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Jesse Cataldo

Jesse Cataldo's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies 온라인카지노추천 Shows
Predator 2 (1990) 29% “Predator 2 feels like an aimless tangent compared to its predecessor, but rarely do unnecessary remixes exhibit such insane and original verve. ” – Spectrum Culture Oct 4, 2022 Full Review The Last Waltz (1978) 98% “The combination of shagginess and directorial fussbudgetry that marks the final product also functions as a reminder that Scorsese often does his best work while shaping discord into the type of art that retains distinct traces of that turmoil. ” – Spectrum Culture Sep 9, 2022 Full Review The Intruder (2004) 91% “Formulates a chimeric disquisition on the things that divide us - the self-imposed limitations and expectations cultivated by fear and ignorance - which result in their own form of emotional confinement. ” – Spectrum Culture May 20, 2022 Full Review Trouble Every Day (2001) 57% “A masterful invocation of the gray areas in which pleasure and pain, attraction and repulsion, can commingle in uncomfortable fashion. ” – Spectrum Culture May 10, 2022 Full Review Saint Jack (1979) 72% “Shooting halfway around the world, director Peter Bogdanovich manages to reinvent his style in a minor key with Saint Jack, while retaining the love of sparkling dialogue, gag work, and interpretive pastiche that defined his career.” – Spectrum Culture Apr 26, 2022 Full Review Losing Ground (1982) 96% 3/4 “The inherent tension of this scenario is ratcheted up gradually, across patient, theatrically composed scenes.” – Slant Magazine Mar 1, 2022 Full Review Duet for Cannibals (1969) 80% 3/4 “Susan Sontag's debut film serves as an intriguing cinematic extension of her more well-known written work.” – Slant Magazine Nov 16, 2019 Full Review At War (2018) 69% 2/4 “The film is content to bluntly affirm that corporate attempts at compassion are always secondary to providing profit to shareholders.” – Slant Magazine Jul 16, 2019 Full Review Dogman (2018) 84% 2/4 “The film only succeeds at evoking a firm sense of place and an accompanying air of alluring grotesquerie.” – Slant Magazine Apr 7, 2019 Full Review Sleepless Nights Stories (2011) 67% “It proves that Mekas is still very much awake, contemplating the broad gulfs of the past and future, the little life that, as Shakespeare put it, "is rounded with a sleep."” – MUBI Jan 9, 2018 Full Review Tempestad (2016) 95% 3/4 “This is a heartfelt essay film that digs into several instances of trauma occasioned by Mexico's drug war.” – Slant Magazine Oct 15, 2017 Full Review Funeral Parade (1969) 100% 3/4 “The film is caught somewhere between freeform sketch comedy, gonzo documentary, and irony-soaked Warholian melodrama.” – Slant Magazine Jun 3, 2017 Full Review Free Fire (2016) 70% 3/4 “Ben Wheatley's film reduces the modus operandi of the action movie down to its starkest elements.” – Slant Magazine Apr 14, 2017 Full Review Les hautes solitudes (1974) 3.5/4 “The limitations of black and white both point to Philippe Garrel's silent-era influences and identify a way forward.” – Slant Magazine Feb 20, 2017 Full Review Silence (2016) 83% 3.5/4 “Martin Scorsese crafts a versatile, multifaceted work that encourages serious reflection and contemplation.” – Slant Magazine Dec 15, 2016 Full Review Nocturnal Animals (2016) 74% 2.5/4 “Tom Ford remains too reliant on overwrought imagery, residual prestige affectations, and conventional rhythms to break free of either genre the film experiments with.” – Slant Magazine Nov 14, 2016 Full Review Dog Eat Dog (2016) 52% 1.5/4 “Paul Schrader's film scrambles for contemporary relevance and finds only nihilistic hollowness.” – Slant Magazine Oct 28, 2016 Full Review Julieta (2016) 84% 2.5/4 “Pedro Almodvar's object-oriented approach ends up blocking off the deeper emotional access that Alice Munro's stories so effortlessly attain.” – Slant Magazine Sep 29, 2016 Full Review Do Not Resist (2016) 91% 3/4 “Director Craig Atkinson's film explicates its points with blunt but persuasive efficiency.” – Slant Magazine Sep 25, 2016 Full Review Morris From America (2016) 87% 3/4 “Chad Hartigan's film is especially perceptive about the effect of external influence on personal development.” – Slant Magazine Aug 15, 2016 Full Review Under the Sun (2015) 94% 2/4 “The film's primary effect is to substantiate gossip, while satisfying the perverse human desire to gander at misery.” – Slant Magazine Jul 2, 2016 Full Review Cosmos (2015) 78% 2.5/4 “Andrzej Zulawski's film experiment ranks somewhere between captivatingly off the wall and utterly exhausting.” – Slant Magazine Jun 13, 2016 Full Review Dheepan (2015) 87% 2.5/4 “Jacques Audiard's film struggles to overcome the burden of its over-simplified, moralizing setup.” – Slant Magazine May 3, 2016 Full Review Back Home (2015) 73% 3/4 “Louder Than Bombs is a parable that takes depression seriously as a condition and a state of being.” – Slant Magazine Apr 4, 2016 Full Review The Witch (2015) 91% 3/4 “The reworking of a tired horror trope into a transformed feminist symbol stands out as an impressive act of genre revisionism.” – Slant Magazine Feb 15, 2016 Full Review
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