We Were Dangerous (2024)
97%
“By never shying away from those horrors, watching this trio consistently rebel only amplifies the potency of their inspirational battle cry.” –
The Film Stage
May 9, 2025
Full Review
Summer of 69 (2025)
93%
7/10
“While its parallel roads towards self-actualization leans into its wholesome center, this is still a raunchy R-rated comedy. So, don’t expect the journey to be a conventional one even if the trajectory proves familiar.” –
Hey, Have You Seen ...?
May 9, 2025
Full Review
Fight or Flight (2024)
76%
7/10
“Chandran and Sackhoff are good as the two actors with enough screen-time to not be relegated into bit parts like everyone else. So, it's up to Hartnett to carry Fight of Flight on his shoulders and the tone is right in his wheelhouse to ensure he does.” –
Hey, Have You Seen ...?
May 9, 2025
Full Review
Absolute Dominion (2025)
6/10
“The cast has the earnest charm to lean into the genre’s inherent cheesiness and not subvert the message Alexander has instilled as the film’s backbone. The same goes for the obvious budgetary constraints.” –
Hey, Have You Seen ...?
May 9, 2025
Full Review
Clown in a Cornfield (2025)
73%
5/10
“[There's] a disingenuous undercurrent of older allies playacting today's youth's authentic rage. I'm sure Craig and Blanchard mean well, but this property needed filmmakers in their twenties or thirties behind the wheel rather than fifties and above.” –
Hey, Have You Seen ...?
May 9, 2025
Full Review
Henry Johnson (2025)
52%
8/10
“[Mamet] has weaponized our collective cynicism to create a character who is so willing to think the best of people that he’ll continue doing so even as that trust sinks him deeper and deeper into despair.” –
Jaredmobarak.com
May 6, 2025
Full Review
The Surfer (2024)
86%
8/10
“The Surfer is about torturing Nic Cage until all pretense evaporates to leave his purely primal instincts in charge. Sell [his] soul for the dreams society indoctrinated him to achieve or realize no "reward" is worth relinquishing his humanity.” –
Hey, Have You Seen ...?
May 2, 2025
Full Review
Holy Night: Demon Hunters (2025)
6/10
“The story itself is hardly groundbreaking, but the leading trio have a fun rapport that I wouldn’t mind watching again. It’s only real knock preventing its popcorn fare’s advancement from “familiar” to “exciting” is that it inherently feels incomplete.” –
Hey, Have You Seen ...?
May 2, 2025
Full Review
Salvable (2025)
38%
6/10
“Salvable is always at its best when Kebbell and the younger Cassidy are together. It’s a story ripe for abstract lyricism told via linear literalism. Exciting potential undercut by familiar execution.” –
Hey, Have You Seen ...?
May 2, 2025
Full Review
On Swift Horses (2024)
51%
7/10
“An impressively adult look at our collective struggle to find our place and identity in an ever-changing world. On Swift Horses is in many senses a coming-of-age film for the late-twenty sect in an era where one is supposed to already know who they are.” –
Hey, Have You Seen ...?
Apr 25, 2025
Full Review
April (2024)
95%
8/10
“And through it all lies an impressive performance from Sukhitashvili. Between the demand of the long takes and the constant state of fight or flight uncertainty, we find ourselves mesmerized by every movement and expression.” –
Hey, Have You Seen ...?
Apr 25, 2025
Full Review
The Trouble with Jessica (2023)
64%
7/10
“This is why the black comedy proves so successful. These are all reprehensible people in the vein that we are all reprehensible people. [They] know the difference between right and wrong, but none are above moving that line when it suits them.” –
Hey, Have You Seen ...?
Apr 25, 2025
Full Review
Emergent City (2024)
100%
8/10
“The informative and compelling footage the filmmakers have compiled is the main driving force here, but I must make note of the expert editing and structural organization of the whole with just the right amount of contextual exposition.” –
Hey, Have You Seen ...?
Apr 25, 2025
Full Review
The Ugly Stepsister (2025)
95%
7/10
“Blichfeldt lays [the] patriarchal misogyny [of fairy tales] bare. Because that's the true motivation behind such storybook romance: the desire to satisfy a man for survival in hopes he might satisfy you too.” –
Hey, Have You Seen ...?
Apr 18, 2025
Full Review
The Wedding Banquet (2025)
88%
8/10
“The true highlights are Youn and Chen. Comedic timing, poignant pathos, and an authentic understanding in how they learn and grow to be what Min and Angela need even if it took them longer than it should.” –
The Film Stage
Apr 18, 2025
Full Review
Queens of Drama (2024)
82%
7/10
“[The film] revels in celebrity’s fabrication. The messaging is sound with a package dripping in gender queer excess.” –
Hey, Have You Seen ...?
Apr 18, 2025
Full Review
Helen and the Bear (2024)
7/10
“Blair’s relationship to her subjects affords access, but it’s her curiosity to truly understand them that delivers what we need to invest in learning about them too.” –
Hey, Have You Seen ...?
Apr 11, 2025
Full Review
Darkest Miriam (2024)
85%
5/10
“I'm left wondering how much more of Darkest Miriam on-screen would make sense if I read Baillie's words. Or maybe the film just wasn't for me.” –
Hey, Have You Seen ...?
Apr 11, 2025
Full Review
Psycho Therapy: The Shallow Tale of a Writer Who Decided to Write About a Serial Killer (2024)
82%
6/10
“Thankfully the ends justify the means once Karaçelik goes full speed into the metaphor that marriage is similar to murder. Or, more specifically, that the adrenaline rush of one just might be the jump start necessary to reinvigorate the other.” –
Hey, Have You Seen ...?
Apr 11, 2025
Full Review
The Luckiest Man in America (2024)
66%
7/10
“The era-specific production design, expert pacing, and captivating twists once the truth is uncovered provide the scaffolding so the actors can turn it into gold.” –
Hey, Have You Seen ...?
Apr 4, 2025
Full Review
The Friend (2024)
84%
7/10
“The psychological possibilities are endless. Regardless, the messaging is sweet. The depiction of human/canine love and affection is pure. And Watts is given a wonderful part to excel in.” –
Hey, Have You Seen ...?
Apr 4, 2025
Full Review
Drowning Dry (2024)
94%
7/10
“It’s okay to give yourself to the film’s odd rhythm because that sense of confusion you feel is purposeful. These are fallible people dealing with internal doubts while striving to stay afloat.” –
Hey, Have You Seen ...?
Apr 4, 2025
Full Review
Eric LaRue (2023)
69%
5/10
“The thing about Eric LaRue is that it doesn't mine these complexities to search for answers or empathy. No, it seems more interested in stoking the hate instead. It craves provocation.” –
Hey, Have You Seen ...?
Apr 4, 2025
Full Review
Freaky Tales (2024)
74%
7/10
“Oakland’s own Too $hort [narrates] the “facts” while also sprinkling in what he’s “heard” to cut through the speculation and breathe life into Fleck and Boden’s wildly violent homage to an era and area close to their hearts.” –
Hey, Have You Seen ...?
Apr 4, 2025
Full Review
Locked (2025)
66%
6/10
“To the correct audience, however, Locked is a pretty accurate depiction of where we are right now. A populace beholden to the whims of an oligarchy setting obvious traps to justify its own violence.” –
Hey, Have You Seen ...?
Mar 28, 2025
Full Review
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