Crash (1996)
64%
“The film is still eerily prescient about the way technology numbs us. Some of Crash's near-surgical aesthetic and harder-edged sex feel more stuck in the '90s. But the fetishized car culture? It's still very much with us.” –
Georgia Straight
Aug 18, 2020
Full Review
Arab Blues (2020)
92%
“Selma, so magnetically inhabited by Farahani, is a very different kind of female character than we're used to seeing from the Arab world: strong, complex, happy to be single, and equal parts wry, smart, and anxious.” –
Georgia Straight
Jul 30, 2020
Full Review
Piano to Zanskar (2018)
100%
“The result is a breathtakingly shot journey where the piano seems in constant peril.” –
Georgia Straight
Jul 27, 2020
Full Review
Helmut Newton: The Bad and the Beautiful (2020)
78%
“As this spirited bio pic reveals, the reality of the man and his work is infinitely more complex. Like sex itself, it's complicated.” –
Georgia Straight
Jul 20, 2020
Full Review
American Woman (2019)
57%
“Chau is strong enough to bring a compelling new perspective to this bizarre chapter of history -- and to the entire idea of the identity of the "American woman".” –
Georgia Straight
Jul 6, 2020
Full Review
Landfall (2020)
92%
“Aldarondo's impressionistic, kaleidoscopic take offers a more accurate picture of the chaos than any standard narrated documentary ever could.” –
Georgia Straight
Jun 12, 2020
Full Review
Birth Wars (2019)
“Aside from capturing the miracle of birth from every possible angle, the film offers an unfussy, keenly observed look at a messy situation.” –
Georgia Straight
Jun 12, 2020
Full Review
Forget Me Not (2019)
“Social strictures leave a legacy of pain that forever links child and parent, and you'll feel it viscerally long after the film ends.” –
Georgia Straight
Jun 12, 2020
Full Review
The King of Staten Island (2020)
76%
“Maybe it's just that the film has caught the same laid-back listlessness of its antihero, refusing to work too hard for laughs. There's heart here, but not a lot of energy.” –
Georgia Straight
Jun 10, 2020
Full Review
“The poetic, mystical touches that have made B.C. Métis artist Marie Clements's plays so striking find vivid new expression on film.” –
Georgia Straight
Mar 12, 2020
Full Review
Lie Exposed (2020)
0%
“Lie Exposed is ambitious, but it's never quite as shocking, raw, or life-changing as it wants to be. The overall impression, to steal from Lana Del Rey, is beautiful people with beautiful problems.” –
Georgia Straight
Mar 5, 2020
Full Review
One Day in the Life of Noah Piugattuk (2019)
“A slow, blackly comic, and intensely important study in all that got lost in translation.” –
Georgia Straight
Feb 27, 2020
Full Review
1917 (2019)
88%
“A picture that blends the surreal nightmarescape of Apocalypse Now with the journey-quest of Saving Private Ryan, torqued up by a race against time -- and, of course, by the rush of watching the filmmakers pull this off on a sheer technical level.” –
Georgia Straight
Jan 13, 2020
Full Review
And the Birds Rained Down (2019)
89%
“Louise Archambault's gently paced and unexpectedly deep new film has a kind of tenderness you don't often experience in the movies.” –
Georgia Straight
Jan 9, 2020
Full Review
Klaus (2019)
95%
“A gritty origin story probably isn't on a lot of people's wish list this holiday season.” –
Georgia Straight
Nov 6, 2019
Full Review
The King (2019)
71%
“It's brutal, deglamorized, and horrifyingly spectacular.” –
Georgia Straight
Oct 31, 2019
Full Review
For Sama (2019)
98%
“This isn't polished stuff...but no other documentary out there has captured the human cost of the Syrian crisis with such clarity.” –
Georgia Straight
Oct 16, 2019
Full Review
Fast Color (2018)
83%
“It's a strange and enticing mix: a superhero origin story and sci-fi paranormal effects mix with apocalyptic allegory.” –
Georgia Straight
Aug 15, 2019
Full Review
The Queen (1968)
96%
“The movie is by turns a historic document, a milestone of queer filmmaking...” –
Georgia Straight
Aug 14, 2019
Full Review
Bethany Hamilton: Unstoppable (2018)
73%
“Hamilton is a fearless risk-taker...the film about her? Not so much.” –
Georgia Straight
Jul 26, 2019
Full Review
Anna (2019)
34%
“Anna looks Euro-slick, but feels like a creepy showcase for the director's own fetishes.” –
Georgia Straight
Jun 28, 2019
Full Review
Black Mother (2018)
97%
“A viscerally poetic portrait of a country that's full of contradictions.” –
Georgia Straight
May 21, 2019
Full Review
Poms (2019)
36%
“While there are a few touching strides for senior sisterhood here, many of the women are too faintly sketched to avoid stereotypes.” –
Georgia Straight
May 16, 2019
Full Review
Pomelo (2018)
“Rubble has never been shot so beautifully, the directors finding a kind of moving poetry in the chaos here...” –
Georgia Straight
May 8, 2019
Full Review
Toxic Beauty (2019)
100%
“By the end of the hard-hitting, wide-ranging exposé, you'll understand the fuller implications of words you already know-phthalates, parabens, endocrine disruptors.” –
Georgia Straight
May 4, 2019
Full Review
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