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Isabel Stevens

Tomatometer-approved critic

Reviews

Movies 온라인카지노추천 Shows
Portrait of a Lady on Fire (2019) 97% “Sciamma dodges any hint of melodrama, opting to treat emotions delicately and faithfully for a time that suppressed them into glances and gestures rather than pouring them out into words.” – Sight & Sound Aug 29, 2019 Full Review Parasite (2019) 99% “Ever the sui generis genre-switcher, Bong this time has his class struggle play out in a con-family comedy. And it's a riot.” – Sight & Sound May 23, 2019 Full Review Music From the Big House (2010) 50% 3/5 “When the camera does stray beyond the stage, the cramped, grim conditions are laid bare, the film's lyrical black and white cinematography arrestingly capturing the bleak prison landscape.” – ViewLondon Aug 27, 2018 Full Review Amnesty (2011) 3/5 “Director and writer Bujar Alimani who refreshingly favours an understated approach in this subtle romance.” – ViewLondon Aug 27, 2018 Full Review Black Pond (2011) 100% 3/5 “Black Pond is an adventurous offering from first-time directors on a small budget.” – ViewLondon Aug 27, 2018 Full Review Leaving Baghdad (2010) 3/5 “These scenes make for both shocking and uncomfortable viewing, but where the film really excels is in the grim but real picture it paints of illegal immigration.” – ViewLondon Aug 27, 2018 Full Review Tom Thumb and Little Red Riding Hood (1962) 2/5 “A gruesome, cheap-thrill-seeking fantasy, Ferozz Wild Riding Hood strives to be a wild and surreal dark fairytale, but ends resembling a soft-porn panto.” – ViewLondon Aug 27, 2018 Full Review When China Met Africa (2010) 89% 3/5 “The film's cinematography is undoubtedly its strength.” – ViewLondon Aug 27, 2018 Full Review Hell and Back Again (2011) 100% 4/5 “An incredibly brave piece of filmmaking, worth watching for the brutal insight it offers onto life on the frontline.” – ViewLondon Aug 27, 2018 Full Review Bonsai (2011) 84% 4/5 “A script full of quirky deadpan moments never allows the film to become too ponderous. The intriguing, oddball protagonists are the biggest draw.” – ViewLondon Aug 27, 2018 Full Review Oslo, August 31st (2011) 97% 4/5 “This is undoubtedly a bleak film, but it never verges into grim - it's more of a melancholic Before Sunrise-esque city tour.” – ViewLondon Aug 27, 2018 Full Review The Yellow Sea (2010) 88% 4/5 “The Yellow Sea is a genre film that has more to offer than just a high body count.” – ViewLondon Aug 27, 2018 Full Review This Our Still Life (2011) 88% 4/5 “Hardly critic-friendly or crowd-pleasing. Instead This Our Still Life is risk-filled, innovative and larger than life.” – ViewLondon Aug 27, 2018 Full Review Hadewijch (2009) 73% “Hadewijch is a thoughtful piece of raw, austere filmmaking.” – ViewLondon Aug 27, 2018 Full Review Parked (2011) 64% 2/5 “All of the actors put in perfectly acceptable performances but none can do much about the brittle plot-fodder stereotypes they are forced to work with.” – ViewLondon Aug 27, 2018 Full Review Mysteries of Lisbon (2010) 86% 5/5 “This is a film to lose yourself in. Despite its extremely long running time, it is an utterly intriguing and beautifully-shot labyrinth.” – ViewLondon Aug 27, 2018 Full Review The Nine Muses (2010) 71% 4/5 “The Nine Muses is a beautiful, elegiac cinematic poem that demonstrates a highly inventive and singular approach to the treatment archive footage.” – ViewLondon Aug 27, 2018 Full Review Surviving Life (Theory and Practice) (2010) 92% 4/5 “While the film may lack money, it's by no means short on imagination.” – ViewLondon Aug 27, 2018 Full Review A Useful Life (2010) 94% 5/5 “A charming ode to the big screen.” – ViewLondon Aug 27, 2018 Full Review We Have a Pope (2012) 66% 4/5 “Pitching him as an existentialist fugitive who drifts round department stores and into bars trying to reconnect with the world again, Piccoli's performance takes the film to a very sombre place.” – ViewLondon Aug 27, 2018 Full Review Girl Model (2011) 92% 3/5 “There is no glamour in this film; a low-key observational approach, keeps judgement and hard-hitting shock tactics at arms length.” – ViewLondon Aug 27, 2018 Full Review Patience (After Sebald) (2012) 90% 4/5 “How do you unpick a literary work with a film camera? Ideally with plenty of imagination, which is what Gee has done here.” – ViewLondon Aug 27, 2018 Full Review Carancho (2010) 88% 3/5 “Visually and viscerally, the film makes for a chilling and sobering 107 minutes.” – ViewLondon Aug 27, 2018 Full Review Bill Cunningham New York (2010) 99% 4/5 “Press mainly sits back and watches, but occasionally probes the contradiction that is Bill Cunningham - and the results are fascinating.” – ViewLondon Aug 27, 2018 Full Review Khodorkovsky (2011) 90% 3/5 “Frank and revealing.” – ViewLondon Aug 27, 2018 Full Review
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