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Hoai-Tran Bui

Tomatometer-approved critic
Biography:

Hoai-Tran Bui is a news writer and film and 온라인카지노추천 critic at SlashFilm.com. She has previously written for USA Today, reporting on 온라인카지노추천 and movies for its EntertainThis blog.

Publications:

Reviews

Movies 온라인카지노추천 Shows
The Amateur (2025) 61% “A surprisingly enjoyable throwback thriller that finally makes use of one of our most unusual movie stars.” – Inverse Apr 8, 2025 Full Review Gazer (2024) 78% “A mesmerizing and stylish noir thriller.” – Inverse Apr 4, 2025 Full Review The Woman in the Yard (2025) 44% “A well-crafted but emotionally misguided horror movie.” – Inverse Mar 29, 2025 Full Review The True Beauty of Being Bitten by a Tick (2025) 71% “Half-baked satire at its finest, more practiced in the aesthetic of social horror than it is in developing any fully-formed ideas about wellness or self-care.” – Inverse Mar 21, 2025 Full Review The Surrender (2025) 82% “Scary, squirm-inducing, and sympathetic all at once, Surrender is another great entry in the “trauma horror” subgenre.” – Inverse Mar 21, 2025 Full Review Slanted (2025) 82% “It’s a strong idea undercut by clumsy and heavy-handed execution.” – Inverse Mar 21, 2025 Full Review It Ends (2025) 100% “A brilliant and thought-provoking Gen Z riff on Jean-Paul Sartre’s No Exit, It Ends is a singular road-trip thriller that interrogates contemporary social anxieties and thorny friendships.” – Inverse Mar 21, 2025 Full Review Dead Lover (2025) 76% “As endearing as its DIY approach is, Dead Lover quickly finds the limits of its black box and never succeeds in transcending it.” – Inverse Mar 21, 2025 Full Review The Infinite Husk (2025) “The film’s ideas are sometimes a bit too big for it to handle, but it’s an impressively high-concept premise done on a low budget and has a strong, albeit bleak, worldview that carries it through to its bitter end.” – Inverse Mar 21, 2025 Full Review Descendent (2025) 90% “Though Descendent often plays things a bit too ambiguously, Marquand plays a great man-on-the-edge, while Ciella delicately toys with our expectations for alien-abduction movies while exploring grander themes of generational trauma.” – Inverse Mar 21, 2025 Full Review The Astronaut (2025) 45% “Ultimately a film felled by its own ambitions, despite the promise of its early concept of alien-invasion-as-home-invasion horror film.” – Inverse Mar 21, 2025 Full Review The Rivals of Amziah King (2025) 97% “The Rivals of Amziah King is a brilliant genre-bending epic that fuses the classic American Southern tall tale with a propulsive crime thriller.” – Inverse Mar 18, 2025 Full Review Together (2025) 100% “Together is the kind of squish, goopy body-horror that would’ve resided on the fringes of mainstream cinema just a few years ago, but there’s something about Shanks’ script that makes it feel strangely accessible. ” – Inverse Mar 18, 2025 Full Review The Day the Earth Blew Up: A Looney Tunes Movie (2024) 88% “No matter how many cartoonishly big mallets to the head the Looney Tunes might take, they’ll always come crawling back — and The Day the Earth Blew Up is perfect, wildly entertaining, proof of that.” – Inverse Mar 14, 2025 Full Review The Surfer (2024) 88% “Though it briefly plumbs greater depths in regards to toxic masculinity and identity, The Surfer is, first and foremost, an exploitation B-movie to the utmost. It’s nasty, it’s mean, and it’s really, really gross.” – Inverse Mar 13, 2025 Full Review Ash (2025) 73% “Ash can sometimes feel small due to its limited locations and its standard script. But its breathtakingly otherworldly visuals and smattering of Lovecraftian dread makes it an intriguing new entry into the cosmic horror genre.” – Inverse Mar 12, 2025 Full Review Death of a Unicorn (2025) 53% “Death of a Unicorn has precisely one punchline, and it’s one that writer-director Scharfman hits again and again until the joke is as dead as that unicorn.” – Inverse Mar 12, 2025 Full Review The Accountant 2 (2025) 78% “The Accountant 2 doubles down on the strangest and most ludicrous parts of the original, resulting in a sequel that is wildly more fun, even more absurd, and disarmingly emotional.” – Inverse Mar 10, 2025 Full Review Drop (2025) 84% “Director Christopher Landon executes an efficiently fun little thriller, mining impressive amounts of suspense out of a barebones premise.” – Inverse Mar 10, 2025 Full Review Black Bag (2025) 96% “A pulpy joy ride masquerading as a subdued, prestigious spy thriller. Steven Soderbergh has made the first great movie of the year.” – Inverse Mar 6, 2025 Full Review Universal Language (2024) 96% “A singular film to behold.” – Inverse Feb 25, 2025 Full Review Paddington in Peru (2024) 93% “While Paddington in Peru can’t reach the heights of Paddington 2 (and very few films can), it still manages to recapture that specific Paddington magic — that alchemy of whimsy, magical realism, and kindness.” – Inverse Feb 13, 2025 Full Review The Thing with Feathers (2025) 53% “More metaphor than movie.” – Inverse Feb 10, 2025 Full Review Rabbit Trap (2025) 43% “An atmospheric horror film without much atmosphere or horror.” – Inverse Feb 10, 2025 Full Review Kiss of the Spider Woman (2025) 82% “It updates the somewhat surreal, esoteric story for modern audiences used to glamorous Hollywood musicals and sweeping queer romances, making for maximum crowdpleasing efficiency. As cynical as that sounds, you can’t help but get lost in it. It works.” – Inverse Feb 6, 2025 Full Review
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