Becoming Jane (2007)
58%
2/5
“The film's notion of Austen's great works being nothing loftier than the result of failed puppy love suggests the filmmakers perversely believe that gross oversimplification is a virtue.” –
Orlando Weekly
Aug 9, 2007
Full Review
Talk to Me (2007)
82%
3/5
“In Talk to Me, director Kasi Lemmons has expertly crafted an uplifting civil rights-era biopic free of false hope and cloying nostalgia.” –
Orlando Weekly
Jul 26, 2007
Full Review
Rescue Dawn (2007)
90%
3/5
“So here we are, mired in a stupid, loathsome war, and what does Werner Herzog do? He creates an absolutely riveting sort-of love letter to America that takes place during that last stupid, loathsome U.S. war, Vietnam.” –
Baltimore City Paper
Jul 26, 2007
Full Review
The Hoax (2006)
85%
2.5/5
“This lie-streaked retelling of a fraud aims not for the meta, but for history-repeating object lesson, explicitly drawing parallels between Irving and Nixon's cons and our current hoax-based regime. But it all rings hollow.” –
Orlando Weekly
Apr 5, 2007
Full Review
The Host (2006)
93%
4/5
“Alternately scary, funny and inspiring, Bong Joon-ho's first-class monster mash is also a scalding rebuke to U.S. interventionism, profiteering and general developing-world opportunism, and a lovely story of familial bonding. In a word, amazing.” –
Baltimore City Paper
Mar 24, 2007
Full Review
Amazing Grace (2006)
68%
2/5
“It's a good story, but director Michael Apted can't help but fall into the usual cinematic habits of the hagiographic species.” –
Orlando Weekly
Feb 22, 2007
Full Review
Sherrybaby (2006)
76%
“Watching Maggie Gyllenhaal's bare body and battered soul in Laurie Collyer's quietly extraordinary Sherrybaby, you almost get a sense that the actress knows the load that was her star-making turn in Secretary ...” –
Orlando Weekly
Jan 18, 2007
Full Review
The Good German (2006)
34%
2/5
“The Good German is a self-serving act of fetishistic virtual embalming, with all the liveliness that description implies.” –
Orlando Weekly
Dec 21, 2006
Full Review
Shut Up and Sing (2006)
89%
4/5
“While Shut Up works great as music doc, progressive pep rally and neo-Capra triumph tale, it's even better as a bighearted tale of the love between three extraordinary women.” –
Orlando Weekly
Dec 7, 2006
Full Review
Bobby (2006)
47%
1.5/5
“Terrible, uninformative and embarrassingly amateurish in word and lensing.” –
Orlando Weekly
Nov 23, 2006
Full Review
The Science of Sleep (2006)
71%
2/5
“A cloying confection of candied whimsy and exclusive self-referentiality.” –
Baltimore City Paper
Sep 28, 2006
Full Review
Factotum (2005)
74%
2/5
“... when taking Bukowski at his sodden solipsistic word, there isn't much there there.” –
Orlando Weekly
Sep 12, 2006
Full Review
World Trade Center (2006)
66%
1/5
“In the end, all Stone really seems to be up to is using Sept. 11 to again mourn the loss of mythical white American innocence for what one assumes will be a predominantly white Boomer audience. And no doubt turning a pretty penny doing it.” –
Orlando Weekly
Aug 10, 2006
Full Review
The Descent (2005)
87%
2/4
“Aside from its high concept -- instead of Snakes on a Plane, it's Chicks in a Cave (with monsters!) -- place-setting is almost all Marshall does.” –
Orlando Weekly
Aug 3, 2006
Full Review
Why We Fight (2005)
78%
“If the inducement of despair and disgust is an indicator of artistic achievement, Why We Fight is incredibly successful.” –
Baltimore City Paper
Jul 20, 2006
Full Review
A Scanner Darkly (2006)
68%
4/5
“Writer/director Richard Linklater's superbly entertaining/disturbing adaptation of Dick's A Scanner Darkly accomplishes the near-impossible ...” –
Las Vegas Weekly
Jul 14, 2006
Full Review
An Inconvenient Truth (2006)
93%
4/5
“In a way, Truth is almost critic-proof.” –
Las Vegas Weekly
Jun 19, 2006
Full Review
The Proposition (2005)
86%
“As directed by music video vet John Hillcoat, Cave's vision of 1880s Australia as outlaw inferno becomes an unforgettable exposed raw nerve of a film.” –
Orlando Weekly
Jun 8, 2006
Full Review
Brick (2005)
79%
2/5
“You can't fault Johnson for a lack of honest genre love, but his forced formalism ... achieves little other than to keep us at a drama-neutering distance.” –
Las Vegas Weekly
Jun 6, 2006
Full Review
The Omen (2006)
26%
1/5
“[John Moore's] work here is -- how to put it politely? -- godawful, an alternating mess of broods and gnashing of teeth.” –
Las Vegas Weekly
Jun 6, 2006
Full Review
L'Enfant (2005)
84%
“If it's possible for cinema to be so invisible as to allow us to actually see inside characters -- to be, in short, literary -- this is it.” –
Baltimore City Paper
May 18, 2006
Full Review
16 Blocks (2006)
55%
“A limp, lazy exercise in nostalgia for the buddy genre that director Richard Donner helped define in the '80s.” –
Orlando Weekly
Mar 2, 2006
Full Review
Underworld: Evolution (2006)
17%
“True to its title, Underworld: Evolution represents a modest learning curve for director Len Wiseman, who advances from the inept awfulness of his first vampire-versus-werewolf idiocy to the determined mediocrity of this incomprehensible follow-up.” –
Orlando Weekly
Jan 26, 2006
Full Review
Breakfast on Pluto (2005)
58%
“In short, the director has finally found material - - Patrick McCabe's novel, which Jordan adapted - - that unifies his obsessions with politics, the Troubles and the dangerous fragility of machismo.” –
Baltimore City Paper
Jan 6, 2006
Full Review
Harry Potter and the Goblet of Fire (2005)
88%
“Newell not only does Harry Potter right but eclipses the scope, scares and drama of his J.K. Rowling source novel.” –
Orlando Weekly
Dec 6, 2005
Full Review
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