The End (2024)
56%
“It's a mournful post-apocalyptic musical with an ecological undertone, which could have been a brave attempt at the unconventional, but instead ends up in a narrative uphill battle...[Full review in Spanish]” –
El Pais (Spain)
Apr 25, 2025
Full Review
La Niña de la Cabra (2025)
“...the director's style never strays, with good taste for locations, a notable treatment of light, and effective symbolisms... [Full review in Spanish]” –
El Pais (Spain)
Apr 23, 2025
Full Review
Drop (2025)
84%
“Despite the fact that at times it becomes overly grandiose, Landon directs and edits with a relentless pace that doesn't let up. [Full review in Spanish]” –
El Pais (Spain)
Apr 11, 2025
Full Review
William Tell (2024)
56%
“Without a hint of humor, it doesn't lack a single cliché...[Full review in Spanish]” –
El Pais (Spain)
Apr 5, 2025
Full Review
Quiet Life (2024)
94%
“...Quiet Life is harsh, complex, and, especially in its final stretch, has a tone that tends toward the absurd...[Full review in Spanish]” –
El Pais (Spain)
Apr 5, 2025
Full Review
Longing (2024)
29%
1/5
“The inconsistency of the situations is only enhanced by the alienation of the dialogue. [Full review in Spanish]” –
Cinemanía (Spain)
Apr 2, 2025
Full Review
A Whale (2024)
“...somewhere between fantasy and science fiction. An attractive generic fusion that works better in some aspects than in others, but is almost always suggestive thanks to its uniqueness. [Full review in Spanish]” –
El Pais (Spain)
Apr 1, 2025
Full Review
Ghostlight (2024)
99%
“A magnificent American independent film, Ghostlight restores our faith in how therapeutic art can sometimes be.[Full review in Spanish]” –
El Pais (Spain)
Mar 28, 2025
Full Review
Disney's Snow White (2025)
40%
“If we ignore all of the [reworkings], which is already a lot to ignore, and focus on the artistic and substantive changes, this new Snow White isn't among the worst live-action adaptations of its animated classics. [Full review in Spanish]” –
El Pais (Spain)
Mar 21, 2025
Full Review
Sugar Island (2024)
3/5
“A laudable curiosity. [Full review in Spanish]” –
Cinemanía (Spain)
Mar 20, 2025
Full Review
Wolfgang (Extraordinari) (2025)
“...Wolfgang is a highly accomplished work, elegant in its form, that addresses such complex themes as Asperger's, depression, the difficulties of motherhood and fatherhood,...and even personal vulnerability... [Full review in Spanish]” –
El Pais (Spain)
Mar 14, 2025
Full Review
Santosh (2024)
100%
“...a film that cinematically may seem conventional in terms of its staging and development, but ultimately stands out for its fascinating portrayal of environments (unfamiliar, overwhelming, and revealing) in a neo-noir style. [Full review in Spanish]” –
El Pais (Spain)
Mar 14, 2025
Full Review
Mickey 17 (2025)
77%
“...Bong Joon-ho...has tried all of the above in Mickey 17...: analysis and transcendence through commercial impetus and entertainment; laughter and even love. And nothing works. Nothing. [Full review in Spanish]” –
El Pais (Spain)
Mar 7, 2025
Full Review
Hard Truths (2024)
95%
“Coarse and without answers (or questions), [Mike Leigh] has composed the worst film of his filmography.” –
El Pais (Spain)
Feb 28, 2025
Full Review
Daniela Forever (2024)
83%
“...Vigalondo leaves a handful of visually striking images, along with his usual boldness, this time displayed not only in his peculiar synopses but also in a particularly dark theme...[Full review in Spanish]” –
El Pais (Spain)
Feb 21, 2025
Full Review
Limonov: The Ballad of Eddie (2024)
65%
“A film with hardly any complexity, much more exhibitionist than profound, which wanders through a film biography in a film that is too formalistic. [Full review in Spanish]” –
El Pais (Spain)
Feb 21, 2025
Full Review
The Monkey (2025)
79%
“What Perkins offers here is distinguished gore, displayed through a thunderous choreography of each of the deaths, full of inventiveness and malice. [Full review in Spanish]” –
El Pais (Spain)
Feb 21, 2025
Full Review
Vermiglio (2024)
93%
“Beautiful and powerful, Vermiglio, which premiered at the last Venice Film Festival, is the latest offering that middles between the contemplative and the racial. [Full review in Spnaish]” –
El Pais (Spain)
Feb 14, 2025
Full Review
Armand (2024)
75%
“It's very good, but it's not an easy watch. [Full review in Spanish]” –
El Pais (Spain)
Feb 14, 2025
Full Review
Ghost Trail (2024)
100%
“Millet is not condescending, clichéd, or mellifluous; he offers a counterpart to the (im)possible redemption of a torturer... [Full review in Spanish]” –
El Pais (Spain)
Feb 11, 2025
Full Review
Bodegón con Fantasmas (2024)
“Bodegón con Fantasmas gathers, sometimes subtly, other times explicitly, some of the themes most addressed by cinema these days. [Full review in Spanish]” –
El Pais (Spain)
Feb 11, 2025
Full Review
Black Box Diaries (2024)
98%
“The titular Black Box isn't about a problematic individual but of an entire society. [Full review in Spanish]” –
El Pais (Spain)
Feb 11, 2025
Full Review
September 5 (2024)
93%
“September 5 is pure adrenaline. [Full review in Spanish]” –
El Pais (Spain)
Feb 11, 2025
Full Review
A Different Man (2024)
93%
“Schimberg moves between Freaks, The Elephant Man, Beauty and the Beast, Mask, Open Your Eyes, and even the cultural comedies of Woody Allen... [Full review in Spanish]” –
El Pais (Spain)
Feb 4, 2025
Full Review
Memoir of a Snail (2024)
95%
“Memoir of a Snail has an exquisite taste for detail in each of its frames carefully composed with brutal self-discipline and characters that contain as much art as insolence. [Full review in Spanish]” –
El Pais (Spain)
Feb 4, 2025
Full Review
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