I Think I Do (1997)
42%
“It hovers somewhere between Friends and Four Weddings and a Funeral, and while not as fully realized as even those, the film has a freshness that mediates the strained plotting and forced conviviality for a perfectly tolerable 93 minutes.” –
L.A. Weekly
Apr 17, 2024
Full Review
Mortal Kombat Annihilation (1997)
4%
“The makers of the thoroughly terrible Mortal Kombat: Annihilation haven't even attempted to move beyond their source material -- the super-popular video game -- and actually make a movie.” –
L.A. Weekly
Jul 20, 2021
Full Review
Pather Panchali (1955)
98%
“[Pather Panchali] is, quite simply, the sort of breathtaking achievement that lofts cinema to a higher ground.” –
L.A. Weekly
May 5, 2021
Full Review
The Devil Never Sleeps (1994)
80%
“[Lourdes Portillo] manipulates her film intercutting it with Mexican soap operas, projecting interviews onto the frames of sunglasses to point to the melodrama her family mystery has become. The effect is breathtaking.” –
L.A. Weekly
Dec 15, 2020
Full Review
Committed (2000)
43%
“The best thing about Committed is [Lisa] Krueger, a filmmaker who's not only willing to lead us into the well-traveled terrain of romantic comedy, but able to show us something new there. All she asks is that we have a little faith.” –
L.A. Weekly
Apr 30, 2020
Full Review
I Know What You Did Last Summer (1997)
48%
“All the scary, screaming, sniggering fun continues here, aided by swell performances from Hewitt and Gellar in particular... an appearance from the always groovy Anne Heche, and the crisp, crackerjack direction of Jim Gillespie.” –
L.A. Weekly
Mar 28, 2019
Full Review
My Man Godfrey (1936)
97%
“[A] screwball masterpiece.” –
Village Voice
Feb 6, 2009
Full Review
The Amateurs (The Moguls) (Dirty Movie) (2005)
19%
“As a writer, Traeger is consternatingly adolescent and glib.” –
L.A. Weekly
Dec 6, 2007
Full Review
The White Horse Is Dead (2004)
“Haphazardly pieced together.” –
L.A. Weekly
Feb 2, 2006
Full Review
FAQs (2005)
“The dialogue is blunter, and harder for his amateur cast to pull off, while Lewis' stridency, however justified, ultimately jars against the film's tender, all-is-love fantasia.” –
L.A. Weekly
Feb 2, 2006
Full Review
POV (2005)
92%
“One comes away not quite knowing what Weisberg wants to say with his occasional statistics laid over loosely edited, perfunctory video footage.” –
L.A. Weekly
Nov 10, 2005
Full Review
Don't Tell (2005)
0%
“Might make a fun Lifetime 온라인카지노추천 movie -- if it weren't quite so morose.” –
L.A. Weekly
Oct 13, 2005
Full Review
The Letter (2003)
93%
5/5
“A carefully wrought, historically grounded and thoroughly absorbing look at a quintessential American experience.” –
L.A. Weekly
Aug 11, 2005
Full Review
Wheel of Time (2003)
94%
“For a Herzog documentary, Wheel of Time is surprisingly unfocused.” –
L.A. Weekly
Jun 4, 2005
Full Review
Tom Dowd & the Language of Music (2003)
90%
“It makes a convincing argument that Dowd's personal history is a kind of history of the 20th century itself, encompassing the era's art, science, commerce and politics.” –
L.A. Weekly
Aug 12, 2004
Full Review
Anatomy 2 (2003)
33%
“By the time we get to an unintentionally hilarious hospital-hall chase scene and an overblown O.R. climax, it's clear that Ruzowitzky hasn't quite the wit to match his flair.” –
L.A. Weekly
Aug 12, 2004
Full Review
Outfoxed: Rupert Murdoch's War on Journalism (2004)
85%
“A fast-paced, brilliantly edited indictment that's as hard to turn away from as it is infuriating to watch.” –
L.A. Weekly
Aug 5, 2004
Full Review
Orwell Rolls in His Grave (2003)
79%
“Even though he refuses to excise about 15 to 20 minutes of unnecessary material, Pappas is nonetheless a steady editor who, less intrepid than dogged, pieces together a sustainably intriguing, suitably distressing expos.” –
L.A. Weekly
Jul 28, 2004
Full Review
Festival Express (2003)
96%
“By the end of the tour, the booze-and- drug-soaked conveyance has, as one participant puts it, 'achieved liftoff,' and scenes of a final onboard party are both ecstatic and poignant.” –
L.A. Weekly
Jul 28, 2004
Full Review
This Old Cub (2004)
74%
“Shot on video with little regard for the aesthetics of framing -- and edited with as about as much feel for dynamics and pacing -- This Old Cub describes, superficially at best, the life and career of Santo.” –
L.A. Weekly
Jul 21, 2004
Full Review
Freestyle (2002)
94%
“A thoughtful overview of a major musical movement, from its churchy roots to its urban present, from its aggressive front to its spiritual underpinnings.” –
L.A. Weekly
Jul 21, 2004
Full Review
Swing (2003)
42%
“Writer Mary Keil and director Martin Guigui have little ability for striking a narrative tone and maintaining it, be it dramatic or comedic.” –
L.A. Weekly
Jun 17, 2004
Full Review
Baadasssss! (2003)
91%
“If the script, written by Mario with Dennis Haggerty, stops short of outright lionizing or demonizing, it leaves a strangely tepid character in its place.” –
L.A. Weekly
May 26, 2004
Full Review
With All Deliberate Speed (2004)
76%
“Gilbert's great achievement lies in his integration of disparate historical threads and voices into one steadily paced, riveting tale.” –
L.A. Weekly
May 12, 2004
Full Review
Wasabi Tuna (2005)
“It's the game cast ... that, bolstered by some sharp one-liners, sight gags and a blithe lack of self-importance, keeps aloft this lightweight camp comedy written and directed by Celia Fox.” –
L.A. Weekly
May 6, 2004
Full Review
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