Hazel Simpson Naylor
Hazel Simpson Naylor's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
My Four Years in Germany (1918)
95%
“[It's] a photoplay of current history which every patriot should see. With dramatic vividness, the facts leading up to our declaration of war with Germany are disclosed. It is a great work, because it will reach the hearts of the people.” –
Motion Picture Magazine
Nov 16, 2022
Full Review
The Secret of the Swamp (1916)
67%
“A slumberous, Southern, bucolic photoplay, not only guilty of a tame plot, but criminally uninteresting.” –
Motion Picture Magazine
Sep 7, 2022
Full Review
The Miracle Man (1919)
95%
“The Miracle Man is a sincere work, and the nearest approach to any rival of Mr. Griffith for screenic honors, falls to Mr. Tucker. It will be interesting to see what he will do next.” –
Motion Picture Magazine
Jan 11, 2022
Full Review
A Day's Pleasure (1919)
“It is high time our best comedian took to hustling out another comedy as good as Shoulder Arms. He can if only he will.” –
Motion Picture Magazine
Dec 9, 2020
Full Review
The Splendid Sinner (1918)
63%
“A Mary Garden triumph is this second silent opera of the Metropolitan prima donna.” –
Motion Picture Magazine
Dec 9, 2020
Full Review
“So naturally is the whole played that it is like a day of life.” –
Motion Picture Magazine
Dec 9, 2020
Full Review
The White Heather (1919)
80%
“An old English melodrama which Maurice Tourneur presents with considerable thrills, excellent photography, but a few discrepancies of plot.” –
Motion Picture Magazine
Dec 2, 2020
Full Review
Double Speed (1920)
100%
“This is my idea of a truly original, peppy, entertaining and wholesome movie. Wallace Reid is in great danger of becoming more popular than ever if he continues to decorate such comedies as these and little Wanda Hawley is intensely likable.” –
Motion Picture Magazine
Nov 14, 2020
Full Review
Pollyanna (1920)
“Even our beloved and serious- minded Mary Pickfcrd errs in this, her latest production, in trying to jam an emotion, or rather an effect, down our throats.” –
Motion Picture Magazine
Nov 14, 2020
Full Review
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