Carry-On (2024)
88%
“Taron Egerton makes for a bloody good Bruce Willis, and Jaume Collet-Serra's film is a fun watch, too: it has a story that keeps itself moving, muscular action, and a smart, taut script whose characters we actually care about.” –
GQ Magazine [UK]
Dec 23, 2024
Full Review
Hot Frosty (2024)
74%
“Amid its galaxy-brained silliness is a genuinely beautiful message about the human experience, and how we never forget the people we loved. Christmas is for little else.” –
GQ Magazine [UK]
Nov 18, 2024
Full Review
Gladiator II (2024)
70%
“Stylish, sexy, and just a little homoerotic.” –
GQ Magazine [UK]
Nov 12, 2024
Full Review
Alien: Romulus (2024)
80%
“It's more like a warp-speed remix, Álvarez the club DJ putting his own distinct touch on familiar bangers with the singular object of getting our blood pumping as quickly as possible.” –
GQ Magazine [UK]
Aug 15, 2024
Full Review
A Quiet Place: Day One (2024)
86%
“Not only is it technically well-made, it makes you feel things, which is why people still go to the movies, by and large.” –
GQ Magazine [UK]
Jun 27, 2024
Full Review
The Kitchen (2023)
91%
“The Kitchen is a good, timely film, but without Wright's concreting presence, you wonder if the foundations would be as brittle as the tower block in which it's set. Thank god they transferred him in.” –
GQ Magazine [UK]
Jan 26, 2024
Full Review
Anatomy of a Fall (2023)
96%
“The crowning example of the recent renaissance for the ‘90s-style legal thriller.” –
GQ Magazine [UK]
Jan 11, 2024
Full Review
Five Nights at Freddy's (2023)
32%
“Maybe the fans are satiated by reams of lore, but we wanted blood. Even if it was a bit of a gory romp, that wouldn't do much to paper over the technical cracks, like some of its shoddy editing. Josh Hutcherson innocent, of course.” –
GQ Magazine [UK]
Nov 10, 2023
Full Review
The Wonderful Story of Henry Sugar (2023)
95%
“The movie whips past in a moment, a result of the combined pace of the dialogue and sets that shift and morph endlessly; it's like trying to keep up with a speeding hare on your hands and feet.” –
GQ Magazine [UK]
Sep 28, 2023
Full Review
Rotting in the Sun (2023)
82%
“It's also sexy, which feels strangely unfamiliar despite the fact the sex scene is making something of a comeback.” –
GQ Magazine [UK]
Sep 21, 2023
Full Review
The Killer (2023)
85%
“Fincher deserved it all [appaluse] and then some for The Killer's dark, noir-ish, eminently watchable kill-fest.” –
GQ Magazine [UK]
Sep 8, 2023
Full Review
Priscilla (2023)
84%
“Elordi is quieter, subtler, as is Priscilla, but you never think he's not the King.” –
GQ Magazine [UK]
Sep 8, 2023
Full Review
Gran Turismo: Based on a True Story (2023)
65%
“It's Ford vs. Ferrari with a drive-thru's worth of corporate merchandising.” –
GQ Magazine [UK]
Aug 18, 2023
Full Review
Guardians of the Galaxy Vol. 3 (2023)
82%
“[Guardians Vol. 3 is] the best Marvel since Avengers: Endgame. That may not immediately read as high praise given the dearth of quality in the interim, but the film has made one thing very clear: James Gunn really, really knows what he's doing.” –
GQ Magazine [UK]
May 4, 2023
Full Review
Ant-Man and The Wasp: Quantumania (2023)
46%
“To introduce Kang, really, is all Ant-Man and the Wasp: Quantumania exists to do. In and of itself, it's a boring story devoid of meaningful stakes.” –
GQ Magazine [UK]
Feb 15, 2023
Full Review
Avatar: The Way of Water (2022)
76%
“It's a shame because the spectacle truly is brilliant, as tremendous as Avatar and then some. But there is such thing, as it turns out, as a little too much.” –
GQ Magazine [UK]
Dec 16, 2022
Full Review
The Stranger (2022)
92%
C
“An annoying chore. A stronger second half comes some way in making the ordeal worth it if you haven’t already dropped off for a tactical mid-fest snooze.” –
The Playlist
Dec 14, 2022
Full Review
Black Panther: Wakanda Forever (2022)
84%
“Where Wakanda Forever works best it leans into its pathos, something of an untapped resource across the Marvel stable at large. Angela Bassett, as T'Challa's grieving mother, is the glue that holds the movie together.” –
GQ Magazine [UK]
Nov 11, 2022
Full Review
Blonde (2022)
42%
B
“This is a nasty, queasy, unforgiving piece of work. It is utterly devoid of hope. It’s as shocking as any slasher, as horrifying as any grizzly bit of wartime realism.” –
The Playlist
Sep 9, 2022
Full Review
On the Fringe (2022)
80%
B-
“Working as a solemn tearjerker without trivializing the crucial political message at its core” –
The Playlist
Sep 9, 2022
Full Review
Blue Jean (2022)
96%
A-
“The story, as it plays out, is achingly tragic: it’s at once a relic of a terrible historical moment that still echoes into the present and the very human tale of lives broken by prejudice. ” –
The Playlist
Sep 9, 2022
Full Review
Don't Worry Darling (2022)
38%
“or the lion’s share of Don’t Worry Darling, [Styles] truly holds his own. We’d go as far as to say he’s pretty bloody good.” –
GQ Magazine [UK]
Sep 8, 2022
Full Review
Pearl (2022)
93%
B
““Pearl” is the superior of the two heavily-stylized slashers, partly because it dedicates so much time to building the eponymous antiheroine from the ground up.” –
The Playlist
Sep 4, 2022
Full Review
The Whale (2022)
64%
A-
“What "The Whale" boasts in abundance — in this riveting study of a deeply broken man, suffocated by nine years of self-immolation — is a rare and deep compassion, elevated by Brendan Fraser’s transformative turn.” –
The Playlist
Sep 4, 2022
Full Review
Bones and All (2022)
82%
A
“What emerges, by the end, is one hell of an ode to giving yourself to the ones you love: your bones and all.” –
The Playlist
Sep 2, 2022
Full Review
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