Gary Jane Hoisington
Gary Jane Hoisington's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Lancelot of the Lake (1974)
96%
“The gestures are too stylized, the actors too preciously frozen. But it's the very sense of crystallization the close-shot provides that makes Lancelot work.” –
Gay Community News (Boston)
Sep 21, 2022
Full Review
Blood for Dracula (1974)
68%
“Blood for Dracula is a dazzling display of obsessive cinematic structure.” –
Gay Community News (Boston)
Sep 21, 2022
Full Review
Hedda (1975)
“Hedda is a very likeable movie... in which the performances are considerably more important than the camera angles.” –
Gay Community News (Boston)
Sep 12, 2022
Full Review
Cabaret (1972)
91%
“As presented, Cabaret is something else again: a pretentious, bad musical.” –
Gay Community News (Boston)
Sep 10, 2022
Full Review
The Night Porter (1974)
67%
“One merit of The Night Porter is that it doesn’t paint the SS as a bunch of fun-loving, goose-stepping morons; instead it pictures sadism in full expression.” –
Gay Community News (Boston)
Aug 26, 2022
Full Review
Love and Death (1975)
100%
“All the things Allen has been trying to do in his previous film he has done here, successfully. Positively recommended.” –
Gay Community News (Boston)
Jul 13, 2022
Full Review
Jaws (1975)
97%
“Rivetingly obvious special effects, marginal acting by Robert Shaw, and an Academy performance by the shark, if you like animal acts.” –
Gay Community News (Boston)
Jul 13, 2022
Full Review
Nashville (1975)
89%
“A cheap ending, an atrocious script... and a plethora of stagey premises mar the whole.” –
Gay Community News (Boston)
Jul 13, 2022
Full Review
The Romantic Englishwoman (1975)
80%
“This is the most impressive film of the year so far.” –
Gay Community News (Boston)
Jul 13, 2022
Full Review
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