that unknown factors surface after marriage. Demon, an often auspicious union of satire and horror, offers a variation.” – Brooklyn Magazine Sep 7, 2016 Full Review For the Plasma (2014) 59% “In its obvious, 16mm love for wilderness, its desire both to capitalize on and dismiss tradition, and its stubborn refusal to cohere, a very American production.” – Brooklyn Magazine Jul 21, 2016 Full Review The Innocents (2016) 95% “The Innocents is a movie about nuns becoming mothers, and in the attempt to stave off audience incredulity, it is a very serious film.” – Brooklyn Magazine Jun 28, 2016 Full Review Diary of a Chambermaid (2015) 66% “quick and vicious” – Brooklyn Magazine Jun 7, 2016 Full Review Viktoria (2014) 81% “It's still a matter of some celebration that Viktoria screened at Sundance in 2014, the first Bulgarian movie to make it to that specific West.” – Brooklyn Magazine Apr 26, 2016 Full Review Francofonia (2015) 87% “An essay film, maybe a lyric essay film: ambitious and personal, concise and complex, insightful and at times limited by ponderousness.” – Brooklyn Magazine Apr 19, 2016 Full Review
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