The Accountant 2 (2025)
77%
2.5/5
“...The Accountant 2 is a gift hamper intended to contain something for everyone. There are a handful of brutal action sequences, there’s the somewhat convoluted and murky plot – and then there’s a surprising amount of laidback buddy-comedy stuff...” –
Sydney Morning Herald
Apr 24, 2025
Full Review
Drop (2025)
84%
2.5/5
“...the best compliment I can give is that I couldn’t wait for it to be over.” –
Sydney Morning Herald
Apr 21, 2025
Full Review
Warfare (2025)
93%
3/5
“While conventional entertainment value may not be the film’s strength, Garland and Mendoza have taken some impressive risks in throwing many of the rules of drama out the window.” –
Sydney Morning Herald
Apr 19, 2025
Full Review
Bad Genius (2024)
72%
2.5/5
“Sadly, Bad Genius fails to fulfil its early promise, especially when it comes to subverting the English-language stereotype of Asian students as brainy but straitlaced.” –
Sydney Morning Herald
Apr 19, 2025
Full Review
Death of a Unicorn (2025)
54%
3/5
“...[Death of a Unicorn] is the good-taste version of an innately bad-taste idea.” –
Sydney Morning Herald
Apr 10, 2025
Full Review
A Minecraft Movie (2025)
48%
2.5/5
“Hess and company haven’t managed to use the building blocks at their disposal to construct anything that holds up.” –
The Age (Australia)
Apr 2, 2025
Full Review
Head South (2024)
100%
3.5/5
“...this is the film where Ogilvie shows what he really has in him. ” –
Sydney Morning Herald
Apr 2, 2025
Full Review
A Working Man (2025)
49%
2/5
“Statham’s furrowed-brow under-emoting is supposed to hold it all together, along with all the dramatic backlighting... But he’s visibly some way past his physical peak; certainly there’s no effort to persuade us that he does his own stunts.” –
Sydney Morning Herald
Mar 31, 2025
Full Review
The Cats of Gokogu Shrine (2024)
4/5
“..if you don’t like cats, do you even really like cinema? For us sensible people, anyway, the film offers many of the same pleasures as the most durable of all genres on YouTube.” –
The Age (Australia)
Mar 27, 2025
Full Review
Flow (2024)
97%
3.5/5
“...this isn’t far from what video games used to look like in the 1990s. In a present-day context the effect is slightly uncanny, simply because it’s no longer the norm.” –
Sydney Morning Herald
Mar 19, 2025
Full Review
The Alto Knights (2025)
40%
2.5/5
“...while I applaud Hollywood’s willingness to let its veterans keep going, the film is half-hearted enough to suggest an awareness of having arrived too late.” –
Sydney Morning Herald
Mar 19, 2025
Full Review
Mickey 17 (2025)
77%
4/5
“Mickey 17 is a special treat for those like me who grew up loving late 20th-century sci-fi movies from Alien and Blade Runner to Total Recall and Starship Troopers...” –
Sydney Morning Herald
Mar 6, 2025
Full Review
Hard Truths (2024)
95%
4/5
“For those on Leigh’s wavelength, Hard Truths is his funniest film in many years, and as emotionally truthful as the title promises, despite a few flickers of sentimentality around the edges.” –
Sydney Morning Herald
Mar 6, 2025
Full Review
The Last Journey (2024)
85%
3/5
“...the film is really much more about [Filip] than it is about his dad. But for all its ruthless efficiency, I never doubted that it was also an expression of love.” –
Sydney Morning Herald
Feb 26, 2025
Full Review
Inside (2024)
3/5
“[Charles Williams'] style has a comparable heaviness, with pointed cutaways to symbolic objects, brief flashbacks to scenes better left to the imagination, and more brooding music than is needed.” –
Sydney Morning Herald
Feb 26, 2025
Full Review
The Monkey (2025)
79%
3.5/5
“...the deaths are far too over-the-top to take seriously, and are abrupt enough so we needn’t spend much time watching the characters suffer. The real discomfort isn’t in these slapstick interludes but in the melodramatic plot...” –
Sydney Morning Herald
Feb 19, 2025
Full Review
Captain America: Brave New World (2025)
48%
2.5/5
“As the kind of action-fantasy spectacular expected from Marvel, Brave New World is a non-starter. Often it feels closer to a 온라인카지노추천 procedural...” –
Sydney Morning Herald
Feb 13, 2025
Full Review
Babygirl (2024)
76%
4/5
“Not all viewers will be equally ready to invest in the fantasy of Babygirl, but the awkward space between safe distance and all-out commitment is where the movie invites us to spend some time.” –
The Age (Australia)
Jan 31, 2025
Full Review
A Complete Unknown (2024)
82%
4/5
“I think Mangold knows what he’s doing, abandoning the pretence of realism the way Dylan abandoned the small pond of folk music, thus letting us see the film as a parable.” –
The Age (Australia)
Jan 23, 2025
Full Review
Wolf Man (2025)
50%
3/5
“Technically, a good deal of Wolf Man is ruthlessly effective, including the use of “practical effects”, calculated to make us wince as computer-generated images seldom can.” –
The Age (Australia)
Jan 16, 2025
Full Review
Sing Sing (2023)
97%
3/5
“Perhaps it should have been a musical -- which Buell’s play originally was. But even without the tunes, you’ll likely be moved at some point, especially if you’ve ever experienced the pleasures and challenges of putting on a show.” –
The Age (Australia)
Jan 16, 2025
Full Review
Monster Summer (2024)
57%
2/5
“A lightweight horror-fantasy aimed in theory at young teens, Monster Summer could be described as a cut-price Stranger Things -- and it certainly is strange in a number of ways. ” –
The Age (Australia)
Jan 14, 2025
Full Review
Conclave (2024)
93%
3/5
“In the separate realm of fiction, my feeling is that a palace intrigue is dramatically most effective when the palace is rotting from the inside -- and that Conclave in particular would have gained from a pinch more cynicism.” –
The Age (Australia)
Jan 13, 2025
Full Review
Parthenope (2024)
45%
3/5
“Mostly the film is an experience you can drift through as the heroine drifts through life, enchanted and sceptical at once. Something to occupy the time, even if you’re less than fully sold.” –
The Age (Australia)
Dec 23, 2024
Full Review
Sonic the Hedgehog 3 (2024)
85%
2/5
“It’s the kind of cross-cultural mash-up that might be intriguingly baffling if it wasn’t more or less the norm in present-day Hollywood. ” –
The Age (Australia)
Dec 21, 2024
Full Review
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