Aftermath (2024)
2/5
“Aftermath is a one-dimensional film, whose script doesn't bother to give its characters any depth beyond the "I'm good, they're bad" scheme.” –
La Nación (Argentina)
Apr 24, 2025
Full Review
The Day the Earth Blew Up: A Looney Tunes Movie (2024)
88%
3/5
“The Day the Earth Blew Up: A Looney Tunes Movie may not be the best or most memorable, but it satisfies as an enjoyable pastime in tune with its legacy. [Full review in Spanish]” –
La Nación (Argentina)
Apr 19, 2025
Full Review
Screamboat (2025)
48%
2/5
“...the humor is so unimaginative and banal that at times it feels like a new installment of Scary Movie. [Full review in Spanish]” –
La Nación (Argentina)
Apr 19, 2025
Full Review
Rob1n (2025)
2/5
“...[The story] opens so many paths that it gets lost in a labyrinth built from its own limitations. [Full review in Spanish]” –
La Nación (Argentina)
Apr 3, 2025
Full Review
Peter Pan's Neverland Nightmare (2025)
45%
3/5
“The fact that such a sordid plot is based on the well-known story of Peter Pan adds a repulsive element, which works very well as a reinterpretation of the original text. [Full review in Spanish]” –
La Nación (Argentina)
Mar 13, 2025
Full Review
Bambi: A Tale of Life in the Woods (2024)
2/5
“...a schematic, outdated and soulless documentary exercise.” –
La Nación (Argentina)
Mar 6, 2025
Full Review
Flow (2024)
97%
4/5
“[Flow] is above all a cinematic spectacle, profound, striking and breathtaking. It can be enjoyed regardless of age...[Full review in Spanish]” –
La Nación (Argentina)
Feb 28, 2025
Full Review
Absolution (2024)
55%
3/5
“If the story works, it is thanks to its protagonist, who is able to remain undaunted and, despite this, endow his character with a sensitivity that connects the viewer directly with his drama. [Full review in Spanish]” –
La Nación (Argentina)
Feb 20, 2025
Full Review
The Mouse Trap (2024)
1/5
“...the worst thing about The Mouse Trap is not the lack of imagination or the accumulation of commonplaces in each section of its story. The worst thing is that it doesn't even try to show some coherence in its absurdity. [Full review in Spanish]” –
La Nación (Argentina)
Feb 6, 2025
Full Review
A Silent Death (2025)
3/5
“...the construction of the story is solid enough to allow the viewer to doubt first impressions (although perhaps they are wrong), driving an eagerness to know the outcome. [Full review in Spanish]” –
La Nación (Argentina)
Jan 30, 2025
Full Review
Hunting Souls (2022)
1/5
“It's clear that the director and screenwriter grew up watching classics like The Omen,The Shining,...but piling all of that into one story without the slightest sense is not what they teach in film schools. [Full review in Spanish]” –
La Nación (Argentina)
Jan 7, 2025
Full Review
All to Play For (2023)
86%
3/5
“Although the film never strays from the drama of its protagonist, the script relies on it to invite us to rethink the actions of an imperfect social system that transcends the borders of the country for which it was written. [Full review in Spanish]” –
La Nación (Argentina)
Jan 7, 2025
Full Review
Heretic (2024)
91%
3/5
“Heritc relies on interesting material, which leads to suspense that's more than satisfactory. [Full review in Spanish]” –
La Nación (Argentina)
Nov 27, 2024
Full Review
The Magic Reindeer: Saving Santa's Sleigh (2024)
3/5
“Modest ambitions are largely achieved. [Full review in Spanish]” –
La Nación (Argentina)
Nov 18, 2024
Full Review
Never Let Go (2024)
58%
3/5
“Alexandre Aja revels in his claustrophobic approach, stretching Never Let Go's premise to the limit of tolerability. [Full review in Spanish]” –
La Nación (Argentina)
Nov 8, 2024
Full Review
Una Jirafa en el Balcón (2024)
3/5
“... The film plays with twisty ulterior motives, which, while they do not clash with the protagonist's character, do not contribute to the story and its resolution. [Full review in Spanish]” –
La Nación (Argentina)
Nov 3, 2024
Full Review
Verbrannte Erde (2024)
3/5
“With a shadow-filled Berlin as a backdrop that's akin to the protagonists' world, the film delivers what it promises. [Full review in Spanish]” –
La Nación (Argentina)
Oct 23, 2024
Full Review
Sugar and Stars (2023)
82%
2/5
“Sugar and Stars seeks to be motivational, an example of a life story, but along the way it forgets how to accomplish that goal. [Full review in Spanish]” –
La Nación (Argentina)
Oct 13, 2024
Full Review
Kill the Jockey (2024)
96%
4/5
“... A film impossible to overlook. [Full review in Spanish]” –
La Nación (Argentina)
Sep 27, 2024
Full Review
Something in the Water (2024)
48%
3/5
“... Although this film does not come to reinvent anything, what it does, it does well. [Full review in Spanish]” –
La Nación (Argentina)
Sep 27, 2024
Full Review
A Savannah Haunting (2022)
2/5
“A Savannah Haunting tries to avoid easy scares and connect with distant and not so distant examples of psychological terror. However... it remains just another entry in a downcast genre. [Full review in Spanish]” –
La Nación (Argentina)
Sep 19, 2024
Full Review
Salvajes (2024)
3/5
“Disguised as a police thriller, Salvajes presents an uncompromising look at society and those of us who are part of it. People who carry a beginning, a past, and a present, that at any moment can collide with tragic results. [Full review in Spanish]” –
La Nación (Argentina)
Sep 17, 2024
Full Review
My Penguin Friend (2024)
86%
3/5
“My Penguin Friend is a film to watch as a family, each member will find the best way to settle into the story and connect with it, and with the real case that inspired it. [Full review in Spanish]” –
La Nación (Argentina)
Sep 13, 2024
Full Review
Kensuke's Kingdom (2023)
97%
3/5
“With more humanism than adventure, Neil Boyle and Kirk Hendry's film recovers aesthetically and narratively a type of film that is increasingly difficult to find. [Full review in Spanish]” –
La Nación (Argentina)
Aug 22, 2024
Full Review
Late Night with the Devil (2023)
97%
3/5
“An exercise in style that, because it is so good, even serves to conceal the weakest points of its proposal. [Full review in Spanish]” –
La Nación (Argentina)
Jul 18, 2024
Full Review
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