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Jeremiah Kipp

Tomatometer-approved critic
Biography:

Jeremiah Kipp has a diverse background in film production and writing. He has been published in Filmmaker Magazine, Fangoria, MovieMaker Magazine, Shock Cinema, Show Business Weekly, Film Festival Today and Guerrilla Filmmaker and writes online movie reviews for Slant Magazine and Filmcritic.com. Jeremiah has also been a judge for New York?s annual Fringe Festival and is a member of the Online Film Critics Society and Cinemarati. Jeremiah holds a B.F.A. in film from New York University, having graduated from the Tisch School of the Arts with honors.

Critics' Group:
Location:

New York

Official Website:

http://filmcritic.com

Reviews

Movies 온라인카지노추천 Shows
Children of the Corn (2009) 0% 2.5/5 “This lazy reimagining of a terse Stephen King short story drags itself through the horror paces, with a predictable slow build toward a couple of splashy gore sequences” – Slant Magazine Jan 15, 2020 Full Review That Most Important Thing: Love (1975) 93% 4/4 “This isn't the realm of sentimentality, because love here is violent and obsessive and all-encompassing.” – Slant Magazine Jul 6, 2017 Full Review “As the final episode of the first season of Masters of Horror, Haeckel's Tale is representative of much of the series: talented filmmakers working on material from genre aficionados, yielding uneven results.” – Slant Magazine May 21, 2015 Full Review “In these days of PG-13 horror films too timid to alienate their audience, it's nice to see that Stuart Gordon hasn't lost his knack for macabre impropriety.” – Slant Magazine May 21, 2015 Full Review “Tobe Hooper lacks the nerve to stand by his transgressions, and resorts to cheap effects.” – Slant Magazine May 21, 2015 Full Review Chelsea on the Rocks (2008) 71% 3/4 “Chelsea on the Rocks is very lively, somewhat thrown together in that loose yet aggressively visceral Ferrara style.” – Slant Magazine Sep 28, 2009 Full Review Paradise (2009) 83% 4/4 “It wouldn't be a stretch to compare Paradise to Alphaville, what with its imagining of the modern as otherworldly, or to imagine it as a capsule made by an outer-space explorer who visits Earth and finds layers of mystery in the mundane.” – Slant Magazine Sep 23, 2009 Full Review Passing Strange The Movie (2009) 100% 3/4 “A worthy public record of a show most people nationwide didn't get the chance to see.” – Slant Magazine Aug 20, 2009 Full Review It Might Get Loud (2008) 79% 2.5/4 “Nearly two hours of yackety-yak is less expressive than one image of White's hand bleeding from the intensity of pressing his guitar strings during a mad improvisation.” – Slant Magazine Aug 11, 2009 Full Review A Perfect Getaway (2009) 62% 2.5/4 “Unashamed of flaunting its B-movie conventions” – Slant Magazine Aug 6, 2009 Full Review Bad Lieutenant (1992) 76% 4/4 “Ferrara was in the right place at the right time to make Bad Lieutenant.” – Slant Magazine Aug 5, 2009 Full Review Friday the 13th, Part VI: Jason Lives (1986) 55% 2.5/4 “While there's a superficial been-there-done-that, why don't-we-just-mock-the-whole-thing quality to this entry in the series, it certainly livens up what has become by this point a stale franchise.” – Slant Magazine Jun 12, 2009 Full Review Friday the 13th -- A New Beginning (1985) 17% 1.5/4 “The tone is crude, raunchy, and leering, with kill scenes combined with more nudity than usual.” – Slant Magazine Jun 12, 2009 Full Review Friday the 13th: The Final Chapter (1984) 22% 2.5/4 “This one certainly felt as if it properly closed out the Friday the 13th series before it devolved into unadulterated camp.” – Slant Magazine Jun 12, 2009 Full Review Hearts and Minds (1974) 90% 3.5/4 “Hearts and Minds is an essay told in a voice of thinly controlled moral outrage, which sometimes dribbles over into seething hate.” – Slant Magazine Mar 19, 2009 Full Review The Haunted Castle (1921) 40% 1.5/4 “There's almost no expressionistic phantasmagoria here.” – Slant Magazine Mar 16, 2009 Full Review Hobson's Choice (1954) 91% 4/4 “Lean's splendid frames specifically work to show the high and low status of a social grid.” – Slant Magazine Feb 23, 2009 Full Review Femme publique, La (1984) 4/4 “Though Kessling can be interpreted as a stand-in for Zulawski, Femme Publique is not his autobiography in the same way his previous film Possession was.” – Slant Magazine Feb 18, 2009 Full Review Faces (1968) 85% 3/4 “Cassavetes was interested in actors and their freak-show intensities, and their performances give his films a hyper-real quality.” – Slant Magazine Feb 14, 2009 Full Review Shadows (1958) 100% 3/4 “The Beat generation espoused a rejection of mainstream American values, and John Cassavetes's Shadows feels like a relic from that movement.” – Slant Magazine Feb 14, 2009 Full Review Friday the 13th Part 3 (1982) 11% 1.5/4 “Shot in such a way to capitalize on the brief fad of Reagan-era 3D movies, there's less memorable POV shots from the killer and more images from the perspective of the victims.” – Slant Magazine Feb 4, 2009 Full Review Friday the 13th, Part 2 (1981) 33% 2.5/4 “Friday the 13th Part 2 never aspires to be termite art.” – Slant Magazine Feb 4, 2009 Full Review Friday the 13th (1980) 67% 2/4 “You really have to wonder what exactly made the Friday the 13th series so wildly successful.” – Slant Magazine Feb 4, 2009 Full Review The Spirit (2008) 14% 1/4 “Samuel L. Jackson has hit a rock bottom with The Spirit that's comparable only to Joan Crawford's appearance in Trog.” – Slant Magazine Dec 20, 2008 Full Review Seven Pounds (2008) 26% 2/4 “Looking like he hasn't shaved in days, and wearing the same suit day after day, Smith is playing the Hollywood version of worn and weary.” – Slant Magazine Dec 17, 2008 Full Review
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