Fréwaka (2024)
94%
6/10
“Fréwaka may not achieve everything it sets out to, but it’s still a moving horror story packed with thought and intention — and a much-needed reminder of the lyrical beauty of the Irish language.” –
Collider
Apr 17, 2025
Full Review
Sinners (2025)
98%
8/10
“Sinners is an electric film sparkling with energy and passion. Coogler takes everything he has honed over the past 10 years and crafts a spectacle hoisted up by exceptional visual storytelling.” –
Collider
Apr 11, 2025
Full Review
Borderline (2025)
56%
6/10
“Jimmy Warden’s Borderline can start to feel derivative of other, much stronger movies, but there’s something irresistibly charming about it, especially in its second half. ” –
Collider
Mar 13, 2025
Full Review
Bloat (2025)
29%
4/10
“It all results in a scrambled screenlife film that fails to offer any scares in its pursuit of more mainstream horror offerings.” –
Collider
Mar 3, 2025
Full Review
Bridget Jones: Mad About the Boy (2025)
88%
4/10
“Mad About the Boy is the disappointing, saccharine, and gimmicky end to a franchise that should have never gone beyond its first sequel.” –
Collider
Feb 12, 2025
Full Review
The Monkey (2025)
79%
7/10
“The Monkey is prime evidence that Perkins is one of the rare horror directors who can strike a sublime balance between comedy, suspense, and the type of gore and nastiness that has been missing from mainstream horror for years.” –
Collider
Feb 3, 2025
Full Review
Didn't Die (2025)
63%
6/10
“The horror and zombie aspects of Didn’t Die are merely distractions from where Menon’s talents truly lie — capturing the quiet subtleties that make us human.” –
Collider
Jan 29, 2025
Full Review
Predators (2025)
97%
8/10
“Predators is a pensive and intelligent work that reveals how hellish and unreal our world can be by plainly filming everyday people. It exposes the repercussions of contorting very severe issues such as pedophilia into popular entertainment” –
Collider
Jan 26, 2025
Full Review
Companion (2025)
93%
8/10
“Sophie Thatcher is magnetic in Companion, which is a snaring look at how men still view women as adaptable to their needs, but also a surprisingly tender reminder that love, the right kind of love, makes the world go round. ” –
Collider
Jan 22, 2025
Full Review
Wolf Man (2025)
50%
4/10
“Wolf Man doesn’t reach the heights of Whannell’s feature debut. It dissolves into the sea of similar hollow, glossy big-budget horrors that have become more and more frequent (and almost always come from Blumhouse).” –
Collider
Jan 15, 2025
Full Review
Our Little Secret (2024)
37%
4/10
“A stiff, poorly written comedy that is somewhat saved by the performances of Lindsay Lohan, Ian Harding, and Kristin Chenoweth. ” –
Collider
Nov 27, 2024
Full Review
This Life of Mine (2024)
85%
5/10
“It’s an uneven swan song that feels out of place in today’s cinematic sensibilities, but surely one not too egregious to detract from the rest of Fillières’ career.” –
Collider
Nov 22, 2024
Full Review
Wild Diamond (2024)
79%
8/10
“This year has given us many movies that allow young women into complex character studies usually reserved for men or older characters, and Wild Diamond is easily one of the best.” –
Collider
Nov 18, 2024
Full Review
Small Things Like These (2024)
94%
9/10
“That’s what makes Tim Mierlants’ Small Things Like These such a special but harrowing film. It’s one of the most accurate portrayals of Irish life, and it also peels back that happy-go-luck spirit that other countries define us by.” –
Collider
Nov 7, 2024
Full Review
The Balconettes (2024)
70%
8/10
“It’s the perfect mix of violence, comedy, and letting women be themselves, and with this being Merlant’s first film, it’s an even more impressive feat.” –
Collider
Oct 15, 2024
Full Review
All We Imagine as Light (2024)
100%
7/10
“ It’s a deeply soulful movie that might seem cold at first, but eventually reveals itself to be a poetically touching movie about some of the most primal feelings humans experience.” –
Collider
Oct 14, 2024
Full Review
I'm Still Here (2024)
97%
9/10
“Few films will move you like I’m Still Here will. It's a near-perfect movie.” –
Collider
Oct 11, 2024
Full Review
Stranger Eyes (2024)
83%
4/10
“There are traces of a better story, but its emotionless atmosphere and disjointed plot ultimately render it a stilted and hollow mystery thriller.” –
Collider
Oct 10, 2024
Full Review
Chain Reactions (2024)
100%
8/10
“Chain Reactions is an investigation into how one horror movie made for, as King puts it, “chump change,” went on to become one of the most influential films of all time.” –
Collider
Oct 10, 2024
Full Review
Blitz (2024)
81%
8/10
“With immersive action set pieces, heartfelt snippets of character-driven stories, and fantastic performances all around, Steve McQueen shows again his adept ability at bringing such enormous scope to deeply personal human stories.” –
Collider
Oct 9, 2024
Full Review
The Surfer (2024)
87%
6/10
“Finnegan’s direction continues to mature, making a movie about, essentially, people being horrible to each other, into an engaging thrill ride that makes you severely nauseous but you still don’t want to get off. ” –
Collider
Oct 8, 2024
Full Review
A Nice Indian Boy (2024)
96%
9/10
“Not only does it call back to these adored classics from the ‘90s and early 2000s, but it’s also a queer love story that blows right past some of the heteronormative love stories that have been dropped on streamers in recent years.” –
Collider
Oct 3, 2024
Full Review
Haunt Season (2024)
5/10
“There’s an interesting idea to Haunt Season. If it wasn't so bogged down by its commitment to being a run-of-the-mill slasher horror, it could have been something really new and fresh.” –
Collider
Oct 2, 2024
Full Review
Speak No Evil (2024)
83%
5/10
“If you want to give the 2024 film as fair a shot as possible, go in without seeing the original. However, if you only want to devote your time to seeing one version of this story, it should be the original Speak No Evil.” –
Collider
Sep 13, 2024
Full Review
Mothers' Instinct (2024)
52%
6/10
“If it explored the characters more and didn’t try to shoehorn in a drastic twist and tragic ending, it might have come out feeling more substantial and thematic.” –
Collider
Aug 7, 2024
Full Review
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