The Height of the Coconut Trees (2024)
“Du...opts to explore the profundities of life, death, relationships, and ghosts, delivering a deliberately staged and beautifully crafted meditation on the world’s greatest mysteries.” –
In Review Online
Apr 14, 2025
Full Review
40 Acres (2024)
100%
“While 40 Acres has its undeniable limitations, Thorne mitigates flaws both fiscal and conceptual through sturdy execution, delivering a genuinely arresting look at what life might look like after everything finally — or, further — goes to hell.” –
In Review Online
Apr 9, 2025
Full Review
Disney's Snow White (2025)
40%
“The feature is still a wholly and predictably unnecessary one, transforming an animated classic into an overlong adventure, increasing the quotient of musical numbers, shellacking the proceedings with a healthy coating of digital gloss.” –
In Review Online
Apr 3, 2025
Full Review
The Count of Monte Cristo (2024)
96%
“...hits its baseline competently and commits no egregious sins, but as a retelling... the film is in execution a colossal bore, failing to deliver much in the way of excitement or thrills as the runtime distends to three interminable hours.” –
In Review Online
Dec 19, 2024
Full Review
Wallace & Gromit: Vengeance Most Fowl (2024)
100%
“It may not hit the impeccable highs of its predecessor, but Vengeance Most Fowl still makes for a pleasant excursion, a welcome catch-up with old friends.” –
In Review Online
Dec 17, 2024
Full Review
Elevation (2024)
55%
“Elevation ultimately remains too derivative, failing to inspire a single memorable image or thrilling moment that has not already been covered elsewhere.” –
In Review Online
Nov 7, 2024
Full Review
Ghost Game (2024)
60%
“Ghost Game is a lousy, complete creative step backwards. Cut-rate, ugly, and atrociously acted, Ghost Game is one of the year’s weakest features, and a disappointing follow-up to Gevargizian’s debut.” –
In Review Online
Oct 16, 2024
Full Review
Terrifier 3 (2024)
78%
“Art the Clown has returned and his kills may be nastier than ever, but Leone is content to keep the franchise stuck in neutral for Terrifier 3‘s two-hour runtime.” –
In Review Online
Oct 10, 2024
Full Review
Uprising (2024)
80%
“While brimming with big-budget production values and featuring plenty of sequences of fanciful swordplay, Uprising... finds its edge dulled by the guiding hand of Kim, who frequently aims for competence over excellence.” –
In Review Online
Oct 9, 2024
Full Review
Things Will Be Different (2024)
81%
“Things Will Be Different fails to reach a satisfying conclusion, electing for a cop-out of an ending that spoils an otherwise terrific opening act.” –
In Review Online
Oct 3, 2024
Full Review
Hoard (2023)
94%
“The film does grow a mite unfocused as the shaggy backend fills out an overlong 126-minute runtime, but as it stands, Hoard squarely establishes Carmoon as a filmmaker to watch, her vision supported by the impressive performances of her lead actors.” –
In Review Online
Sep 3, 2024
Full Review
Sew Torn (2024)
95%
“Sew Torn is ultimately more about the journey than it is the destination, and viewers who can get on its inventive wavelength will be delivered a certifiably good time.
” –
In Review Online
Aug 19, 2024
Full Review
Jackpot! (2024)
31%
“The finished product leaves much to be desired, with Feig frequently torpedoing Jackpot!’s momentum in order to engage in copious amounts of leaden improvisational comedy.” –
In Review Online
Aug 14, 2024
Full Review
Chainsaws Were Singing (2024)
81%
“Chainsaws Were Singing is largely enjoyable to watch...[it] ultimately runs too long for comfort, diluting its cleverness as it stretches past its baked-in expiry date, but for the first two-thirds of its runtime, the unhinged enthusiasm feels infectious.” –
In Review Online
Jul 28, 2024
Full Review
Oddity (2024)
96%
“Mc Carthy’s storytelling instincts don’t always make for the most rousing watch, but he does have an undenoable way with atmosphere, and still manages to offer plenty of intriguing horror fodder to attract a diverse cross-section of the genre's fans.” –
In Review Online
Jul 15, 2024
Full Review
Bang Bang (2024)
78%
“Like its title character, Bang Bang is rough and ungainly, but taken as a showcase for Nelson’s talents, one could do a whole lot worse. ” –
In Review Online
Jun 19, 2024
Full Review
Hundreds of Beavers (2022)
97%
“Hundreds of Beavers is undoubtedly silly, but it’s a film with a lot of heart and wit, and it delivers what it promises, fashioning a wild piece of entertainment that sustains laughs for the entire runtime.” –
Film Inquiry
Jun 2, 2024
Full Review
Mars Express (2023)
100%
“Despite [obvious influences], Périn succeeds at still making Mars Express distinctly his own, showcasing impressive storytelling chops and punctuating the film with his gorgeously realized animation.” –
In Review Online
May 2, 2024
Full Review
Marmalade (2024)
69%
“Marmalade occasionally veers down the path of being too clever for its own good, but O’Donnell offers enough inventive twists and turns to keep this iteration of the lovers-on-the-run subgenre fresh and exciting before guiding it to a safe landing.” –
In Review Online
Mar 7, 2024
Full Review
Stopmotion (2023)
91%
“Stopmotion typically strains to hit the 90-minute mark, and its psychological depths are perhaps a bit shallower than intended, but for those who prefer more tangible images in their horror, it’s a marked success in that regard.” –
In Review Online
Mar 7, 2024
Full Review
Night Shift (2023)
77%
“The China Brothers certainly aim to please with Night Shift... but true inspiration only comes in fits and spurts, leaving one hoping they’ll take another pass (or two) at the screenplay before they embark on their next feature film.” –
In Review Online
Mar 7, 2024
Full Review
Skinamarink (2022)
74%
“Skinamarink is a truly singular experience, one that taps into the dormant fears that lie in our pre-adolescence and brings the unfamiliar to the familiar. It’s the scariest film I’ve seen in years.” –
Film Inquiry
Jan 14, 2023
Full Review
The Banshees of Inisherin (2022)
96%
“With an uproarious sense of humor and tender sequences of heartbreak, and brimming with some of the year’s finest performances, it’s a formidable effort told with great care, and easily one of the most gratifying films of 2022.” –
Film Inquiry
Oct 29, 2022
Full Review
Halloween Ends (2022)
40%
“As a final showdown for Michael Myers and Laurie, it’s a bit disappointing, but as an act of franchise self-immolation in favor of interesting storytelling choices, it’s a remarkable one.” –
Film Inquiry
Oct 22, 2022
Full Review
Deep Water (2022)
35%
“Fortunately, Lyne does have Affleck and de Armas, and they certainly don't account for nothing, lifting the material far higher than their director ever could.” –
Film Inquiry
Mar 26, 2022
Full Review
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